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This video is an in-depth tutorial of THE BUS+ and covers set up, operating the unit and audio examples.
We've been on a mission to create the ultimate and most versatile incarnation of the Bus Compressor ever. The bedrock of the design remains faithful to the original circuit and using this as the foundation, we've built upon it, adding several unique colouration options and advanced processing tools. If you need it to be clean and punchy like the SuperAnalogueTM 9000 Series version, it can be. If you need it to be gritty and grungy like an early 4000E, it can do that also. Or if you need over-the-top, saturated, parallel compression for the drums, THE BUS+ has got you covered.
THE BUS+ circuit design utilises high-grade components, including 2181 THAT VCAs for superior analogue performance, four modes of operation and 3 distinct compression colouration options which can be combined to perfectly suit the genre you’re working on. THE BUS+ also packs in sophisticated routing options and advanced processing tools: Dynamic Equaliser (D-EQ), Transient Expander and so much more…
Advanced processing tools
Whilst the core design of THE BUS+ remains faithful to the original, a number of advanced processing tools have been added to create the most versatile Bus Compressor ever. In addition to D-EQ and Transient Expander, THE BUS+ features three unique compression colours; LOW THD, F/B and 4K MODE. Each ‘colour’ offers a different characteristic and can be combined for very unique compression styles.
LOW THD MODE introduces a special circuit modification in the side-chain, helping to limit the amount of low frequency distortion compression can create, especially with fast release times. Subjectively, LOW THD 'cleans up' the bottom-end, allowing you to achieve 'cleaner' gain reduction.
F/B (FEED-BACK) MODE takes the signal feeding the side-chain from a feed-back position (i.e. after the main gain-reduction VCA in the audio path). This results in a more 'relaxed' style of compression, in contrast to the traditional 'grab' of the Bus Compressor.
4K MODE changes the operation of the VCA from balanced to unbalanced (matching how the Bus Compressor in a 4000-series console was implemented). It also introduces a variable amount of harmonic distortion via the VCA. These two factors combine to allow for a more 'coloured' sound. THE BUS+ allows you to adjust the distortion amount which 4K MODE offers. You'll find there's a certain 'sweet spot' (depending on your mix level) in which your material will become more cohesive, thanks to the added thickness.
D-EQ
After a considerable amount of research and development, we are proud to introduce the first ever SSL Dynamic EQ (the D-EQ) as part of THE BUS+. The side-chain is a specially adapted version of the Bus Compressor side-chain with additional circuitry such as the gain reduction limiter for the Range parameter. We think the D-EQ is every bit as musical and powerful as the Bus Compressor itself. The D-EQ can enhance the top and bottom end of your mix with ease, making it an extremely powerful companion alongside the Bus Compressor.
The D-EQ is a 2-band parallel Dynamic EQ. Each band has 16 frequency points to choose from, allowing complete control over which part of the frequency spectrum you want to affect. The High Frequency band can also be changed from a shelf filter to bell curve.
Compression / Expansion: Each band has a 31-position stepped control labelled with COMP and EXP at the extremes of the control. As you turn the control clockwise from the centre position '0' (no effect), you start dialling in an expansion effect. Moving the control anti-clockwise, you start dialling in a compression effect.
Bus Compressor
General
D-EQ
From groundbreaking audio consoles to innovative video production systems, Solid State Logic has evolved to become the world's leading manufacturer of analogue and digital audio consoles and provider of creative tools for film, audio, video and broadcast professionals. With more than 3000 SSL-equipped studios and facilities operational today, the excellence of SSL consoles is universally recognised for unrivalled sonic quality, superb ergonomics, outstanding automation and an international support infrastructure second to none. Founded in 1969, SSL has since expanded to its present 15 acre science park in Oxfordshire, England. SSL's unrivalled resources, including R&D, manufacturing, training, service and product support, operate in a unique high technology, customer oriented environment. The company invents, designs and manufactures technology for the creative manipulation of sound. Users and industry experts from all over the world visit SSL's Oxford HQ to consult with SSL audio experts and evaluate SSL equipment. There are more than 3000 SSL systems in service around the world. Internationally famous classical musicians and popular artists such as Bryan Adams, Peter Gabriel, Whitney Houston, Blur and Sting, choose SSL equipment to extend their creativity and ensure the highest possible quality of their finished product. No wonder that SSL recording consoles are the first choice of leading producers, and are found in the most prestigious recording studios around the world. Independent post production companies working for multinational advertising agencies use SSL equipment to produce global advertising campaigns for the world's leading commercial brands. Long-form video and major TV productions benefit from the unique qualities of SSL products the world over. Leading national and international broadcasters have similarly embraced the company's innovative technology to streamline operations and ensure high quality output. The client list reads like a who's who in Radio and Television. It includes BBC UK, NHK Japan, ABC USA, Fox USA, NBC USA, CBS USA, NDR Germany, Swedish Television, RAI Italy and NOB Netherlands. SSL employs over 160 people worldwide. Home to the most sophisticated and comprehensive audio demonstration facilities in the world, SSL's Oxford headquarters also house a purpose built training facility where future generations of operators are prepared to fully exploit the technological and creative advantages offered by SSL equipment. SSL is characterised both by its substantial Research and Development resource and a global commitment to customer support and service. Such assurance is extended via SSL's regional offices in Los Angeles, Milan, New York, Paris and Tokyo, with additional support provided by an international network of highly qualified distributors. The key to the company's success lies in its products; powerful and innovative proprietary technology is used to create dedicated solutions for the recording and manipulation of sound in highly demanding environments. In conditions where sonic purity cannot be compromised against the inevitable demands of high workloads, and where dauntingly inflexible deadlines are accepted as the norm, SSL equipment is synonymous with reliability and excellence.
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