Sound Pure's Take

The Buzz Audio MA-2.2b is a masterclass in high-resolution, transformerless preamplifier design. Handcrafted in New Zealand by Tim Farrant, this two-channel 1U unit is engineered for absolute signal fidelity, lightning-fast transient capture, and three-dimensional spatial accuracy. By pairing a direct-coupled Class-A input stage with Buzz Audio’s proprietary BE40 discrete amplifier modules, the MA-2.2b delivers your source's pure acoustic truth without the phase smearing, transient lag, or low-end cloudiness associated with transformer-heavy designs.

What makes the MA-2.2b a standout in high-end recording environments is its astonishing frequency bandwidth—extending from $2\text{ Hz}$ up to $250\text{ kHz}$. This ultra-wide bandwidth guarantees near-zero phase shift across the audible human hearing range, resulting in sub-bass depth that remains tight and focused, alongside an effortless, unforced top-end air. Whether tracking intricate acoustic fingerpicking, dense drum overheads, grand piano, or orchestral ensembles, the MA-2.2b provides reference-grade clarity and dynamic headroom that allows micro-details to shine through effortless mix translation.

The Buzz Audio MA-2.2b is a top-tier choice for classical engineers, acoustic specialists, and modern producers who demand pristine signal capture. By combining Class-A transient speed, phase-accurate bandwidth, and precision stepped controls, it stands alongside the world's elite transparent preamplifiers as an essential tool for high-resolution tracking.

From Buzz Audio

The Buzz Audio MA-2.2b is a handcrafted, two-channel high-end microphone preamplifier designed by Tim Farrant in New Zealand. Engineered for uncompromised resolution, wide dynamic range, and lightning-fast transient response, the MA-2.2b uses an ultra-clean, Class-A discrete transformerless circuit topology. It captures sound sources with absolute acoustic realism, depth, and spatial precision, avoiding the phase smearing and low-end saturation typical of transformer-based preamps.

At the heart of the MA-2.2b is Buzz Audio's proprietary BE40 high-speed discrete Class-A amplifier module. Operating with a wide bandwidth that extends well past $250\text{ kHz}$, this design preserves harmonic phase relationships and sub-bass stability. The "b" designation denotes the inclusion of high-quality internal output transformers (or optional transformerless output paths depending on configuration), combining ultra-low noise, high common-mode rejection, and massive output headroom with subtle analog weight. Featuring high-grade 41-detent stepped gain potentiometers, dedicated instrument DIs, and a minimalist signal path, the MA-2.2b serves as a reference front end for classical recording, drum overheads, acoustic tracking, and mastering-grade audio capture.

Key Features

  • True Class-A Discrete Topology: Utilizes proprietary BE40 high-speed discrete amplifier modules running in pure Class-A to eliminate crossover distortion and maximize transient speed.

  • Transformerless Input Stage: Ultra-low-noise, direct-coupled input topology eliminates input transformer phase distortion and frequency coloration for transparent acoustic capture.

  • Wide Frequency Bandwidth: Extended linear response from $2\text{ Hz to } 250\text{ kHz}$ guarantees precise phase alignment across the entire audible spectrum and beyond.

  • Precision Stepped Controls: High-quality 41-detent rotary potentiometers deliver repeatable gain adjustment and accurate channel matching across stereo pairs.

  • High-Z Instrument Inputs: Front-panel direct inputs route direct electric bass, guitars, and synthesizers directly into the Class-A signal path.

  • Mute & Polarity Functions: Onboard switches per channel include $+48\text{V}$ phantom power, phase reverse,$-20\text{ dB}$ pad, and dedicated output mute for safe cable swapping.

  • Audiophile Construction: Built with heavy-gauge steel housing, anodized aluminum faceplate, high-grade audio capacitors, and an external low-noise toroidal power supply.

Circuit Topology
Discrete Class-A (BE40 amplifier modules)
Channels
2 (Dual Mono / Stereo)
Gain Range
$+14\text{ dB to } +70\text{ dB}$ (in stepped increments)
Frequency Response
$2\text{ Hz to } 250\text{ kHz}$ ($-1\text{ dB}$ @ $+20\text{ dB}$ gain)
Total Harmonic Distortion + Noise (THD+N)
$< 0.005\%$ ($1\text{ kHz}$,$+20\text{ dBu}$ output)
Equivalent Input Noise (EIN)
$-131.5\text{ dBu}$ ($150\ \Omega$ source, A-weighted)
Maximum Output Level
$+28\text{ dBu}$ into $10\ \text{k}\Omega$ load
Input Impedance
$3\ \text{k}\Omega$ (Mic),$1\ \text{M}\Omega$ (Instrument DI)
Output Impedance
$< 50\ \Omega$, balanced
Phase Shift
$< 5^\circ$ ($20\text{ Hz to } 20\text{ kHz}$)
Power Supply
External 1U rackmount low-noise linear power supply ($110\text{V}/220\text{V}$)
Chassis
1U 19-inch rackmount
Sound Pure Studios Control Room A — Durham, NC

Sound Pure Studios · Durham, NC

Come hear it in our control rooms.

Sound Pure is a working studio in Durham, NC — a 1,000 sq ft live room and two pro control rooms. Book a session to audition gear in a world-class acoustic space before you buy.

$1,915