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DPA 4011A vs. 2011A SDC Mic Quick n' Dirty Shootout

Also in this recording DPA 2011A Twin Diaphragm Cardioid Microphone

DPA Microphones A/S is a leading manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film, houses of worship, teleconference and... Read more

DPA Microphones A/S is a leading manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film, houses of worship, teleconference and sound reinforcement environments. In this Quick n' Dirty Shootout, SoundPure Pro Audio Expert, Nick Prather, compares the 4011A SDC and the 2011A SDC Microphones on Acoustic Guitar. Both of these mics are available for SoudPure's Try-Before-You-Buy Program, so if you want to hear how it sounds in your studio, shoot us an email to ProAudio@SoundPure.com or call us anytime at 919.682.5552. Thanks for watching!

From DPA Microphones (Bruel & Kjaer)

Renowned in recording studios and live applications around the world as an exceptional mic. State-of-the-art components have been carefully selected to provide optimal neutrality, accuracy, and extremely low distortion.

The principal appeal of the 4011A is its directional quality and attention to detail: everything sounds like the original. The first-order cardioid pickup pattern provides superb separation between sound sources when used as a spot mic on literally any style of live music, from rock ‘n’ roll to opera. The 4011A is equally suitable for close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments and vocals as it is for spot-miking symphonies. It can handle incredibly high sound levels and even includes a 20 dB pad switch in the center of the XLR connector to attenuate the output of the microphone.

A flat on-axis frequency response and excellent phase response deliver a totally faithful reproduction of the original sound. The off-axis response is similarly smooth so that any leakage is an accurate reflection of the original, though attenuated according to the true first-order cardioid pickup pattern. The sensation of “being there” will always be more intense with the DPA 4011A than with any other cardioid. Chosen for its qualities as an all-around performer, the 4011A is a great, clean-sounding colorless mic. The variety of applications is as wide as the imagination of the user.

Directional characteristics: Cardioid
Principle of operation: Pressure gradient
Cartridge type: Pre-polarized condenser
Frequency range: 20 Hz to 20 kHz
Frequency range, ±2 dB: 40 Hz to 20 kHz
Sensitivity, nominal ±2 dB at 1 kHz: 10 mV/Pa; -40 dB re. 1 V/Pa
Equivalent noise level, A-weighted, re. 20 µPa: Typ. 18 dB(A) re. 20 µPa (max. 20 dB)
Equivalent noise level, ITU-R BS.468-4: Typ. 25 dB (correct with the attenuator in 0 dB or -20 dB setting)
S/N ratio (A-weighted), re. 1 kHz at 1 Pa (94 dB SPL): Typ. 76 dB(A)
Total Harmonic Distortion (THD): < 1 % up to 139 dB SPL peak
Minimum load impedance: 2 kohm
Dynamic range: Typ. 121 dB
Max. SPL, peak before clipping: 159 dB
Switchable attenuator: 0 dB / -20 dB
Output impedance: < 200 ohm
Cable drive capability: 100 m (328 ft)
Output balance principle: Impedance balancing with Active Drive
Common Mode Rejection Ratio (CMRR): > 60 dB
Power supply (for full specifications): 48 V Phantom power (± 4 V)
Current consumption: 2.8 mA
Connector: XLR-3M. Pin 1: shield, Pin 2: signal + phase, Pin 3: - phase
Color: Matte black
Weight: 158 g (5.6 oz)
Microphone diameter: 19 mm (0.75 in)
Capsule diameter: 19 mm (0.75 in)
Length: 170 mm (6.7 in)
Output voltage, RMS: > 5 V
Polarity: +V at Pin 2 for positive sound pressure
Temperature range: -40 °C to 45 °C (14 °F to 113 °F)
Relative Humidity (RH): Up to 90 %
Matching tolerance: ± 1 dB
Phase deviation for kit: < 10°

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