Sound Pure's Take


The M149 marks an astonishing achievement for Neumann. Like many of the classic vintage Neumanns, this one is very multi-purpose. It is a remarkable tube microphone that sounds good on just about every application that you can place it. Like its vintage predecessors, for vocal applications, it can often benefit from some additional EQ'ing in the high frequency area. It isn't as "tuned" of a microphone as some other tube mics in its price range... of course, we're convinced that Neumann did this on purpose. Although certain tuned mics can sound amazing on certain applications, they can sound pretty pitiful on others. What's nice about this microphone is that it sounds great everywhere. Particularly neutral as tube mics tend to go these days, the M149 will sound great on grand piano, symphony orchestra, as a drum overhead, and certainly on vocals. Additionally, we have found it to be VERY EQ friendly. It can take quite a bit of EQ'ing, unlike some other highly tuned tube mics. A microphone’s tuning sometimes makes it very susceptible to exposing its own problems when under situations of significant EQ'ing. Not so, here! The microphone to microphone consistency on these is excellent for the purpose of stereo pairing, an element that is somewhat atypical in tube mics in general.

Watch & listen

251 Style Vocal Mic Shootout: Telefunken 251E v. Bock 251 v. Upton 251 v. Neumann M149

Also in this recording TELEFUNKEN Elektroakustik ELA M 251E Microphone Bock Audio 251 Tube Condenser Microphone Upton Microphones 251 Multi-Pattern LDC Tube Microphone Millennia HV-3R Digital 8 Channel Mic Preamp Serpent Audio Chimera 500-Series Opto Compressor Bricasti Design M7 Reverb Processor SoundToys EchoBoy - Delay Plug-in

In this video we present a 251 style vocal microphone shootout using the Telefunken 251E, the Bock 251, the Upton 251, and the Neumann M149. Can you tell which one's which? If you are interested in hearing the results an... Read more

In this video we present a 251 style vocal microphone shootout using the Telefunken 251E, the Bock 251, the Upton 251, and the Neumann M149. Can you tell which one's which? If you are interested in hearing the results and/or getting ahold of the audio files from this shootout, give us a shout, we'd love to hear from you!

Lowden F35 Cuban Mahogany/Adirondack Acoustic Guitar Demo Video

Also in this recording Lowden F-35 Cuban Mahogany/Adirondack 17012 Josephson C617 (just body no capsule) Vintech Audio X73i Pre/EQ

The limited edition F35 here at Sound Pure, made of Cuban Mahogany and Adirondack Spruce, from George Lowden is #11 of only 20. This cannon is extremely resonant, but still very evenly balanced. The trebles have a nice s... Read more

The limited edition F35 here at Sound Pure, made of Cuban Mahogany and Adirondack Spruce, from George Lowden is #11 of only 20. This cannon is extremely resonant, but still very evenly balanced. The trebles have a nice shimmer and the low notes aren't overpowering. the F35 also has incredible sustain in all registers. This versatile guitar is perfect for fingerstyle, jazz, strumming and more. For more information about this limited edition incredible guitar, please give us a call at Sound Pure today. 888.528.9703.

Collings 01 Acoustic Guitar Review Video O-1 SB

Also in this recording Peluso P-67 Switchable Pattern Tube Microphone Avalon AD-2022 Dual Mono Microphone Preamplifier

This small Collings 01 Acoustic Guitar is a dream for finger-style Acoustic Guitar Players but has a huge and boisterous sound like all Collings Guitars, as well as a gorgeous SB Sunburst top. This one features gorgeous... Read more

This small Collings 01 Acoustic Guitar is a dream for finger-style Acoustic Guitar Players but has a huge and boisterous sound like all Collings Guitars, as well as a gorgeous SB Sunburst top. This one features gorgeous woods, in a travel-friendly 0 size, this Collings O-1 is a truly remarkable musical instrument. We are in love with the Collings guitars here at Sound Pure and would love to speak to you all about them, so please don't hesitate to contact us toll free at 888-528-9703, or internationally +1-919-682-5552.

Collings D2H Acoustic Guitar Video Review

Also in this recording Chandler Limited TG2 Abbey Road SE Stereo Pre Schoeps CMC 6 U xt Microphone Amplifier Schoeps MK 21H Wide Cardioid Capsule

The Collings D2H, a crisp, balanced dreadnought guitar, rings with clarity and evenness. The bass response is great and provides enough support without being to overpowering. Single lines sound punchy and thick - a perfe... Read more

The Collings D2H, a crisp, balanced dreadnought guitar, rings with clarity and evenness. The bass response is great and provides enough support without being to overpowering. Single lines sound punchy and thick - a perfect cannon for bluegrass. This versatile D2H is great if you are looking for a high-end rosewood dread. Call us here at Sound Pure for availability and details.

Collings CJ Acoustic Guitar Video Review

Also in this recording Peluso P-67 Switchable Pattern Tube Microphone Chandler Limited TG2 Abbey Road SE Stereo Pre Great River Electronics MP-2NV Stereo Preamp

The Collings CJ, with Mahogany back and sides and a Sitka Spruce top, is an impeccable dreadnought guitar - perfect for strumming and finger-styles. This quintessential slope-shoulder dread has a punchy bottom end with a... Read more

The Collings CJ, with Mahogany back and sides and a Sitka Spruce top, is an impeccable dreadnought guitar - perfect for strumming and finger-styles. This quintessential slope-shoulder dread has a punchy bottom end with a nice dry tone overall. The CJ has a much less "forward" sound and more open mid-range despite its similarity to a square shoulder dreadnought. This guitar is perfect for the recording studio due to its open, dry tone, and is also a favorite of singer-songwriters. If you have any questions about the Collings CJ or any other custom guitars in our shop, give us a call now at Sound Pure.

Collings CW - Dreadnaught Guitar Demo

Also in this recording Schoeps CMC 6 U Microphone Amplifier Schoeps MK 21 Wide Cardioid Capsule Vintech Audio X73i Pre/EQ Chandler Limited TG2 Abbey Road SE Stereo Pre

The Collings CW, a gorgeous dreadnaught guitar, is nothing short of phenomenal. This powerhouse features an Adirondack Spruce top and Mahogany back and sides, forward shifted X bracing, and a widened sound hole. The CW i... Read more

The Collings CW, a gorgeous dreadnaught guitar, is nothing short of phenomenal. This powerhouse features an Adirondack Spruce top and Mahogany back and sides, forward shifted X bracing, and a widened sound hole. The CW is flawless like all Collings' guitars, full of clarity, punch, and impressive dynamics. The basses are clear and the trebles have body and punch. Named after the well-loved Walnut Valley Festival in Winfield, Kansas, the Collings Winfield is perfect for bluegrass players. If you are interested in this magnificent dreadnaught from Collings, please give us a call at Sound Pure today!

From Neumann USA

The M 149 Tube* is a variable dual-diaphragm microphone. The K 49 capsule – well-known from the legendary U 47 and M 49 microphones – is followed by a tube functioning as an impedance converter. In contrast to earlier concepts – utilizing a transformer – the tube is complemented with a transformerless output circuit design. The M 149 Tube can thus feed long microphone cables without any coloration.

Two slide switches are located below the large, acoustically very open headgrille. The switch at the front allows selection one of nine directional patterns. The slide switch at the rear operates a seven-step high pass filter. It allows a very fine adjustment of the cut-off frequency.

Applications

There are nine polar patterns to choose from, making this microphone an ideal choice for a wide range of recording situations.

As its ancestors, the M 149 Tube is a superb vocalist microphone, not only because of the capsule, but also due to its modern circuitry, characterized by extremely low noise level.

Acoustic features

The M 149 Tube is addressed from the front, marked with the Neumann logo. Also on the front is the switch for the selection of the polar patterns.

The capsule is mounted elastically inside the headgrille to eliminate structure borne noise. The surface below the capsule is shaped like a cone to disperse any reflected sound from the acoustic upper half space. This avoids any interference with the primary sound arriving at the capsule directly. 

A large headgrille surrounds the capsule. It is acoustically very open and therefore increases the sonic realism.

Polar patterns

The polar pattern switch selects one of nine directional patterns: omnidirectional, wide-angle-cardioid, cardioid, hypercardioid, figure-8, and one additional intermediate pattern between each major position.

Electrical features

The circuit of the M 149 Tube microphone has been developed to exceed traditional designs. We have selected a modern tube (triode) and combined its exceptional transmission characteristics with the advantages of our proven transformerless output circuit.

The aim was to provide a more controlled environment for the audio signal on its path from the capsule to the output section. 

The final stage is an integrated amplifier, especially designed for such applications. It features very low distortion (THD < 0.002 % at ± 10 V), very low self-noise, and high output current capability. 

As a result, the tube circuit is completely decoupled from the microphone output and its characteristic response curve will be unaffected by very high signal levels or varying load conditions. 

The lower output impedance and higher output current capability allow cable lengths up to 300 m (1000 feet) without any degradation of the audio signal.

The tube amplifier changes the high impedance of the capsule and adds 10 dB of gain to the audio signal, providing optimum operating specifications. The wide dynamic range is impressive, as peak output can be ±10 V, at 20 mA.

The ideal operating point of the tube is maintained throughout its entire life expectancy. Plate current and filament voltage are constantly regulated. A sensor circuit monitors and compensates for any voltage drop across the microphone cable. The tube is heated up slowly through inverse current limiting to guarantee long life. Optimum operating conditions are reached within a very short time.

Filter

A seven-position slide switch is located on the back of the microphone. It selects a high-pass filter, advancing in half-octave steps between 20 Hz and 160 Hz (-3dB). This filter is useful to suppress rumble from air-conditioning and in windy situations. 

In addition, the filter provides an effective tool to control the audio signal when the microphone is used at close distance and therefore proximity effect alters the program material.

Delivery Range

The specifically designed N 149 A power supply unit feeds the M 149 Tube through an 8-core cable. The output connector for the audio signal is a 3-pin XLR. The output signal is balanced. 

The microphone comes as a set in an attractive aluminium case, together with the 8-core microphone connecting cable, the N 149 A power supply with plug-in mains unit, the EA 170 full elastic microphone suspension and a dust cover.

*The design of the microphone is a registered design of the Georg Neumann GmbH in certain countries.

Switchable tube microphone

Transformerless circuitry

High output level

Pressure gradient transducer with the M 49 capsule

Acoustically very open wire mesh cage

Nine directional characteristics: omni, wide angle cardioid, cardioid, hypercardioid, figure 8, and one intermediate position each

7fold switchable low frequency roll-off

Acoustical operating principle Pressure gradient transducer
Directional pattern Omnidirectional, wide angle cardioid, cardioid, hypercardioid, figure-8 plus one intermediate position each
Frequency range 20 Hz ... 20 kHz
Sensitivity at 1 kHz into 1 kohm 34/47/62 mV/Pa1)
Rated impedance 50 ohms
Rated load impedance 1 kohms
Equivalent noise level, CCIR2) 28/25/23 dB1)
Equivalent noise level, A-weighted2) 16/13/11 dB-A1)
Signal-to-noise ratio, CCIR2) (rel. 94 dB SPL) 66/69/71 dB1)
Signal-to-noise ratio, A-weighted2) (rel. 94 dB SPL) 78/81/83 dB1)
Typical SPL (tube characteristic)3) K < 0,5 %: 120 dB, K < 5 %: 136 dB
Maximum output voltage 18 dBu
Dynamic range of the microphone amplifier (A-weighted) for < 0,5% THD (for < 5% THD) 101 (121) dB
Powering Power supply N 149 A
Matching connectors Microphone DIN8F, Power supply XLR3F
Weight 730 g
Diameter 70 mm
Length 201 mm
______________________________________________ 1) Omnidirectional / cardioid / figure-8 2) according to IEC 60268-1; CCIR-weighting according to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS 3) measured as equivalent el. input signal

Free 3-Year Warranty

Sound Pure stands behind our products. Free three-year warranty on this item. Coverage exclusions live in Terms & Conditions, Section 27.

Level of support and expertise that simply isn't available at big-box megastores. Read the warranty →

Returns

Not eligible for Try Before You Buy or the 48-hour approval period. Standard return policy applies — see Terms & Conditions, Section 18 for details.

Sound Pure Studios Control Room A — Durham, NC

Sound Pure Studios · Durham, NC

Come hear it in our control rooms.

Sound Pure is a working studio in Durham, NC — a 1,000 sq ft live room and two pro control rooms. Book a session to audition gear in a world-class acoustic space before you buy.

$5,995