Sound Pure's Take

Call to order, or stop by the shop in Durham North Carolina to try it out!

ahhh, another pedal that destroys the need for two seperate pedals.. This is a good thing! The combination of tremolo and reverb makes more sense than I would have ever thought! they work beautifully together, and shine on their own. The tremolo has just the right amount of options to get you through any style that benefits from some sweet warble, subtle or bold. The reverb is extremely smooth, and on it's longer decay settings, you'll feel like you're in the biggest church hall in the world! This pedal makes me want to start a band like Explosions In The Sky!

all that praise, and we haven't even talked about how much better this can sound when you hook it up STEREO to two amps!

compact size, very cool looks, amazing tonal qualities and options. Find out why this is the best selling Strymon pedal right now. Call or Email for more info, or to order. We can ship same day

(and I bought one for my rig. essential pedal!)

-Ross

ross@soundpure.com

Watch & listen

Strymon Flint - Tremolo & Reverb demo

Strymon Flint - Tremolo & Reverb demo

Gibson Vintage Melody Maker Sunburst Electric #83981 - Used —Quick 'n' Dirty

Also in this recording Gibson Vintage Melody Maker Sunburst Electric #83981 - Used 3rd Power Wooly Coats Spanky MKII Black/Silver Combo Amp

In this video, Sound Pure Guitar specialist Eddie Berman plays a used Gibson Vintage Melody Maker Sunburst Electric with a 3rd Power Wooly Coats Spanky MKII Black/Silver Combo Amp and a Strymon Flint - Tremolo and Reverb... Read more

In this video, Sound Pure Guitar specialist Eddie Berman plays a used Gibson Vintage Melody Maker Sunburst Electric with a 3rd Power Wooly Coats Spanky MKII Black/Silver Combo Amp and a Strymon Flint - Tremolo and Reverb Effect Pedal.

Grez Guitars The Mendocino Black Top Electric Guitar—Quick 'n' Dirty

Also in this recording Grez Guitars The Mendocino Black Top Electric Guitar

In this video, Sound Pure Guitar specialist Eddie Berman tests out a Grez Guitars The Mendocino Black Top Electric Guitar. 

Fender Mustang Pawn Shop Special Lake Placid Blue #T011153 Quick 'n' Dirty

Also in this recording Fender Mustang Pawn Shop Special Lake Placid Blue #T011153 Carr Amplifiers Skylark 12W 1x12 Combo Amp - Black

In this video, Sound Pure electric guitar specialist Eddie Berman plays the Fender Mustang Pawn Shop Special Lake Placid Blue #T011153 through a Carr Amplifiers Skylark 12W 1x12 Combo Amp with a Strymon Flint Tremolo and... Read more

In this video, Sound Pure electric guitar specialist Eddie Berman plays the Fender Mustang Pawn Shop Special Lake Placid Blue #T011153 through a Carr Amplifiers Skylark 12W 1x12 Combo Amp with a Strymon Flint Tremolo and Reverb Effect Pedal.

Jerry Jones Baritone Turquoise Electric #3758 (Used) Quick n' Dirty

Also in this recording Jerry Jones Baritone Turquoise Electric #3758 - Used Suhr Badger 18 Amp Head, Black

In this video, Sound Pure X specialist Eddie Berman tests out a used Jerry Jones Baritone Turquoise Electric (#3758) with a Suhr 2017 Badger 18 Amp Head, a Suhr 1X12 Veteran 30 Speaker Cabinet and a Strymon Flint - Tremo... Read more

In this video, Sound Pure X specialist Eddie Berman tests out a used Jerry Jones Baritone Turquoise Electric (#3758) with a Suhr 2017 Badger 18 Amp Head, a Suhr 1X12 Veteran 30 Speaker Cabinet and a Strymon Flint - Tremolo and Reverb Effect Pedal.

Anderson T Classic Trans Butterscotch Electric Guitar - Quick n' Dirty

Also in this recording Dr. Z M12 12W 1X12 Combo Amp - Red & Black FX Engineering RAF Mirage Compressor Effect Pedal - Used

Anderson delivers another Classic T this time a "Butterscotch/Blackguard,Swamp Ash/Maple Neck package. Loaded with an HC1- humbucker in the neck(with that stealthy satin black cover), a TF3 in the bridge,and a 5-way, we... Read more

Anderson delivers another Classic T this time a "Butterscotch/Blackguard,Swamp Ash/Maple Neck package. Loaded with an HC1- humbucker in the neck(with that stealthy satin black cover), a TF3 in the bridge,and a 5-way, we have tradition and versatility in one wonderfully musical machine. This guitar is available for SoundPure's Try-Before-You-Buy Program, so if you want to hear how it sounds with your gear, shoot us an email at Electrics@SoundPure.com or call us anytime at 919.682.5552. Thanks for watching!

Anderson T Classic Desert Sunset Electric Guitar Demo

Also in this recording Xotic Effects USA SP Compressor Effect Pedal Shure KSM313/NE Dual-Voice Ribbon Mic with Roswellite Ribbon Shure SM57 Instrument Microphone Bricasti Design M7 Reverb Processor Sebatron AXIS 200VU Two Channel Tube Preamp Apogee Digital Symphony I/O MkI 16x16 Analog

Eddie Berman, SoundPure Electric Guitar Expert, demonstrates this beautiful Desert Sunset Classic T style guitar form Anderson Guitarworks. With a vintage look and matching sound, this is a guitar perfect for all players... Read more

Eddie Berman, SoundPure Electric Guitar Expert, demonstrates this beautiful Desert Sunset Classic T style guitar form Anderson Guitarworks. With a vintage look and matching sound, this is a guitar perfect for all players. If you like what you hear, check out this gear at SoundPure.com or give us a call anytime at 919.682.5552. Thanks for watching!   Gear List: Anderson T Classic Desert Sunset Electric Guitar 01-16-14A Little Walter 22 Watt Amplifier Head Little Walter 1X12 Cab Xotic Effects USA SP Compressor Pedal Strymon Flint - Tremolo and Reverb Pedal Vovox Instrument Cables Shure KSM313 Dual-Voice Ribbon Mic Shure SM57 Instrument Microphone Bricasti Design M7 Reverb Processor Sebatron AXIS Mic Preamp Apogee Digital Symphony 16x16 Analog I/O Converter   Specs: Model - T Classic  Body Finish - Desert Sunset Body Wood - Alder Neck Wood - Maple, chocolate maple fingerboard  Matching Headstock, Satin Back Nutwidth - 1 5/8-inch Low Rise Frets Even Taper Buzz Feiten Tuning System Hardware - Chrome  Bridge - Fixed Bridge  Split Shaft Pickups - PH1-  TF2 Tortoise Shell Pickguarg Switching - 5 way with push/pull +VA Booster for 2 pickups Strings - .010-.046 Elixir Strings

Suhr Classic T Black Electric Guitar 19981 Demo

Also in this recording Xotic Effects USA SP Compressor Effect Pedal Shure KSM313/NE Dual-Voice Ribbon Mic with Roswellite Ribbon Shure SM57 Instrument Microphone Sebatron AXIS 200VU Two Channel Tube Preamp Apogee Digital Symphony I/O MkI 16x16 Analog

SoundPure Electric Guitar Expert, Eddie Berman, demonstrates this Classic T electric guitar from Suhr Guitars. This guitar is ready to go right into the studio, on stage, or just an amazing piece to have beside you when... Read more

SoundPure Electric Guitar Expert, Eddie Berman, demonstrates this Classic T electric guitar from Suhr Guitars. This guitar is ready to go right into the studio, on stage, or just an amazing piece to have beside you when the moment hits. This Classic T style guitar is great for all genres of music and looks good doing it. If you like what you hear, check out this gear at SoundPure.com or give us a call anytime at 919.682.5552. Thanks for watching!   Gear List: Suhr Classic T Black Electric Guitar 19981 Little Walter 22 Watt Amplifier Head Little Walter 1X12 Cab Xotic Effects USA SP Compressor Pedal Strymon Flint - Tremolo and Reverb Pedal Vovox Instrument Cables Shure KSM313 Dual-Voice Ribbon Mic Shure SM57 Instrument Microphone Bricasti Design M7 Reverb Processor Sebatron AXIS Mic Preamp Apogee Digital Symphony 16x16 Analog I/O Converter   Specs: Guitar Model: Classic T  Body Wood: Alder  Neck Wood : 1 piece Roasted Maple -- 22 fret Neck Back Shapes: Even C Fat .880-.960 Headstock : Hybrid- no step painted to match Black Radius: 16" Nut: Tusq Frets: Jumbo SS Bridge: 510 2-post solid saddles (steel block) Nut Width: 1.687 Hardware Color: Chrome Gears: suhr locking Pickguard: tortoise shell Electronics:Vol/tone/5-way SSCII Input Jack: side jack Knobs: Chrome Neck Pickup: Classic T Neck Bridge Pickup : Classic T Bridge Finish: black Case: Custom Hardshell G&G Tweed Case Form-Fit Case String Gauge: .010 -- .046 Elixir Nanoweb

Suhr Classic Antique 3 Tone Burst Electric Guitar Demo

Also in this recording Xotic Effects USA SP Compressor Effect Pedal Shure SM57 Instrument Microphone Shure KSM313/NE Dual-Voice Ribbon Mic with Roswellite Ribbon Sebatron AXIS 200VU Two Channel Tube Preamp Bricasti Design M7 Reverb Processor

Eddie Bermon demonstrates this beautiful Suhr Classic Antique Electric Guitar.  It has a great vintage look and feel while maintaining the same ease of playability that comes with all Suhr guitars.  The perfect tone that... Read more

Eddie Bermon demonstrates this beautiful Suhr Classic Antique Electric Guitar.  It has a great vintage look and feel while maintaining the same ease of playability that comes with all Suhr guitars.  The perfect tone that this guitar produces makes it great for all styles of play.   Gear: Vovox Instrument Cables Strymon Flint- Tremolo and Reverb Pedal Xotic Effects USA SP Compressor Pedal Little Walter 22 Watt Amplifier w/ Little Walter 1x12 Cab Shure SM57 Instrument Mic Shure KSM313 Dual-Voice Ribbon Mic Sebatron Axis 200 VU Preamp Bricasti Design M7 Reverb Processor Apogee Symphony 16 Converter   Have any questions about the gear used or want to talk about this guitar?  Give us a call at 919.682.5552 or visit us at SoundPure.com!

From Strymon Pedals

The magical combination of tremolo and reverb is the earliest example of a perfect guitar effects marriage. First pioneered within historic amplifiers of the 1960s, this harmonious coexistence has made it's way onto countless records and performances—from early surf, swampy bayou blues, spaghetti westerns, film noir soundtracks, to modern day indie rock. There are certain things in life that just belong together—the blend of tremolo and reverb create the perfect pair.

Given this storied history, there was no doubt that we wanted to develop a studio-class effects pedal that delivers this classic combination. We carefully studied our favorite classic tremolo and reverb circuits, examined the sonic complexities, and faithfully accounted for every detail in our hand-crafted algorithms. Flint harnesses the complete power of a SHARC DSP to authentically exhibit these details.

Flint gives you the soothing, pulsating, and hypnotic effects that were pioneered in vintage amplifier tremolo circuits, along with three classic and completely unique reverb algorithms. You get the sonically complex '61 Harmonic Tremolo, the swampy and sultry '63 Power Tube Tremolo, and the sharp and balanced '65 Photocell Tremolo. You also get the classic '60s Spring Tank Reverb, the inventive '70s Electronic Plate Reverb, and the nostalgic '80s Hall Rack Reverb.

With eight parameters to tweak, you get extensive control over the tremolo and reverb characteristics. Go from splashy, pulsing twang, to throbbing, swampy blues, all the way to ambient, trembling, and serene reverberated pads. Couple that with true bypass, and a high quality analog front end and output section, and you have yourself the history of tremolo and reverb in a pedal-board friendly format. 

The '61 Harmonic Tremolo is somewhat rare due to its very short period of availability in tube amplifiers in the early 1960s. It gets its signature sound through a dual-band filtering effect that alternately emphasizes low and high frequencies. The end-result is a soothing pulse that has shades of a mild phaser effect combined with tremolo due to the nature of the frequency bands that are alternated.

The '63 Power Tube Tremolo utilized the LFO signal to directly influence the power tube bias of the amplifier's push-pull output stage. The power tubes are biased into lower and higher idle currents, creating the fluctuating gain that produces the tremolo effect. The effects of crossover distortion at low tremolo volumes, increased power tube harmonic distortion at maximum tremolo volumes, as well as the influence of power-supply sag, all add up to the boggy and dirty nature of this tremolo circuit.

The '65 Photocell Tremolo is a faithful recreation of the classic photo-trem circuits found in mid-1960s American amplifiers. Those classic circuits used a light-dependent resistor to attenuate the input signal, coupled with a miniature neon bulb that is connected to the LFO. As the LFO oscillates, the bulb gets brighter and dimmer which in turn varies the resistance of the LDR. The varying resistance works with other circuit impedances to change the signal level, which produces a characteristically 'hard' sounding tremolo that moves between two levels, reminiscent of a square wave.

The '60s Spring Tank Reverb is our faithful recreation of the full-size two-spring tank that was commonly used in vintage amps. The two-spring tank uses spring segments of differing delay times, which adds to the complexity of the reverberated sound. Contributing greatly to the sound are the input and output tube circuits which convert the electrical guitar signal into a mechanical signal and then back to an electrical signal

The '70s Electronic Plate Reverb pays homage to one of the earliest digital reverbs ever created. The astounding hardware-based algorithm used multiple delay-lines configured in parallel, with each delay featuring multiple output taps and filtered feedback paths. The result is a rich, smooth reverb with a very quick build-up in density due to the summation of the many parallel output taps.

The '80s Hall Rack Reverb is our rendition of the now nostalgic digital microprocessor rack reverbs from the late '80s. The limited processing power of the day led to the implementation of efficient regenerative series loops of all-pass filters, delays, and low-pass filters. Modulating delay lines were used to increase the reverb density and add warmth. This reverb provides the signature sound of distinctive early reflections followed by the slowly-building density of the late reverberation

This multi-function input can be configured for use with anexpression pedal, external tap tempo footswitch, or Favorite switch. Set up for an expression pedal and you get assignable expression control over any front-panel knob parameter. Set up for an optional external tap switch and remotely tap in your tremolo speed. Set up for our optional Favorite switch and save a favorite preset.

Separate bypass footswitches allow you to bypass the tremolo and reverb individually.

We know that there are some out there that like to run stereo rigs. This is why we've added the option of running your Flint in stereo. Flip a jumper inside your pedal, use a TRS splitter cable, and now you've got yourself a stereo pedal.

Sound Design

Three hand crafted tremolo algorithms faithfully deliver classic tremolo experiences: '61 Harmonic Tremolo, '63 Power Tube Tremolo, '65 Photocell Tremolo

Three distinct reverb algorithms
'60s Spring Tank Reverb, '70s Electronic Reverb, '80s Hall Rack Reverb
Two tremolo adjustment and tone shaping knobs
Intensity, Speed
Three reverb adjustment and tone shaping knobs
Decay, Color, Mix
Four "hidden" knobs for extensive tone tweaking
Tremolo Boost/Cut, Reverb Boost/Cut, Effect Order, Tap Subdivision

Ins/Outs/Switches

High impedance mono input (internal jumper enables selectable TRS stereo input)

Stereo output

Tremolo Bypass and Reverb Bypass footswitches

Expression pedal input allows the connection of either an expression pedal (for selectable control over any knob parameter), external tap pedal (for remote tap tremolo), or Favorite switch (to save a Favorite preset)

Audio Quality

Super low noise, high performance 24-bit 96kHz A/D and D/A converters

115db typical signal to noise

+8dBu maximum input level easily handles instrument and line signals

20Hz to 20kHz frequency response

Premium analog front end and output section

Analog dry path (when Reverb only is engaged)

Super high performance DSP in a compact form factor

32-bit floating point processing

More

True Bypass (electromechanical relay switching)

Selectable "trails" mode with high quality Analog Buffered Bypass

Adjustable +/- 3dB boost or cut when effect is engaged

Powered with a standard 9V center negative DC supply, 250mA minimum

Strong and lightweight black anodized aluminum chassis

Crafted with love in the USA

Free 3-Year Warranty

Sound Pure stands behind our products. Free three-year warranty on this item. Coverage exclusions live in Terms & Conditions, Section 27.

Level of support and expertise that simply isn't available at big-box megastores. Read the warranty →

Returns

Not eligible for Try Before You Buy or the 48-hour approval period. Standard return policy applies — see Terms & Conditions, Section 18 for details.

Sound Pure Studios Control Room A — Durham, NC

Sound Pure Studios · Durham, NC

Come hear it in our control rooms.

Sound Pure is a working studio in Durham, NC — a 1,000 sq ft live room and two pro control rooms. Book a session to audition gear in a world-class acoustic space before you buy.