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Sound Pure's Take

We've been a HUGE fan of the A-Designs Hammer for years. It's been a mainstay in Sound Pure Studios and a regularly recommended EQ for our customers. The hammer has a way of smoothing and adding a beautiful polish and shimmer to tracks just by passing audio through it. It's an incredible tool before you even start to dial in EQ, but the EQ is invaluable for broad stroke sweetening.

Now that A-Designs has released a Hammer 2, we've reached nirvana. The same incredible tone and finished sound as the original Hammer, but with more frequency selections on every band. Matching left and right EQ settings is a breeze with the Hammer 2.

Watch & listen

A Designs Hammer EQ on Guitar

The A Designs Hammer Tube EQ is put through its paces on a variety of Acoustic and Electric Guitars. While there is no perfect way to EQ, and EQ is always contextual, the Hammer nevertheless displays an impressive array... Read more

The A Designs Hammer Tube EQ is put through its paces on a variety of Acoustic and Electric Guitars. While there is no perfect way to EQ, and EQ is always contextual, the Hammer nevertheless displays an impressive array of tonal and color shifts that dont over-impose its own color. The boxes broad, musical strokes aid these guitars whether in isolation, or placed in a dense mix. Sound Pure Sales and Recording experts remain available to help you make your recordings better, and help with your next gear purchase. Please dont hesitate to visit our website, send us an e-mail or give us a call toll free 888-528-9703.

A Designs Hammer EQ Piano - Jazz & Classical Sax

The A Designs Hammer EQ is used to manipulate the tone of a professional New Orleans Style Blues/Jazz studio recording of a Steinway Piano, and then a contemporary Classical Ensemble consisting of Piano and Saxaphone. Fi... Read more

The A Designs Hammer EQ is used to manipulate the tone of a professional New Orleans Style Blues/Jazz studio recording of a Steinway Piano, and then a contemporary Classical Ensemble consisting of Piano and Saxaphone. First exploring the various wide tonal changes that can be made, and later the fact that while not a parametric EQ, the fact that the Hammer is very capable of delivering results that clean and polish otherwise great sounding recordings. The philosophy of EQing such recordings is addressed, as is the impressive performance of this amazing EQ and its ability to make broad tonal changes that dramatically shift the tone of the recordings in a very musical and easy-to-use way. Contact a Sound Pure sales expert to help with your recordings, and help you acquire the absolute best piece of equipment for your needs. Visit their website, or call 888-528-9703.

A Designs Hammer How to EQ Piano

A Designs Hammer Tube EQ is used on two piano recordings both made in homes, and is utilized to change the tone and improve certain frequencies. Home recordings are excellent candidates for the Hammer EQs ability to make... Read more

A Designs Hammer Tube EQ is used on two piano recordings both made in homes, and is utilized to change the tone and improve certain frequencies. Home recordings are excellent candidates for the Hammer EQs ability to make the recordings sound more polished, professional, and musical. Its broad stroke capabilities are easy to use, easy to dial in, and very powerful and capable of delivering whatever tonal qualities or shifts the user might desire. Give the experts at Sound Pure a call to help you purchase your next EQ by calling them toll free at 888-528-9703, or visiting their website.

A Designs Hammer - How to EQ Drums

A Designs Hammer demonstrates how to EQ drums by mixing professional and Sound Pure Sales Team member, Doug Wessling. He succeeds in beefing up the low end, tightening the drum mix, handling the overheads, and eventually... Read more

A Designs Hammer demonstrates how to EQ drums by mixing professional and Sound Pure Sales Team member, Doug Wessling. He succeeds in beefing up the low end, tightening the drum mix, handling the overheads, and eventually using the EQ across a stereo drum bus with impressive results. He proves that that A Designs Pacifica, while not a highly surgical parametric work can actually be used very powerfully as a corrective tool with impressive, musical, and very detailed sounding results. We love the sound and performance of this EQ, and are glad to help you choose the best EQ for your needs, or answer any of your questions regarding its use once you get your hands on it. Feel free to give us a ring toll free 888-582-9703, or try us by e-mail at sales(at)soundpure-dot-com.

A Designs Hammer EQ on a Mix (2-bus)

The A Designs Hammer Analog Vacuum Tube EQ is demonstrated on a couple of full mixes. This modern state-of-the-art broad stroke program EQ works as a monstrous coloration tool when strapped across a full music mix or 2-b... Read more

The A Designs Hammer Analog Vacuum Tube EQ is demonstrated on a couple of full mixes. This modern state-of-the-art broad stroke program EQ works as a monstrous coloration tool when strapped across a full music mix or 2-bus. Whether you are looking for broad tonal shaping in the mixing or mastering process, or are looking for a tool to simply add a beautiful soft blanket of subtle tube coloration and warmth, this box works wonders. While not a highly surgical corrective EQ, there are few sources of musical content that can benefit from some small or major tonal shifts made musical by the Hammer. Sound Pure sales/recording experts walk you through the use of this EQ that they love, and are also available for your questions by phone toll free at 888-528-9703.

Tube vs. FET Mic Comparison: Lauten Oceanus & Lauten Atlantis

Also in this recording Lauten Audio Oceanus LT-381 Microphone Lauten Audio Atlantis FC-387 Multi-Voiced Microphone CharterOak MPA-1 Stereo Microphone Preamp Purple Audio MC77 1176 Style Compressor/Limiter Bricasti Design M7 Reverb Processor Lynx Aurora 16 I/O D/A and A/D Converter

Doug Wessling of the Sound Pure Pro Audio Team talks about the more general differences between FET, or Field Effect Transistor, mics and tube microphones. For this comparison we chose two exceptional large diaphragm mic... Read more

Doug Wessling of the Sound Pure Pro Audio Team talks about the more general differences between FET, or Field Effect Transistor, mics and tube microphones. For this comparison we chose two exceptional large diaphragm mics from Lauten Audio, the Atlantis FET mic and the Oceanus tube mic. While they each have their own unique tone and vibe, both mic examples do a fantastic job showcasing the broader tonal characteristics associated with each microphone topology. First you'll hear both mics completely dry and unprocessed on our guest vocalist Beau Buttons (twitter: @beaudeas), then we'll do one more pass through with some typical vocal compression using the Purple MC77, EQ using the A Designs Hammer, and reverb from our Bricasti M7 Reverb System. In general, FET condenser mics like the Atlantis are going to provide a very accurate, detailed depiction of the sound source. Tube mics generally showcase more roundness, body, and warmth imparted into the signal, resulting in some of the detail to be smoothed out. Additionally tube mics tend to add extra depth and dimensionality to the recorded source. If you're having difficulty hearing the differences, feel free to email us at mics[at]soundpure.com for the full length hi-res audio files to compare for yourself. Both the Lauten Atlantis and Oceanus mics are available for Sound Pure's free try-before-you-buy demo program. If you'd like to set up a trial period to hear one of these incredible mics for yourself, would like to talk more about FET vs Tube mics, or just microphones in general, feel free to shoot us an email or give us a call at anytime. Thanks for watching!

Vintage Neumann U67 vs. Peluso P67 Microphone Shootout Video and Demo

Also in this recording Peluso P-67 Switchable Pattern Tube Microphone Lynx Aurora 16 I/O D/A and A/D Converter Bricasti Design M7 Reverb Processor ADL 670 Stereo Compressor / Limiter Purple Audio MC77 1176 Style Compressor/Limiter

In this Peluso P67 shootout versus the U67, a classic, vintage mic from from Neumann that works great on vocals and guitars especially, but is truly a versatile mic, you can hear how close these microphones sound. For re... Read more

In this Peluso P67 shootout versus the U67, a classic, vintage mic from from Neumann that works great on vocals and guitars especially, but is truly a versatile mic, you can hear how close these microphones sound. For results of the mic shootout, email mics@soundpure.com and one of our pro audio experts will gladly send you hi res audio and will tell you which microphone is which. If you have any questions about how the shootout was performed or questions about the gear, give us a call 919.682.5552. or 888.528.9703l Thanks to Prypyat (Guitarist Duncan Webster and Cellist Leah Gibson) for performing their song "Jukai" at Sound Pure Studios (visit their bandcamp website!)   Gear used to Mix: A Designs Ventura EQ on male/female vocals, ADL 670 Compresor on male/female vocals. A Designs Hammer EQ on guitar/cello, Purple MC77 compressor on guitar/vocals. Bricasti Reverb.

A Designs Nail Stereo Compressor and Hammer Stereo Tube EQ - Mastering Demonstration

Also in this recording A Designs Nail HM2 Stereo Compressor

This A Designs Nail HM2 Compressor and HM2EQ Hammer Tube EQ demo is a mastering demonstration showing the high-quality capabilities of these two A Designs products. The stereo link switch on the Nail makes both mastering... Read more

This A Designs Nail HM2 Compressor and HM2EQ Hammer Tube EQ demo is a mastering demonstration showing the high-quality capabilities of these two A Designs products. The stereo link switch on the Nail makes both mastering and bus work simple yet effective. As compared to most other surgical parametric EQs, the Hammer allows the user to make wide tonal EQ adjustments making it a perfect contender for the mastering process. The Hammer and Nail are sonically clean and clear while possessing some subtle tube warmth which brings more clarity and life out of this track by Andrew Van Tassel. If you have any questions regarding either of these fantastic A Designs products or about mastering, compression, or equalization, please give the experts at Sound Pure a call anytime. 919.682.5552 or 888.528.9703.

From A Designs Audio

The HAMMER 2 couldn't be easier to use. Its overall frequency range covers 30Hz to 40kHz. Each channel features six detented rotary controls: three frequency selector knobs (Lo, Mid, Hi) which are stepped switches for easy recall, each with an accompanying gain knob providing continuously variable boost or cut of 12dB. Each band has a selectable center frequency, and overlaps with the other bands in such a way that makes for a seamless transition throughout the entire spectrum. Each channel also features individual toggle switches for EQ In/Out as well as Lo Cut (84Hz) and Hi Cut (8kHZ), filters that allow engineers to perform utilitarian EQ chores while still being able to bring the full power of The Hammer's three bands to bear.

Mainly intended as a "broad stroke" equalizer, the HM2EQ's bandwidth (Q) is self-adjusting (floating), based on a combination of the amount of gain applied and the dynamics and frequency content of the program material.The Hammer's unique ability to have its Q "move with the music" is one the keys to its incredible musical performance, and is another reason why it's difficult to make the Hammer sound bad at any frequency or gain setting. Along with its innovative tube-harmonic filtering circuit, a pair of carefully selected 12AT7 tubes (offering the most consistent control of any tube) and a custom heavy duty toroidal power transformer add the final touches to the Hammer's signal path.

Like its twin - the A-Designs "Nail" compressor - the Hammer features a black, custom-milled, brushed faceplate sporting custom-milled aluminum control knobs, a heavy-duty Carling toggle power switch, and a big blue jewel power indicator lamp- overall, a stunning combination of modern-retro looks that jump out of the rack. The Hammer is an inspired design whose sonic signature is far greater than the sum of its components. Perfectly happy in tracking applications or as an insert effect on individual channels, it is the ultimate full-range finishing device for sub-mixes and master outputs.  After all, what audio toolbox would be complete without a Hammer?

HAMMER 2 FEATURES:

•World-class, three-band, dual-mono tube/hybrid equalizer.

•Designed to sound highly musical for larger EQ functions typically found on expensive mastering.

•Smooth, super-fidelity EQ, suitable for very high-end applications.

•Beautiful-sounding broad EQ-shaping across several octaves with no adverse effect on tone.

•Clean and airy high end.

•Warmth, transparency, and quality sound.

•Detened boost and cut controls.

•Fixed frequency settings with highly musical overlapping bands and floating “Q”.

•Low-cut and high-cut filters and bypass.

•Transformer-less 12AT7 output tubes.

•Custom-milled aluminum knobs and faceplate with EQ in/out, low-cut, and high-cut toggle switches.

•Heavy-duty Carling power toggle switch

Frequency Response
-3dB points @ 5Hz and 40kHz

Noise Floor -94dbm with 30kHz bandwidth

Low boost
+12dB; cut: -12dB
Mid boost
+12dB; cut: -12dB
High boost
+12dB; cut: -12dB
Low-frequency switch
30Hz/50Hz/100Hz/150Hz/200Hz/300Hz/400Hz/470Hz560Hz Shelving @ 30/60/125
Mid-frequency switch
125Hz/175Hz/ 250Hz/500Hz/800Hz/1.2kHz/1.6kHz/2kHz/2.7kHz3.3kHz/3.9kHz/4.7kHz

High-frequency switch1.8kHz/ 2.5kHz/3.5kHz/5kHz/7.5kHz/10kHz/15kHz/20kHz/40kHz Shelving @ 4.8k/12.5k/30k

Low-cut filter
84Hz
High-cut filter
8kHz •Bandwidth (Q): Floating

Distortion THD> .08 @ 1Khz

Power Requirements
120/230 VAC – 42W

Dimensions (W x H x D) 19” x 3-1/2” x 10”

Weight 10 lb. (Shipping weight 12 lb.)

Free 3-Year Warranty

Sound Pure stands behind our products. Free three-year warranty on this item. Coverage exclusions live in Terms & Conditions, Section 27.

Level of support and expertise that simply isn't available at big-box megastores. Read the warranty →

Returns

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Sound Pure Studios Control Room A — Durham, NC

Sound Pure Studios · Durham, NC

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