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DPA Microphones 2000 Series Demo - AES 2011

Also in this recording DPA 2006A Twin Diaphragm Omnidirectional Microphone DPA 2011A Twin Diaphragm Cardioid Microphone DPA 2011C Compact Twin Diaphragm Cardioid Microphone

The 2011A twin diaphragm condenser from DPA Microphones is part of their new 2000 series. The 2000 series is great for home studios and engineers looking for high quality sound at a lower cost. The 2000 series from DP... Read more

The 2011A twin diaphragm condenser from DPA Microphones is part of their new 2000 series. The 2000 series is great for home studios and engineers looking for high quality sound at a lower cost. The 2000 series from DPA delivers high quality audio similar to their legendary 4006 and 4011 microphones at about half the cost. You can get the 2006A , 2006C, 2011A, or 2011C. Check out SoundPure.com for more details on the differences between the microphones. Thanks to composer and producer Oscar Deric Brown for his playing! Call or email SoundPure today for more questions. 919.682.5552. or 888.528.9703.

SDC Mic Shootout on Acoustic Guitar: M60 vs. 2011A vs. P84 vs. C42

Also in this recording TELEFUNKEN Elektroakustik M60 FET Cardioid Microphone TELEFUNKEN Elektroakustik M60 FET Master Stereo Set TELEFUNKEN Elektroakustik M60 FET Master Set TELEFUNKEN Elektroakustik M60 FET Cardioid Stereo Set DPA 2011A Twin Diaphragm Cardioid Microphone DPA ST2011A Stereo Pair with 2011A Cardioids Peluso P84 Solid State SDC Microphone Peluso P-84 SK Solid State SDC Microphone Stereo Kit

In this video comparison, we put four small diaphragm condenser microphones to the test, as we demonstrate the TELEFUNKEN Elektroakustik M60, the DPA 2011A, the Josephson C42, and the Peluso P84. Can you tell which one's... Read more

In this video comparison, we put four small diaphragm condenser microphones to the test, as we demonstrate the TELEFUNKEN Elektroakustik M60, the DPA 2011A, the Josephson C42, and the Peluso P84. Can you tell which one's which?

DPA 4011A vs. 2011A SDC Mic Quick n' Dirty Shootout

Also in this recording DPA 4011A Cardioid Microphone DPA 2011A Twin Diaphragm Cardioid Microphone

DPA Microphones A/S is a leading manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film, houses of worship, teleconference and... Read more

DPA Microphones A/S is a leading manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film, houses of worship, teleconference and sound reinforcement environments. In this Quick n' Dirty Shootout, SoundPure Pro Audio Expert, Nick Prather, compares the 4011A SDC and the 2011A SDC Microphones on Acoustic Guitar. Both of these mics are available for SoudPure's Try-Before-You-Buy Program, so if you want to hear how it sounds in your studio, shoot us an email to ProAudio@SoundPure.com or call us anytime at 919.682.5552. Thanks for watching!

DPA 4006A vs. 2006A SDC Mic Quick n' Dirty Shootout

Also in this recording DPA 2006A Twin Diaphragm Omnidirectional Microphone DPA 4006A Omni Microphone

DPA Microphones A/S is a leading manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film, houses of worship, teleconference and... Read more

DPA Microphones A/S is a leading manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film, houses of worship, teleconference and sound reinforcement environments. In this video SoundPure Pro Audio Expert, David Barrett, compares the 4006A SDC vs. the 2006A SDC. Both of these mics are available for SoudPure's Try-Before-You-Buy Program, so if you want to hear how it sounds in your studio, shoot us an email to ProAudio@SoundPure.com or call us anytime at 919.682.5552. Thanks for watching!

AES Convention 2011 NYC - Day 3

Also in this recording Josephson C617 (just body no capsule) AEA KU4 Ribbon Microphone Josephson SPB40A Spherical Baffle for C617SET DPA 2006A Twin Diaphragm Omnidirectional Microphone DPA 2011A Twin Diaphragm Cardioid Microphone DPA 2011C Compact Twin Diaphragm Cardioid Microphone

The Audio Engineering Society Convention in New York City at the Javits Center with the SoundPure gang. This last day we checked out some exciting new gear from AEA, Josephson, and DPA. Wes Dooley talks about his new... Read more

The Audio Engineering Society Convention in New York City at the Javits Center with the SoundPure gang. This last day we checked out some exciting new gear from AEA, Josephson, and DPA. Wes Dooley talks about his new KU4 Unidirectional Ribbon Mic as well as his new RPQ 500 series preamp. David Josephson spoke with Todd about the design of his fantastic C617 Microphones as well as his new SPB40 baffle for the C617s. Doug spoke with Jared at DPA about several new products including the new 2000 series from DPA. Look for our other overview videos of the AES convention as well as many more in depth videos on all the new gear. Call SoundPure for any questions about these new exciting products from your favorite manufacturers.

From DPA Microphones (Bruel & Kjaer)

2006C Twin Diaphragm Omni Microphone, Compact

  • Modular flexibility
  • Twin-Diaphragm-Capsule technology
  • Acoustic authenticity
  • Linear in a large frequency bandwidth

Redefining value for money

The new DPA 2006 microphone has strong references to the acclaimed DPA 4006 omni microphone – by its type number 06, its overall sound character, and its industrial design.

The difference is in the capsule technology that in the 2000 series features the new Twin Diaphragm Capsule technology. Comparison with its big brother, the iconic 4006, is inevitable. The relationship between the two is clearly heard from the first 2006 audio glance; the 2000 series simply performs like much more exclusive microphones from the premium class and redefines the term value for money.

Modular upgradability

2006C is part of the flexible DPA Reference Standard series. The 2006C with the MMP-C compact preamplifier offers a subtle character alteration with a bit more “body” to the low end – in addition to its easier-to-position approach. The 2006A with the MMP-A preamplifier is the audiophile’s choice with low distortion and total accurate and faithful sound.

At any time and with no tools necessary it is possible to transform the basic 2006 microphone into a new configuration by combining it with another DPA microphone capsule or preamp.

Twin Diaphragm Capsule technology

The overall distinctive sound image from the DPA miniatures is so well balanced that it meets the high demands of the DPA Reference Standard league.

In a 2006 capsule two opposite facing miniature capsules are custom re-built into a double diaphragm, one-capsule composition. This combines the advantages of small capsules (fast impulse response and large frequency bandwidth) with lower inherent noise achieved from a larger diaphragm area.

The capsules are loaded to the supreme Reference Standard preamps instead of the tiny miniature FET preamp from the miniature mics, offering even more air and precision.

Dedicated to acoustic authenticity

Every engineer and musician concerned with getting the precise acoustic fingerprint on track will be pleased by the true tone delivered by the 2006. Acoustic piano, guitar, wind instruments and choirs are among the most evident applications.

As main AB stereo pair the 2006s offer an impeccable combination of two ordinary frequency responses from the 4006 with specially tailored high frequency response that lies perfectly in between the responses from the near-field (silver) grid and the diffuse-field (black) grid.

Also available as selected stereo pair

Specifications for 2006C Twin Diaphragm Omni Microphone, Compact

Directional pattern: Omnidirectional
Principle of operation: Pressure
Cartridge type: Pre-polarized condenser, Twin Diaphragm Capsule
Frequency range: 20 Hz to 20 kHz
Frequency range, ± 2 dB: 50 Hz to 20 kHz with typ. 3 dB soft boost at 14 kHz
Sensitivity, nominal, ± 2 dB at 1 kHz: 40 mV/Pa; -28 dB re. 1 V/Pa
Equivalent noise level, A-weighted: Typ. 16 dB(A) re. 20 µPa (max. 18 dB(A))
Equivalent noise level, ITU-R BS.468-4: Typ. 28 dB (max. 30 dB)
S/N ratio (A-weighted), re. 1 kHz at 1 Pa (94 dB SPL): Typ. 78 dB(A)
Total Harmonic Distortion (THD) at 1 kHz: < 1 % up to 130 dB SPL peak
Dynamic range: Typ. 114 dB
Max. SPL, peak before clipping: 134 dB
Minimum load impedance: 2 kohm
Output impedance: < 200 ohm
Cable drive capability: 100 m (328 ft)
Output balance principle: Impedance balancing with Active Drive
Common Mode Rejection Ratio (CMRR): > 50 dB
Power supply (for full specifications): 48 V Phantom power (± 4 V)
Current consumption: 2.8 mA
Connector: XLR-3M. Pin 1: shield, Pin 2: signal + phase, Pin 3: - phase
Color: Matte black
Microphone weight: 60 g (2.1 oz)
Microphone diameter: 19 mm (0.75 in)
Microphone length: 58 mm (2.3 in)
Output voltage, RMS: > 4 V
Polarity: +V at Pin 2 for positive sound pressure
Temperature range: -40 °C to 45 °C (-40 °F to 113 °F)
Relative Humidity (RH): Up to 90%

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