Sound Pure's Take

The C7 is truly the ultimate “workhorse” LDC. Although primarily marketed as a vocal mic, the C7 is often my first choice for drum overheads, acoustic guitars, and auxiliary percussion as well. The crisp yet incredibly sweet top end really makes whatever you put it in front of sound ethereal. When a vocalist hears themselves for the first time in their headphones through the C7 their reaction is almost always the same, “Wow I’ve never heard myself sound so good before!”. 
Despite the gorgeous hi-freq lift the mic is actually quite neutral and true to source. The custom AMI output transformer does add a touch of flattering color, but executed in the most tasteful way possible. The Bias switch located inside the mic is one of my favorite touches. In a Hip-hop/ R&B situation where there will be sections of fast, percussive vocal phrases juxtaposed with intimate soulful singing I would often find myself reaching for two different mics. With the C7 both bases are covered to an idealistic degree just by switching the capsule bias voltage from +48 for the more nuanced touch and +60 for the more aggressive flavor.  

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Miktek C7 vs. Lauten Atlantis vs. Neumann TLM 107: LDC Drum Overhead Shootout

Also in this recording Lauten Audio Atlantis FC-387 Multi-Voiced Microphone Neumann TLM 107 (Nickel) Multi-pattern LDC Microphone Shure Beta 52A Kick Drum Microphone Shure Beta 181/C Ultra-Compact Side-Address Microphone

LDC Mic Drum Overhead Shootout featuring the Miktek C7, the Lauten Atlantis, and the Neumann TLM 107. In the final video of our drum overhead series, SoundPure Pro Audio Expert, Travis Hall, showcases just a few of our f... Read more

LDC Mic Drum Overhead Shootout featuring the Miktek C7, the Lauten Atlantis, and the Neumann TLM 107. In the final video of our drum overhead series, SoundPure Pro Audio Expert, Travis Hall, showcases just a few of our favorite LDC microphones. All three mics were run through our Phoenix DRS8 mic pre and our Apogee Symphony Converter. These mics are also available for SoundPure's Try Before You Buy program, so if you want to hear how these mics sound in your studio with your gear, shoot us an email at mics@soundpure.com. If you like what you hear, check out this gear at SoundPure.com or give us a call anytime at 919.682.5552. Thanks for watching!

SDC vs LDC Microphone Comparison: Miktek C5 & C7 Microphones on Grand Piano

Also in this recording Miktek C7e Large Diaphragm Multi-Pattern FET Condenser Mic Miktek C5MP Small Diaphragm Condenser Matched Pair

Sound Pure Pro Audio Expert, Todd Atlas, briefly discusses the more general sonic characteristics of Small Diaphragm and Large Diaphragm Condenser microphones. For this comparison we chose our Miktek C5 SDC and C7 LDC mi... Read more

Sound Pure Pro Audio Expert, Todd Atlas, briefly discusses the more general sonic characteristics of Small Diaphragm and Large Diaphragm Condenser microphones. For this comparison we chose our Miktek C5 SDC and C7 LDC microphones and our incredible sounding Steinway Grand Piano. Being a Small Diaphragm Condenser, the C5 recordings showcase more transient detail, articulation, and an overall tighter sound. With it's larger capsule size, the C7 Large Diaphragm Condenser added more warmth and roundness to the piano (especially in the low-end) and smoothed out some of the transient attack of the strings. While every mic has it's own unique voice and response, these broader characteristics and differences can be found in all Large and Small Diaphragm Condenser microphones. If you're having difficulty hearing the differences feel free to email us at mics[at]soundpure.com for the full length hi-res audio files to compare for yourself. Both the Miktek C5 and C7 mics are available for Sound Pure's free try-before-you-buy demo program. If you'd like to se

LDC Solid State Shootout on Female Vocals: Miktek C7 v. Lauten Atlantis v. Neumann U87Ai v.Bock iFET

Also in this recording Miktek C7e Large Diaphragm Multi-Pattern FET Condenser Mic Lauten Audio Atlantis FC-387 Multi-Voiced Microphone Neumann U87Ai Microphone Bock Audio iFET Condenser Microphone Phoenix Audio DRS8 mk2 Microphone Preamp Apogee Digital Symphony I/O MkI 16x16 Analog

In this blind microphone shootout on female vocals we compare four of our favorite large diaphragm solid state condenser mics: the Miktek C7, the Lauten Atlantis, the Neumann U87 Ai, and the Bock iFET. First you'll hear... Read more

In this blind microphone shootout on female vocals we compare four of our favorite large diaphragm solid state condenser mics: the Miktek C7, the Lauten Atlantis, the Neumann U87 Ai, and the Bock iFET. First you'll hear the four mics solo'd and completely dry, then we'll bring them into a mix for some context. All four mics were run through our Phoenix Audio DRS-8  mic preamp and our Apogee Symphony converter. If you'd like to know which mic was which and get the full length hi-res audio performances to compare for yourself shoot us a quick email to mics(at)soundpure.com. Additionally all four of these mics are eligible for our Try-Before-You-Buy demo program, so if you'd like to experience one for yourself with your gear in your studio please give us a call and we'd be happy to send one out for you to demo.   We would like to extend a huge thank you to Jennifer Claude for helping us make this video. Check her out at www.jenniferclaude.com.   If you like what you hear, check out this gear at SoundPure.com or give us a call anytime at 919.682.5552. Thanks for watching!

SDC vs LDC Microphone Comparison: Miktek C5 & C7 Microphones on Acoustic Guitar

Also in this recording Miktek C7e Large Diaphragm Multi-Pattern FET Condenser Mic Miktek C5MP Small Diaphragm Condenser Matched Pair Phoenix Audio DRS8 mk2 Microphone Preamp Goodall Mahogany Concert Jumbo Acoustic Guitar

Travis Hall of the Sound Pure Pro Audio Team briefly discusses the more general physical and sonic characteristics of Small Diaphragm and Large Diaphragm Condenser microphones. For this comparison we brought back our Mik... Read more

Travis Hall of the Sound Pure Pro Audio Team briefly discusses the more general physical and sonic characteristics of Small Diaphragm and Large Diaphragm Condenser microphones. For this comparison we brought back our Miktek C5 SDC and C7 LDC microphones for comparison on two different acoustic guitars. Being a Small Diaphragm Condenser with a faster, smaller capsule, the C5 showcases incredible transient detail, string articulation, and an overall tighter low-end. With it's larger capsule size, the C7 Large Diaphragm Condenser showcases a little more warmth and roundness (particularly in the low-end) and smoothed out some of the transient detail from the strings. While every mic has it's own unique voice and response, these broader characteristics and differences can be found in all Large and Small Diaphragm Condenser microphones. If you're having difficulty hearing the differences feel free to email us at mics[at]soundpure.com for the full length hi-res audio files to compare for yourself. Both the Miktek C5 and C7 mics are available for Sound Pure's free try-before-you-buy demo program. If you'd like to set up a trial period to hear one of these incredible mics for yourself, would like to talk more about SDCs vs LDCs, or just microphones in general, feel free to shoot us an email or give us a call at anytime. Thanks for watching!

Miktek C7 Large Diaphragm Condenser Microphone Overview

Also in this recording Miktek C7e Large Diaphragm Multi-Pattern FET Condenser Mic A Designs Pacifica Stereo Preamp Millennia HV-3R Digital 8 Channel Mic Preamp LaChapell Audio 983s MKII 2-Channel Tube Preamp Lynx Aurora 16 I/O D/A and A/D Converter

The Miktek C7 is an incredibly versatile multi-pattern Large Diaphragm Condenser mic featuring a very "sweet" and present top-end, a natural and balanced mid-range, and a round but focused low-end. In this overview video... Read more

The Miktek C7 is an incredibly versatile multi-pattern Large Diaphragm Condenser mic featuring a very "sweet" and present top-end, a natural and balanced mid-range, and a round but focused low-end. In this overview video we showcase the C7 on a variety of sources while Doug Wessling of the Sound Pure Pro Audio Team discusses the sonic characteristics and features of the mic in greater detail. The C7 is a truly phenomenal workhorse microphone, capable of producing outstanding results in just about any context, from studio vocals to drum overheads, acoustic guitar recording to voiceover work and beyond. The entire Miktek line including the C7 is part of Sound Pure's free try-before-you-buy demo program. If you'd like to hear the C7 with your gear to make sure it's the perfect fit for you give us a call for more information. If you have any questions about the C7, other similar microphones, or simply want to talk more about recording in general, please don't hesitate to give the Sound Pure Pro Audio Team a call at 919-682-5552 or shoot us an email to mics(at)soundpure.com. Thanks for watching!

Large Diaphragm Condenser Mic Shootout on Male Vocals

Also in this recording Miktek C7e Large Diaphragm Multi-Pattern FET Condenser Mic Shure KSM44A Large Dual-Diaphragm Microphone Lauten Audio Clarion FC-357 Microphone CharterOak E700 FET Multi-Pattern Condenser Microphone

This blind Large Diaphragm Condenser Microphone shootout on Male Vocals features 4 incredible LDC mics: the Shure KSM44, Miktek C7, CharterOak E700, and the Lauten Clarion. All four mics were run through our Vintech 573... Read more

This blind Large Diaphragm Condenser Microphone shootout on Male Vocals features 4 incredible LDC mics: the Shure KSM44, Miktek C7, CharterOak E700, and the Lauten Clarion. All four mics were run through our Vintech 573 Preamp Modules and Lynx Aurora Converter. First we'll hear the mics completely dry, and then just for kicks we'll add in some traditional vocal reverb from our Bricasti M7 Reverb System. If you would like the results of the shootout or all five full length hi-res audio files to compare for yourself, shoot us an email to mics(at)soundpure.com at anytime. Additionally all of these microphones are eligible for our free Try-Before-You-Buy demo program, so if you like what you hear and would like to experience one of these mics for yourself, give us a call at anytime for more information. Huge thanks to our vocal talent Beau Buttons for this great original performance! Follow him on twitter at: www.twitter.com/beaudeas. If you have any questions about the four LDC mics used, the shootout setup, or recording gear in general - we're here to help. Thanks for watching! 919-682-552 or toll free 888-528-9703

Large Diaphragm Condenser Mic Shootout on Acoustic Guitar

Also in this recording Miktek C7e Large Diaphragm Multi-Pattern FET Condenser Mic CharterOak E700 FET Multi-Pattern Condenser Microphone AKG C 414 XLII Stereo Set Shure KSM44A Large Dual-Diaphragm Microphone Lauten Audio Clarion FC-357 Microphone

This blind Large Diaphragm Condenser Microphone shootout on acoustic guitar features 5 fantastic LDC mics: the Miktek C7, Shure KSM44, CharterOak E700, AKG C414 LTD, and the Lauten Clarion. Sound Pure guitar expert Ross... Read more

This blind Large Diaphragm Condenser Microphone shootout on acoustic guitar features 5 fantastic LDC mics: the Miktek C7, Shure KSM44, CharterOak E700, AKG C414 LTD, and the Lauten Clarion. Sound Pure guitar expert Ross Gruet handpicked this this gorgeous Goodall Jumbo acoustic as our comparison source, which is recorded through our Phoenix Audio DRS8 Preamp and Lynx Aurora Converter. If you would like the results of the shootout or all five full length hi-res audio files to compare for yourself, shoot us an email to mics(at)soundpure(dot)com at anytime. Additionally nearly all of these microphones are eligible for our free 5 day demo period, so if you like what you hear and would like to experience one of these mics for yourself, give us a call at anytime for more information. If you have any questions about the five LDC mics used, the shootout setup, or recording gear in general - we're here to help. Thanks for watching! 919-682-552 or toll free 888-528-9703.

SDC vs LDC Microphone Comparison: Miktek C5 & C7 Microphones on Grand Piano

Also in this recording Miktek C7e Large Diaphragm Multi-Pattern FET Condenser Mic Miktek C5MP Small Diaphragm Condenser Matched Pair Millennia HV-3R Digital 8 Channel Mic Preamp Lynx Aurora 16 and HD Card D/A and A/D Converter

Sound Pure Pro Audio Expert, Todd Atlas, briefly discusses the more general sonic characteristics of Small Diaphragm and Large Diaphragm Condenser microphones. For this comparison we chose our Miktek C5 SDC and C7 LDC mi... Read more

Sound Pure Pro Audio Expert, Todd Atlas, briefly discusses the more general sonic characteristics of Small Diaphragm and Large Diaphragm Condenser microphones. For this comparison we chose our Miktek C5 SDC and C7 LDC microphones and our incredible sounding Steinway Grand Piano. Being a Small Diaphragm Condenser, the C5 recordings showcase more transient detail, articulation, and an overall tighter sound. With it's larger capsule size, the C7 Large Diaphragm Condenser added more warmth and roundness to the piano(especially in the low-end) and smoothed out some of the transient attack of the strings. While every mic has it's own unique voice and reponse, these broader characteristics and differences can be found in all Large and Small Diaphragm Condenser microphones. If you're having difficulty hearing the differences be sure and request the full length hi-res audio files to compare for yourself! Both the Miktek C5 and C7 mics are available for our free try-before-you-buy demo program. If you'd like to set up a trial period to hear one of these incredible mics for yourself, would like to talk more about SDCs vs LDCs, or just microphones in general, feel free to give us a call at anytime. Thanks for watching!Gear used:Miktek C5 SDC Microphone PairMiktek C7 LDC Microphone PairMillennia HV-3R Digital 8 Channel PreampLynx Aurora 16 ConverterSteinway Model B Grand Piano

Anchor Drums 3pc Galleon Maple Drum Set-Classic Stripe

Also in this recording Anchor Drums 3pc Galleon Maple Drum Set-Classic Stripe Lynx Aurora 16 I/O D/A and A/D Converter LaChapell Audio 992EG Dual Mono Tube Preamp Miktek C7e Large Diaphragm Multi-Pattern FET Condenser Mic Miktek PMD7 Drum Microphone Set Great River Electronics MP-2NV Stereo Preamp Vintech Audio X73i Pre/EQ

The Anchor Galleon series has incorporated all of the things you love about vintage drums into a modern build. The Galleon is the flagship line and set the look for Anchor Drums. It uses CNC machined Aluminum lugs that a... Read more

The Anchor Galleon series has incorporated all of the things you love about vintage drums into a modern build. The Galleon is the flagship line and set the look for Anchor Drums. It uses CNC machined Aluminum lugs that are very strong, yet super lightweight.  This lets the shell resonate to it's fullest, plus gives the drums a very bold classic look. This kit is available for SoundPure's Try-Before-You-Buy Program, so if you want to hear how it sounds in your hands, shoot us an email at Drums@Soundpure.com or call us anytime at 919.682.5552. Thanks for watching!

Maag Audio EQ2-500 2 band EQ w/ AIR Band pt. 2: Drum Bus Processing

Also in this recording Maag Audio EQ2 - 500 series Equalizer Miktek C5MP Small Diaphragm Condenser Matched Pair Phoenix Audio DRS8 mk2 Microphone Preamp Lynx Aurora 16 I/O D/A and A/D Converter Shure Beta 181/C Ultra-Compact Side-Address Microphone Miktek C7e Large Diaphragm Multi-Pattern FET Condenser Mic

The Maag Audio EQ2-500 is a no compromise one channel 2 band equalizer that provides unparalleled transparency and top end presence. EQ adjustments are obtained with minimal phase shift and detent controls allow for easy... Read more

The Maag Audio EQ2-500 is a no compromise one channel 2 band equalizer that provides unparalleled transparency and top end presence. EQ adjustments are obtained with minimal phase shift and detent controls allow for easy recallable settings. In this video, SoundPure Recording Engineer, Allen Palmer, demonstrates processing a drum bus using the Maag EQ2. This 2 band EQ is available for SoundPure’s exclusive Try-Before-You-Buy program, so if you want to hear how this gear sounds in your studio with your gear, shoot us an email at ProAudio@SoundPure.com. If you like what you hear, check out this gear at SoundPure.com, or call us anytime at 919.682.5552. Thanks for watching!

Ply Shell Snare Drum Shootout: Brady vs. Sonor Prolite vs. Pork Pie Percussion

Also in this recording Brady 6.5x14 Silver Silky Oak Gloss Jarrah Ply Snare Drum Miktek C7e Large Diaphragm Multi-Pattern FET Condenser Mic Miktek C5MP Small Diaphragm Condenser Matched Pair Josephson e22S Side-Address Condenser Microphone Shure SM57 Instrument Microphone Phoenix Audio DRS8 mk2 Microphone Preamp Apogee Digital Symphony I/O MkI 16x16 Analog

SoundPure Drum Expert, Barry Knain, compares three different ply shell snare drums in a blind shootout. In this video, we will showcase Brady, Sonor Prolite, and Pork Pie Percussion snare drums in a full kit setup. Each... Read more

SoundPure Drum Expert, Barry Knain, compares three different ply shell snare drums in a blind shootout. In this video, we will showcase Brady, Sonor Prolite, and Pork Pie Percussion snare drums in a full kit setup. Each snare was recorded using a Josephson E22s mic on top and a Shure SM57 mic on bottom. All mics used in this shootout were processed through our Phoenix DRS8 Preamp and Apogee Symphony converter. To get the results, or the high res files to compare for yourself, shoot us an email at Drums@soundpure.com. If you like what you hear, check out this gear at SoundPure.com, or give us a call anytime at 919.682.5552. Thanks for watching!

Solid Shell Snare Shootout: Craviotto v. Noble & Cooley v. Pork Pie

Also in this recording Pork Pie 6x14 Maple Solid Shell Snare Drum-White Marine Craviotto 6.5x14 Stacked Solid Walnut/Mahogany Snare Drum Miktek C7e Large Diaphragm Multi-Pattern FET Condenser Mic Josephson e22S Side-Address Condenser Microphone Shure SM57 Instrument Microphone Miktek C5MP Small Diaphragm Condenser Matched Pair A Designs Pacifica Stereo Preamp Phoenix Audio DRS8 mk2 Microphone Preamp

SoundPure Drum Expert, Barry Knain, demos three fantastic solid shell snare drums in our first Snare Drum Shootout. In this blind shootout, we will showcase Craviotto, Noble & Cooley, and Pork Pie snare drums in a full k... Read more

SoundPure Drum Expert, Barry Knain, demos three fantastic solid shell snare drums in our first Snare Drum Shootout. In this blind shootout, we will showcase Craviotto, Noble & Cooley, and Pork Pie snare drums in a full kit setup. All three snare were recorded using out Phoenix DRS-8 Preamp and Apogee Symphony converter. If you want to know the results, or get the high res files to compare for yourself, shoot us an email at Drums@soundpure.com. If you like what you hear, check out this gear at SoundPure.com, or give us a call anytime at 919.682.5552. Thanks for watching!   Additional Gear Used:   Miktek C7 Audix I5 Josephson e22s x 3 Shure SM-57 Miktek C5 x 4 A Designs Pacifica

From Miktek

The Miktek C7e, multi-pattern, large diaphragm FET condenser will impress the most critical listeners and inspire artists to create their best performance. The microphone’s pick-up characteristic is selectable; offering cardioid, omni and bidirectional patterns. In addition, the C7e employs a high-pass filter and –10dB pad for recording loud sound sources.
The frequency response is warm on the bottom and silky-sweet on the top, yet at the same time, the midrange is natural and open. The microphone produces amazing results when recording acoustic instruments, guitar amps, or as overheads on a drum kit. But of course, the C7e really excels on vocal applications.
The C7e utilizes the new MK7 capsule developed by Miktek engineers, featuring dual 1-inch diaphragms made using 5-micron Mylar with a 0.4-micron layer of evaporated gold. Diaphragms are then precisely tensioned, mounted to carefully- tuned backplates, and finally set back-to-back, with electronic isolation, to create the finished capsule.
The C7’s head amplifier has been designed around the AMI T7 transformer and, together with the implementation of high-quality components including hand-selected transistors, offers a sweet response reminiscent of highly desirable vintage microphones.
In addition, the innovated head amplifier design features a unique circuit that allows the engineer to switch the capsule bias voltage from +48 to +60 volts. This proprietary circuit implementation essentially provides the mic with two voices; allowing you to choose between a classic and modern microphone. At +48 volts the capsule’s diaphragm is under less tension, so it’s able to react to extremely subtle changes in sound pressure; enabling the microphone to capture the slightest nuances in any performance. When the bias voltage is set to +60 volts, the C7e is extremely accurate and articulate.
The Miktek C7e is hand assembled, tested and packaged in Nashville, Tennessee, USA using components from the US, Europe and Asia. Each microphone includes its serialized frequency response graph created during final testing.
The C7e is packaged with its swivel mount, in a wooden box, and set inside a rugged aluminum case along with the included shock mount.
  • MK7 Dual 1-inch Capsule 5-micron Mylar, Evaporated Gold Diaphragms
  • Cardioid, Omni and Bi-directional Pick-up Patterns
  • High-pass Filter & -10dB Pad Switches
  • Variable Capsule Bias Voltage: 48 – 60v
  • AMI T7 Transformer
  • Individual Serialized Frequency Response Graph
  • Wood Presentation Case with Swivel-mount, Shock-mount and rugged aluminum Carrying Case

Free 3-Year Warranty

Sound Pure stands behind our products. Free three-year warranty on this item. Coverage exclusions live in Terms & Conditions, Section 27.

Level of support and expertise that simply isn't available at big-box megastores. Read the warranty →

Returns

Not eligible for Try Before You Buy or the 48-hour approval period. Standard return policy applies — see Terms & Conditions, Section 18 for details.

Sound Pure Studios Control Room A — Durham, NC

Sound Pure Studios · Durham, NC

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