Sound Pure's Take

Lynx has stayed comfortably ahead of the curve with their Aurora 8 and 16 converter systems. By not settling on one interfacing solution, they’ve in essence future-proofed their design. As computer interfacing standards change (the latest iteration being Thunderbolt), Lynx has adapted and produced top quality expansion cards to meet in industries ever evolving standards (option card for PT HD and HDX systems are available as well). I take solace knowing that the investment I have made in my Aurora is a sound one. The system can adapt and ultimately not leave me feeling like I have to re-invest large amounts of money every time I update my recording computer. 
These converters are truly world-class and should be a consideration for any pro tracking or mastering facility. When I track through the Aurora my projects exhibit an unparalleled depth, width, and openness that have often eluded me with previous systems. With Aurora conversion there is no color - just pure, clean, and accurate audio signals straight to my DAW. This allows me to dial in the exact amount of appropriate color through my mics, preamps, outboard processors and plugins knowing that 100% of that sound will be retained and untouched through the Aurora’s pristine and open conversion stage. 
As a dedicated converter, the Aurora does not offer any headphone amp or monitor control (outside of their software mixer), however what it lacks in features, it more than makes up for in top notch conversion quality. Combining an Aurora with a Dangerous Monitor ST or Presonus Central Station and you’re equipped with all the monitoring power you need, in addition to a more pristine and accurate converter quality than what you’d find in most “all-in-one” recording interfaces. 

Watch & listen

Lynx Aurora Converters Advanced Routing Capabilities - Analog/Digital Inputs and Outputs

Also in this recording Lynx Aurora 16 I/O D/A and A/D Converter

The Lynx Aurora A/D Converters from Lynx Studio Technology are some of the world's best Analog to Digital Converters, renown for their incredible wide-open clarity, and stunning quality. In this video, the Aurora's advan... Read more

The Lynx Aurora A/D Converters from Lynx Studio Technology are some of the world's best Analog to Digital Converters, renown for their incredible wide-open clarity, and stunning quality. In this video, the Aurora's advanced routing capabilities, in regards to the Analog and Digital Inputs/Outputs, are specifically highlighted by SoundPure's Pro Audio Expert Doug Wessling. As Doug mentions in the video, each different studio setting, whether it be at home or in a professional environment, comes with it's own individual needs and limitations, but regardless of your setup, the Lynx Aurora Converters provide universal flexibility to work with whatever system you have running. The Lynx Aurora Converters come in 8 channel or 16 channel versions, offering stellar audio quality with 192 KHz, 24-bit mastering quality A/D and D/A conversion, that far exceed the quality of the competing converters in it's price range, as well as most more expensive conversion systems. Acclaimed for it's accuracy, detail and transparency, the Lynx Aurora A/D Converter can truly be used in any setup, including on-location recordings. Just about every session we have done here at SoundPure, has been through the fantastic Lynx Aurora Converters. Call us today to talk to an expert about how these outstanding converters can work for you, or if you have any questions about their capabilities, we are ready to help! 919-682.5552. or 888.528.9703.

Lynx Aurora Digital Audio Converters from Lynx Studio Technology - Overview

Also in this recording Lynx Aurora 16 I/O D/A and A/D Converter

Lynx Aurora 8 channel or 16 channel converters offer impeccable audio quality with 24 bit, 192 kHz mastering quality A/D and D/A conversion, as well as a variety of interfacing options. The Lynx Auroras have card slot... Read more

Lynx Aurora 8 channel or 16 channel converters offer impeccable audio quality with 24 bit, 192 kHz mastering quality A/D and D/A conversion, as well as a variety of interfacing options. The Lynx Auroras have card slots for Firewire, USB, ADAT, AES, MADI, and Pro Tools HD. The Auroras from Lynx Studio Technology are extremely accurate, detailed and transparent and sound better than any other conversion system in their price class (and even better than other, more expensive conversion systems). Sound Pure uses the Lynx Auroras everyday, for every type of session. Almost every recording and demo we have ever done features them. Call SoundPure today for more info on these fantastic converters and learn how you can utilize them to make your own killer recordings. 919-682.5552. or 888.528.9703.

2K LDC Tube Mic Shootout on Female Vocals: Pearlman TM1, Miktek CV4, Peluso P67, Telefunken AR51

Also in this recording Pearlman TM1 Large Diaphragm Tube Microphone Miktek CV4 Large Diaphragm Multi-Pattern Tube Condenser Peluso P-67 Switchable Pattern Tube Microphone Telefunken Elektroakustik AR-51 Microphone Millennia HV-3R Digital 8 Channel Mic Preamp

In this video we put 4 LDC tube microphones from the 2K price point up against eachother on female vocals: the Pearlman TM1, the Miktek CV4, the Peluso P-67, and the Telefunken AR-51. Can you tell which is which? Joinin... Read more

In this video we put 4 LDC tube microphones from the 2K price point up against eachother on female vocals: the Pearlman TM1, the Miktek CV4, the Peluso P-67, and the Telefunken AR-51. Can you tell which is which? Joining us for this shootout are Ayisa Adderley (vocals) and Caige Crampshee (guitar) from the band Eyes Eat Suns. Check them out at http://eyeseatsuns.band/

Suhr Classic T Shoreline Gold Electric Guitar 23068 Demo

Also in this recording Dr. Z M12 12W Amp Head - Black Dr. Z 1x12 Cabinet - Black/Black w/ Celestion Gold Sebatron AXIS 200VU Two Channel Tube Preamp Neumann TLM 107 (Black) Multi-pattern LDC Microphone

This Suhr Classic T with dual SSV humbuckers takes the classic "T" formula to the next level! John Suhr builds some of the very finest hand-crafted electric guitars on the planet, and this is a truly special example of h... Read more

This Suhr Classic T with dual SSV humbuckers takes the classic "T" formula to the next level! John Suhr builds some of the very finest hand-crafted electric guitars on the planet, and this is a truly special example of how good it can get! These pickups produce thick humbucking tone, bell-like clarity, and are so quite, you may never want to play another T-style guitar aside from this one! The stainless steel frets are silky smooth and will last a lifetime. And you should always spring from the upgrade roasted maple neck on a Suhr Guitar! The tone is improved, the stability is improved, and yes, even the looks are improved! It's all in the fine details and supurb craftsmanship with this Suhr Classic T guitar. Call or Email SoundPure for more info

Duesenberg Starplayer TV Cream Pearloid Electric Guitar Demo

Also in this recording Strymon Ola - dBucket Chorus and Vibrato Pedal Dr. Z M12 12W Amp Head - Black Dr. Z 1x12 Cabinet - Black/Black w/ Celestion Gold Sebatron AXIS 200VU Two Channel Tube Preamp Neumann TLM 107 (Black) Multi-pattern LDC Microphone

The Starplayer TV model from Duesenberg provides a healthy mix of Gibson and Gretch-influenced specs. With improved tremolo bridge, amazing tone from the hybrid pickup arrangement of classic humbucker in the bridge and D... Read more

The Starplayer TV model from Duesenberg provides a healthy mix of Gibson and Gretch-influenced specs. With improved tremolo bridge, amazing tone from the hybrid pickup arrangement of classic humbucker in the bridge and D-P90 in the neck, and a truly comfortable semi-hollow body, you're really getting a serious performer and an even more serious looker-of-a-guitar! Many famous touring artists are playing this exact model of guitar! There is no question, this is a modern classic! The demand for this guitar is very high. Finding Starplayer TV guitars in stock at a store is a very special occurrence. Contact SoundPure to find out what models we have in stock or on order, for you to reserve.

SDC vs LDC Microphone Comparison: Miktek C5 & C7 Microphones on Acoustic Guitar

Also in this recording Miktek C7e Large Diaphragm Multi-Pattern FET Condenser Mic Miktek C5MP Small Diaphragm Condenser Matched Pair Phoenix Audio DRS8 mk2 Microphone Preamp Goodall Mahogany Concert Jumbo Acoustic Guitar

Travis Hall of the Sound Pure Pro Audio Team briefly discusses the more general physical and sonic characteristics of Small Diaphragm and Large Diaphragm Condenser microphones. For this comparison we brought back our Mik... Read more

Travis Hall of the Sound Pure Pro Audio Team briefly discusses the more general physical and sonic characteristics of Small Diaphragm and Large Diaphragm Condenser microphones. For this comparison we brought back our Miktek C5 SDC and C7 LDC microphones for comparison on two different acoustic guitars. Being a Small Diaphragm Condenser with a faster, smaller capsule, the C5 showcases incredible transient detail, string articulation, and an overall tighter low-end. With it's larger capsule size, the C7 Large Diaphragm Condenser showcases a little more warmth and roundness (particularly in the low-end) and smoothed out some of the transient detail from the strings. While every mic has it's own unique voice and response, these broader characteristics and differences can be found in all Large and Small Diaphragm Condenser microphones. If you're having difficulty hearing the differences feel free to email us at mics[at]soundpure.com for the full length hi-res audio files to compare for yourself. Both the Miktek C5 and C7 mics are available for Sound Pure's free try-before-you-buy demo program. If you'd like to set up a trial period to hear one of these incredible mics for yourself, would like to talk more about SDCs vs LDCs, or just microphones in general, feel free to shoot us an email or give us a call at anytime. Thanks for watching!

Bourgeois Aged Tone Mahogany OO Acoustic Guitar Demo

Also in this recording Miktek C7e Large Diaphragm Multi-Pattern FET Condenser Mic A Designs Pacifica Stereo Preamp

  Watch SoundPure's resident Acoustic Guitar Expert Robinson Earle as he demonstrates this beautiful Double-O from Bourgeois. Petite and woody, this mahogany and adirondack model is warm, with a sweet woody flavor and a... Read more

  Watch SoundPure's resident Acoustic Guitar Expert Robinson Earle as he demonstrates this beautiful Double-O from Bourgeois. Petite and woody, this mahogany and adirondack model is warm, with a sweet woody flavor and a lively crackling when you dig in. Gear List: Bourgeois Aged Tone Mahogany OO Acoustic Guitar Miktek C7 Large Diaphragm Condenser Microphone A Designs Pacifica Stereo Preamp Lynx Aurora 16 Converter Have any questions? Want to try out this model for yourself? Give us a call at (919) 682-5552 or visit us at SoundPure.com.

Collings CJ35 Sunburst Acoustic Guitar

Also in this recording Great River Electronics MP-2NV Stereo Preamp

Watch Joseph Terrell from Chapel Hill-based band Mipso (www.mipsomusic.com) demonstrate this new take on an old classic, the Collings CJ35 Sunburst. Not only is this instrument visually stunning, but it is also warm, mul... Read more

Watch Joseph Terrell from Chapel Hill-based band Mipso (www.mipsomusic.com) demonstrate this new take on an old classic, the Collings CJ35 Sunburst. Not only is this instrument visually stunning, but it is also warm, multidimensional, and clear with unbelievable note separation and smooth handling. Perfect for ragtime, traditional flat-picking, country blues, slide, or even some good ol' gypsy jazz!   Gear List: Collings CJ35 Sunburst Acoustic Guitar CharterOak SA538 Tube Mic CharterOak M900 Small Diaphragm Condenser Mic Great River Electronics MP-2NV Stereo Preamp Lynx Aurora 16 Converter   Have any questions? Feel free to give us a call at (919) 682-5552 or visit us at SoundPure.com!

SDC vs LDC Microphone Comparison: Miktek C5 & C7 Microphones on Grand Piano

Also in this recording Miktek C7e Large Diaphragm Multi-Pattern FET Condenser Mic Miktek C5MP Small Diaphragm Condenser Matched Pair Millennia HV-3R Digital 8 Channel Mic Preamp

Sound Pure Pro Audio Expert, Todd Atlas, briefly discusses the more general sonic characteristics of Small Diaphragm and Large Diaphragm Condenser microphones. For this comparison we chose our Miktek C5 SDC and C7 LDC mi... Read more

Sound Pure Pro Audio Expert, Todd Atlas, briefly discusses the more general sonic characteristics of Small Diaphragm and Large Diaphragm Condenser microphones. For this comparison we chose our Miktek C5 SDC and C7 LDC microphones and our incredible sounding Steinway Grand Piano. Being a Small Diaphragm Condenser, the C5 recordings showcase more transient detail, articulation, and an overall tighter sound. With it's larger capsule size, the C7 Large Diaphragm Condenser added more warmth and roundness to the piano(especially in the low-end) and smoothed out some of the transient attack of the strings. While every mic has it's own unique voice and reponse, these broader characteristics and differences can be found in all Large and Small Diaphragm Condenser microphones. If you're having difficulty hearing the differences be sure and request the full length hi-res audio files to compare for yourself! Both the Miktek C5 and C7 mics are available for our free try-before-you-buy demo program. If you'd like to set up a trial period to hear one of these incredible mics for yourself, would like to talk more about SDCs vs LDCs, or just microphones in general, feel free to give us a call at anytime. Thanks for watching!Gear used:Miktek C5 SDC Microphone PairMiktek C7 LDC Microphone PairMillennia HV-3R Digital 8 Channel PreampLynx Aurora 16 ConverterSteinway Model B Grand Piano

Bourgeois Banjo Killer Slope D Acoustic Guitar Demo

Also in this recording Neumann SKM 184 Stereo Mic Set (Nickel) Sebatron AXIS 200VU Two Channel Tube Preamp

The Bourgeois BK Slope D,  is modeled after a  legendary1995 Bourgeois  Slope D dubbed "The Banjo Killer" by Nashville flatpicking ace, Bryan Sutton.   Bryan's original Banjo Killer has been used for numerous stage and r... Read more

The Bourgeois BK Slope D,  is modeled after a  legendary1995 Bourgeois  Slope D dubbed "The Banjo Killer" by Nashville flatpicking ace, Bryan Sutton.   Bryan's original Banjo Killer has been used for numerous stage and recording performances, and was featured on the "Great Guitars" page ofAcoustic Guitar magazine in October of 2000.  Like the original,  the new BK Slope D features Premium Bearclaw Sitka Spruce and  Figured Mahogany back and sides, Brazilian Rosewood headstock, fretboard, bridge, and bridge plate, and Adirondack Spruce bracing . Additional features include ivoroid binding, snakehead headstock, 1  23/32" nut width,  ebony bridge pins, Nickel /Ivoroid  Waverly tuners and a natural finish.

Bourgeois Custom OM 6261 Acoustic Guitar Demo

Also in this recording Miktek C5MP Small Diaphragm Condenser Matched Pair LaChapell Audio 983s MKII 2-Channel Tube Preamp

Amazing tone and feel.The short scale really gives you a profound sense of control on this one. You sink into your chords as usual, but instead of holding on for dear life, you can wiggle the "grip" and add notes to your... Read more

Amazing tone and feel.The short scale really gives you a profound sense of control on this one. You sink into your chords as usual, but instead of holding on for dear life, you can wiggle the "grip" and add notes to your heart's content! The German top is subtle and complex with the slightest traces of bear-claw. The contrast of the stripes on the rosewood is unique. The back & sides really pop. The trim kills me too. This is one of a kind.   

Small Diaphragm Condenser Microphone Shootout

Also in this recording Miktek C5MP Small Diaphragm Condenser Matched Pair Josephson C42 Small Diaphragm Condenser Matched Pair Neumann SKM 184 Stereo Mic Set (Nickel) Phoenix Audio DRS8 mk2 Microphone Preamp

This blind Small Diaphragm Microphone shootout features the Miktek C5, Neumann KM184, CharterOak M900, and Josephson C42 - all four of which are eligible for Sound Pure's free try before you buy demo program. In addition... Read more

This blind Small Diaphragm Microphone shootout features the Miktek C5, Neumann KM184, CharterOak M900, and Josephson C42 - all four of which are eligible for Sound Pure's free try before you buy demo program. In addition to providing audio clips of each microphone, we explain how to use phase cancellation to level match signals and discuss the importance of mic placement during more precise A/B comparisons. If you'd like the results of the shootout and full length hi-res audio clips, want to set up a demo period with one of the mics, or just want to talk more about gear or plan your next studio upgrade, feel free to shoot us a quick email at mics@soundpure.com or give us a call at anytime. Thanks for watching!

Recorded with this gear

3rd Power British Dream Rock Riffs

Also in this recording 3rd Power Amplification British Dream MKII Head - Black Lynx Aurora 16 I/O D/A and A/D Converter Maag Audio PreQ4 - 500 series Preamp 3rd Power Amplification Dream Series 2x12 Cabinet V30/Gold Shure SM57 Instrument Microphone Shure KSM313/NE Dual-Voice Ribbon Mic with Roswellite Ribbon

3rd Power CE Jamie Scott demonstrates the versatility of the British Dream's ability to overdrive based upon input volume, and plays some killer classic rock guitar riffs.

medal mania electric guitar bridge pickup

Also in this recording Rivera Chubster 40 Guitar Combo Amplifier AEA R84 Ribbon Microphone LaChapell Audio 583s MKII 500-Series Tube Preamplifier Sennheiser MD 421 II Cardioid Dynamic Microphone Lynx Aurora 8 I/O D/A and A/D Converter

McNaught Vintage Single Cut electric guitar (bridge pickup) played into Rivera Chubster 40 Combo(channel 2, volume 5, bass 5 mid 6, treble 7, master 5, presence 10, boosted) mic'd with AEA R84 into LaChapell Audio 583s T... Read more

McNaught Vintage Single Cut electric guitar (bridge pickup) played into Rivera Chubster 40 Combo(channel 2, volume 5, bass 5 mid 6, treble 7, master 5, presence 10, boosted) mic'd with AEA R84 into LaChapell Audio 583s Tube Preamp & mic'd with Sennheiser MD 421 II into A Designs Blue Preamp feeding Lynx Aurora 8.

blues hotel electric guitar neck pickup

Also in this recording Rivera Chubster 40 Guitar Combo Amplifier AEA R84 Ribbon Microphone LaChapell Audio 583s MKII 500-Series Tube Preamplifier Sennheiser MD 421 II Cardioid Dynamic Microphone Lynx Aurora 8 I/O D/A and A/D Converter

McNaught Vintage Single Cut electric guitar (neck pickup) played into Rivera Chubster 40 Combo(channel 2, volume 5, bass 5 mid 6, treble 7, master 5, presence 10) mic'd with AEA R84 into LaChapell Audio 583s Tube Preamp... Read more

McNaught Vintage Single Cut electric guitar (neck pickup) played into Rivera Chubster 40 Combo(channel 2, volume 5, bass 5 mid 6, treble 7, master 5, presence 10) mic'd with AEA R84 into LaChapell Audio 583s Tube Preamp & mic'd with Sennheiser MD 421 II into A Designs Blue Preamp feeding Lynx Aurora 8.

blues hotel electric guitar bridge pickup

Also in this recording Rivera Chubster 40 Guitar Combo Amplifier AEA R84 Ribbon Microphone LaChapell Audio 583s MKII 500-Series Tube Preamplifier Sennheiser MD 421 II Cardioid Dynamic Microphone Lynx Aurora 8 I/O D/A and A/D Converter

McNaught Vintage Single Cut electric guitar (bridge pickup) played into Rivera Chubster 40 Combo(channel 2, volume 5, bass 5 mid 6, treble 7, master 5, presence 10) mic'd with AEA R84 into LaChapell Audio 583s Tube Pream... Read more

McNaught Vintage Single Cut electric guitar (bridge pickup) played into Rivera Chubster 40 Combo(channel 2, volume 5, bass 5 mid 6, treble 7, master 5, presence 10) mic'd with AEA R84 into LaChapell Audio 583s Tube Preamp & mic'd with Sennheiser MD 421 II into A Designs Blue Preamp feeding Lynx Aurora 8.

walking arpeggio electric guitar neck pickup

Also in this recording Rivera Chubster 40 Guitar Combo Amplifier AEA R84 Ribbon Microphone LaChapell Audio 583s MKII 500-Series Tube Preamplifier Sennheiser MD 421 II Cardioid Dynamic Microphone Lynx Aurora 8 I/O D/A and A/D Converter

McNaught Vintage Single Cut electric guitar (neck pickup) played into Rivera Chubster 40 Combo(channel 1, volume 8, bass 3 mid 7, treble 5, master 5, presence 8) mic'd with AEA R84 into LaChapell Audio 583s Tube Preamp &... Read more

McNaught Vintage Single Cut electric guitar (neck pickup) played into Rivera Chubster 40 Combo(channel 1, volume 8, bass 3 mid 7, treble 5, master 5, presence 8) mic'd with AEA R84 into LaChapell Audio 583s Tube Preamp & mic'd with Sennheiser MD 421 II into A Designs Blue Preamp feeding Lynx Aurora 8.

twanging electric guitar position 1 pickup

Also in this recording Rivera Quiana 112 Ruby Guitar Combo Amplifier Sennheiser MD 421 II Cardioid Dynamic Microphone Lynx Aurora 8 I/O D/A and A/D Converter

James Tyler Studio Elite Burning Water electric guitar (position 1 pickup) played into Rivera Quiana amp(channel 1, volume 7, bass 4 mid 7 treble 5, master 5) mic'd with Sennheiser MD 421 II (close) into A Designs Silver... Read more

James Tyler Studio Elite Burning Water electric guitar (position 1 pickup) played into Rivera Quiana amp(channel 1, volume 7, bass 4 mid 7 treble 5, master 5) mic'd with Sennheiser MD 421 II (close) into A Designs Silver Preamp feeding Lynx Aurora 8.

starting up electric guitar position 5 pickup

Also in this recording Rivera Quiana 112 Ruby Guitar Combo Amplifier Sennheiser MD 421 II Cardioid Dynamic Microphone Lynx Aurora 8 I/O D/A and A/D Converter

James Tyler Studio Elite Burning Water electric guitar (position 5 pickup) played into Rivera Quiana amp(channel 1, volume 7, bass 4 mid 7 treble 5, master 5) mic'd with Sennheiser MD 421 II (close) into A Designs Silver... Read more

James Tyler Studio Elite Burning Water electric guitar (position 5 pickup) played into Rivera Quiana amp(channel 1, volume 7, bass 4 mid 7 treble 5, master 5) mic'd with Sennheiser MD 421 II (close) into A Designs Silver Preamp feeding Lynx Aurora 8.

pedal to the metal electric guitar position 1 pickup

Also in this recording Rivera Quiana 112 Ruby Guitar Combo Amplifier AEA R84 Ribbon Microphone Sennheiser MD 421 II Cardioid Dynamic Microphone Lynx Aurora 8 I/O D/A and A/D Converter

James Tyler Studio Elite Burning Water electric guitar (position 1 pickup) played into Rivera Quiana amp(channel 2, volume 5, bass 7 mid 6 treble 7, master 6, reverb 3, presence 10, focus 10, boost on, bright on) mic'd w... Read more

James Tyler Studio Elite Burning Water electric guitar (position 1 pickup) played into Rivera Quiana amp(channel 2, volume 5, bass 7 mid 6 treble 7, master 6, reverb 3, presence 10, focus 10, boost on, bright on) mic'd with AEA R84(8 inches off) into A Designs Blue Preamp & Sennheiser MD 421 II(close) into A Designs Silver Preamp feeding Lynx Aurora 8.

twanging boost electric guitar position 5 pickup

Also in this recording Rivera Quiana 112 Ruby Guitar Combo Amplifier AEA R84 Ribbon Microphone Sennheiser MD 421 II Cardioid Dynamic Microphone Lynx Aurora 8 I/O D/A and A/D Converter

James Tyler Studio Elite Burning Water electric guitar (position 5 pickup) played into Rivera Quiana amp(channel 1, volume 7, bass 4 mid 7 treble 5, master 5, boost on) mic'd with AEA R84(8 inches off) into A Designs Blu... Read more

James Tyler Studio Elite Burning Water electric guitar (position 5 pickup) played into Rivera Quiana amp(channel 1, volume 7, bass 4 mid 7 treble 5, master 5, boost on) mic'd with AEA R84(8 inches off) into A Designs Blue Preamp & Sennheiser MD 421 II(close) into A Designs Silver Preamp feeding Lynx Aurora 8.

From Lynx Studio Technology

Lynx Studio Technology has announced a revised version of the LT-HD firmware for their Aurora converters. The LT-HD version 10 firmware update for the LT-HD card allows the Aurora 16 and Aurora 8 to emulate the interface characteristics of the Avid HD I/O converter, allowing seamless operation with Avid systems including HDX and HD Native.

The Aurora 16 and Aurora 8 AD/DA converters provide world-class analog to digital and digital to analog conversion in a compact one-rack space format. With sample rates up to 192 kHz, Aurora offers wide, open, uncompressed and unequalized audio for studios, mastering facilities, remote recording, broadcast and production. Lynx’s exclusive SynchroLock word clock offers extreme jitter reduction, providing clean digital audio signals for Aurora and other digital devices in the studio.

Aurora also avoids some of the limitations that other pro level converters have. Aurora does not have a noisy fan, does not lose channel count at higher sample rates and does not require costly analog and digital modules to achieve the unit’s full channel count.

Aurora can be used with any audio content. Equalization and limiting functions, which can color or alter the sound, have not been added. Lynx’s design provides accurate conversion, clear clean audio, wide imaging – the sound you put into Aurora is the sound that you get out of Aurora.

Several interfaces allow Aurora to be used in a number of different configurations. LT-HD allows Aurora to be recognized by and controlled from a ProTools|HD® system. FireWire access is easy using the LT-FW. 16 channels of ADAT Lightpipe I/O is made available with the LT-ADATLT-MADI allows up to four Aurora converters to send and receive up to 64 MADI channels. The LT-USB is a USB 2.0 device for up to 16 I/O channels. And Lynx AES16 and AES16e allow interface with a wide range of Windows and Macintosh computers.

The Aurora 16 was nominated for a TEC award in 2005. Aurora with LT-HD was nominated for a 2007 TEC award.

Aurora 16 converters are preconfigured for three voltages. Aurora 115 volt models are available in the US, Canada, Mexico and Brazil. The 100 volt models are available in Japan only. 230 volt units are available throughout the rest of the world through authorized distributors and retailers.

  • Simultaneous 16 Channel Analog I/O and 16 Channel AES/EBU I/O
  • 24 Bit / 192 kHz Mastering Quality A/D and D/A conversion
  • 192 kHz AES/EBU I/O Supporting Single and Dual Wire Modes
  • Single Rack Space Configuration
  • Extensive Remote Control Capability via Lynx AES16, IrDA and MIDI
  • On-board 32 Channel Digital Mixer Provides Flexible I/O Routing
  • Word clock I/O with Lynx SynchroLock™ Sample Clock Technology
  • Digital I/O DB-25 connectors follow Yamaha pinout protocol
  • Analog I/O DB-25 connectors follow Tascam pinout protocol
  • RoHS compliant
  • Available in 100V, 115V and 230V models

LT-HD Card

Avid has made great improvements with the HDX card and Pro Tools 10. The new LT-HDx firmware update for the LT-HD card allows current and new Aurora owners to get the most out of their Pro Tools HDX or Native equipped studio. Emulation of the HD I/O delay allows the ability to use Lynx and Avid hardware in the same system with sample accuracy.

New features include:

• Two modes of Avid HD I/O emulation: 32-channel mode provides two instances of the 8 x 8 x 8 analog and digital in and out model, 16-channel mode provides one instance of the 16 x 16 analog in and out model.

• Emulation of HD I/O delay times to ensure accurate delay compensation within Pro Tools. No manual adjustments needed.

• Improved internal clock management provides compatibility with changes in Avid hardware.

Thousands of studios worldwide have adopted Aurora converters as their standard, for its pristine audio quality, versatility and value. This update for the LT-HD card gives even more versatility to Aurora.

Lynx has always been committed to long-term support of our customers’ needs. Current owners of LT-HD equipped Aurora converters can update to the LT-HDx functionality at no charge with a simple firmware update. New hardware is not required.

Easily installed in Aurora’s LSlot bay, the LT-HD allows Aurora converters to be used in all current ProTools|HD systems. Connected via Digilink cables to HD Core, Accel Core, HDX or Native cards, Pro Tools recognizes the Aurora converter and controls all input and output functions, clocking, routing and other settings. One LT-HD equipped Aurora 16 can provide up to 32 channels of analog to digital and digital to analog conversion.

This is a truly plug and play system. LT-HD’s hardware and on-board software streamline installation and set-up, bringing Aurora audio quality and channel count to the ProTools system. LT-HD provides signal latency identical to that of the Avid converter for accurate delay compensation within ProTools - no manual delay adjustments are required.

The LT-HD contains one Primary and one Expansion DigiLink port. Aurora supports full channel count at sample rates up to 192 kHz. You do not lose half of your channels at higher sample rates and you do not need to purchase additional expensive modules for full channel counts. Pro Tools users can now benefit from Lynx’s exclusive SynchroLock™ word clock for very low jitter and low distortion of digital signals. 

LYNX AURORA 16 AND AURORA 8 SPECIFICATIONS

ANALOG I/O

Aurora 8 Eight inputs and eight outputs

Aurora 16 Sixteen inputs and sixteen outputs

Type Electronically balanced or unbalanced

Level +4 dBu nominal/ +20 dBu max, or -10 dBv nominal / +6 dBv max

Input Impedance Balanced mode
24k Ω
Unbalanced mode
12k Ω
Output Impedance Balanced mode
100 Ω
Unbalanced mode
50 Ω

Output Drive 600 Ω impedance, 0.2 µF capacitance

A/D and D/A Type 24-bit multi-level, delta sigma

ANALOG IN PERFORMANCE

Frequency Response 20Hz - 20kHz, +0/-0.1 dB

Dynamic Range 117 dB, A-weighted

Channel Crosstalk -120 dB maximum, 1 kHz signal, -1 dBFS

THD + N -108 dB (0.0004%)@-1DBFS

104 db (0.0006%)@-6DBFS

1 kHz signal, 22Hz-22kHz BW

ANALOG OUT PERFORMANCE

Frequency Response 20Hz - 20kHz, +0/-0.1 dB

Dynamic range 117 dB, A-weighted

Channel crosstalk -120 dB maximum, 1 kHz signal, -1 dBFS

THD + N -107 dB (0.00045%)@-1DBFS

106 dB (0.00050%)@-6DBFS

1 kHz signal, 22 Hz-22kHz BW

DIGITAL I/O

Number/Type Aurora 8
8 inputs and 8 outputs
Aurora 16
16 inputs and 16 outputs

24 bit AES/EBU format, transformer coupled

Channels Aurora 8
* in/out in single wire mode

4 in/out in dual wire mode

Aurora 16
16 in/out in single wire mode

8 in/out in dual wire mode

Sample Rates All standard rates and variable rates up to

192 kHZ in both single-wire and dual-wire modes

ON-BOARD DIGITAL MIXER (VIA AES16/AES16e)

Type Hardware based, low latency

Routing Ability to route any input to any or multiple outputs

Mixing Up to four input or playback signals mixed to any

output, 40-bit precision

Status Peak levels to -114dB on all inputs and outputs

CONNECTIONS

Digital I/O Ports 25-pin female D-sub connectors

Port A
channels 1-8 I/O
PortB
channels 9-16 I/O (aurora 16 only)

Yamaha pinout standard

Analog I/O Ports 25-pin female D-sub connectors

Analog in 1-8

Analog in 9-16 (Aurora 16 only)

Analog out 1-8

Analog out 9-16 (Aurora 16 only)

Tascam Pinout standard

External Clock 75-ohm BNC word clock input and output

MIDI One input and one output, standard opto-isolated

5-pin female DIN connecters

REMOTE CONTROL OPTIONS

Function Controls all I/O, levels, monitoring, routing and setting recall

Method AES16-AES16e
with PC or Mac IrDA: For compatible Pocket

PCs and laptops

MIDI
Selected MIDI devices

GENERAL

AC Power 110/115/230 VAC, 70 watts

Size 1.75" H x 19"W x 9"D

Shipping Weight 12lbs

Certifications CE and FCC Class B EMI, CE Product Safety

LSLOT™ EXPANSION PORT

Compatibility Supports Lynx Lslot expansion cards

Channels Up to 16 input and 16 output simultaneously at up to

192 kHz sample rate

OPTIONAL INTERFACE CARDS FOR LSLOT

LT-ADAT Provides ADAT Optical I/O

LT-HD For ProTools/HD/Native

LT-FW Provides up to 16 channels via FireWire 400

LT-MADI Provides up to 64 MADI I/O channels

LT-USB Provides up to 16 I/O channels, USB 2.0

LT-HD EXPANSION CARD SPECS

One Primary and one Expansion DigiLink port

Up to 32 channels of analog and digital I/O per HD Core or Accel Core, HDX or Native card possible with one Aurora 16

Supports full channel count at sample rates up to 192 kHz

Offers audio signal latency identical to that of the Avid HD I/O™ for accurate delay compensation within Pro Tools - no manual delay adjustments required

Allows I/O functions for parameter control to be controlled and monitored within ProTools

Interfaces with HD system using standard DigiLink cables

Allows daisy-chaining of multiple Aurora converters and other DigiLink devices via Expansion port

Lynx proprietary SynchroLock™ technology can be used to reduce jitter when Aurora is a clock slave or to provide stable, low jitter clock to downstream devices

Easily installed into Aurora

RoHS compliant

Designed and manufactured in the USA by Lynx Studio Technology, Inc

Free 3-Year Warranty

Sound Pure stands behind our products. Free three-year warranty on this item. Coverage exclusions live in Terms & Conditions, Section 27.

Level of support and expertise that simply isn't available at big-box megastores. Read the warranty →

Returns

Not eligible for Try Before You Buy or the 48-hour approval period. Standard return policy applies — see Terms & Conditions, Section 18 for details.

Sound Pure Studios Control Room A — Durham, NC

Sound Pure Studios · Durham, NC

Come hear it in our control rooms.

Sound Pure is a working studio in Durham, NC — a 1,000 sq ft live room and two pro control rooms. Book a session to audition gear in a world-class acoustic space before you buy.