Sound Pure's Take

Lynx has stayed comfortably ahead of the curve with their Aurora 8 and 16 converter systems. By not settling on one interfacing solution, they’ve in essence future-proofed their design. As computer interfacing standards change (the latest iteration being Thunderbolt), Lynx has adapted and produced top quality expansion cards to meet in industries ever evolving standards (option card for PT HD and HDX systems are available as well). I take solace knowing that the investment I have made in my Aurora is a sound one. The system can adapt and ultimately not leave me feeling like I have to re-invest large amounts of money every time I update my recording computer. 
These converters are truly world-class and should be a consideration for any pro tracking or mastering facility. When I track through the Aurora my projects exhibit an unparalleled depth, width, and openness that have often eluded me with previous systems. With Aurora conversion there is no color - just pure, clean, and accurate audio signals straight to my DAW. This allows me to dial in the exact amount of appropriate color through my mics, preamps, outboard processors and plugins knowing that 100% of that sound will be retained and untouched through the Aurora’s pristine and open conversion stage. 
As a dedicated converter, the Aurora does not offer any headphone amp or monitor control (outside of their software mixer), however what it lacks in features, it more than makes up for in top notch conversion quality. Combining an Aurora with a Dangerous Monitor ST or Presonus Central Station and you’re equipped with all the monitoring power you need, in addition to a more pristine and accurate converter quality than what you’d find in most “all-in-one” recording interfaces. 

Watch & listen

Lynx Aurora Converters Advanced Routing Capabilities - Analog/Digital Inputs and Outputs

Also in this recording Lynx Aurora 16 I/O D/A and A/D Converter

The Lynx Aurora A/D Converters from Lynx Studio Technology are some of the world's best Analog to Digital Converters, renown for their incredible wide-open clarity, and stunning quality. In this video, the Aurora's advan... Read more

The Lynx Aurora A/D Converters from Lynx Studio Technology are some of the world's best Analog to Digital Converters, renown for their incredible wide-open clarity, and stunning quality. In this video, the Aurora's advanced routing capabilities, in regards to the Analog and Digital Inputs/Outputs, are specifically highlighted by SoundPure's Pro Audio Expert Doug Wessling. As Doug mentions in the video, each different studio setting, whether it be at home or in a professional environment, comes with it's own individual needs and limitations, but regardless of your setup, the Lynx Aurora Converters provide universal flexibility to work with whatever system you have running. The Lynx Aurora Converters come in 8 channel or 16 channel versions, offering stellar audio quality with 192 KHz, 24-bit mastering quality A/D and D/A conversion, that far exceed the quality of the competing converters in it's price range, as well as most more expensive conversion systems. Acclaimed for it's accuracy, detail and transparency, the Lynx Aurora A/D Converter can truly be used in any setup, including on-location recordings. Just about every session we have done here at SoundPure, has been through the fantastic Lynx Aurora Converters. Call us today to talk to an expert about how these outstanding converters can work for you, or if you have any questions about their capabilities, we are ready to help! 919-682.5552. or 888.528.9703.

Lynx Aurora Digital Audio Converters from Lynx Studio Technology - Overview

Also in this recording Lynx Aurora 16 I/O D/A and A/D Converter

Lynx Aurora 8 channel or 16 channel converters offer impeccable audio quality with 24 bit, 192 kHz mastering quality A/D and D/A conversion, as well as a variety of interfacing options. The Lynx Auroras have card slot... Read more

Lynx Aurora 8 channel or 16 channel converters offer impeccable audio quality with 24 bit, 192 kHz mastering quality A/D and D/A conversion, as well as a variety of interfacing options. The Lynx Auroras have card slots for Firewire, USB, ADAT, AES, MADI, and Pro Tools HD. The Auroras from Lynx Studio Technology are extremely accurate, detailed and transparent and sound better than any other conversion system in their price class (and even better than other, more expensive conversion systems). Sound Pure uses the Lynx Auroras everyday, for every type of session. Almost every recording and demo we have ever done features them. Call SoundPure today for more info on these fantastic converters and learn how you can utilize them to make your own killer recordings. 919-682.5552. or 888.528.9703.

Suhr Antique Classic T w/ Butterscotch Finish - Tele Style Electric Guitar Demo

Also in this recording Royer Labs R-121 Ribbon Microphone

The Classic T from John Suhr Guitars is as smooth as butter, plays incredibly well, and is perfect for the studio, stage, or just jamming at your house! Featuring silent pickups and a Butterscotch finish, this Telecaster... Read more

The Classic T from John Suhr Guitars is as smooth as butter, plays incredibly well, and is perfect for the studio, stage, or just jamming at your house! Featuring silent pickups and a Butterscotch finish, this Telecaster style electric is made with a Swamp Ash body and a Maple neck. If you want more information on this rockin' machine, visit our website, or call the experts in our Guitar Boutique at 919.682.5552. or 888.528.9703. The other equipment used in this video: Vovox Sonorus Instrument Cable, Keeley Compressor Pedal, Suhr Badger 35 Watt EL84 Amplifier, Royer 121 Ribbon Mic, True Systems Precision 8 Preamp, Lynx Aurora AD Converter. Thanks to Eddie Berman for killin' it as usual. 

Michael Tuttle Standard Classic T Fiesta Red - Electric Guitars Demo

Also in this recording Royer Labs R-121 Ribbon Microphone

This Standard Classic T, Tele style electric guitar from Michael Tuttle is something to behold! With a bold Fiesta Red Thin Poly finish and flawless Tuttle 60'-T pickups, this guitar looks and sounds like butter. Unplugg... Read more

This Standard Classic T, Tele style electric guitar from Michael Tuttle is something to behold! With a bold Fiesta Red Thin Poly finish and flawless Tuttle 60'-T pickups, this guitar looks and sounds like butter. Unplugged, it thinks it's an acoustic. Once the electricity starts running, however, it remembers why it was brought in being...to rock, to strut, to spank, to comp, to cover all the musical ground it possibly can. Made with an Alder body and Maple neck, this tele style electric will be a true asset in your guitar arsenal. If you want more information on this stunning guitar, visit our website or call our guitar experts in the SoundPure boutique at 919.682.5552. or 888.528.9703. The other equipment used in this video: Vovox Sonorus Instrument Cable, Suhr Badger 35 Watt EL84 Amplifier, Royer 121 Ribbon Mic, True Systems Precision 8 Preamp, Lynx Aurora AD Converter. Thanks to our guitarist Eddie Berman for his fantastic playing.

Tom Anderson Short T Classic Translucent White - Electric Guitars Demo

Also in this recording Royer Labs R-121 Ribbon Microphone

This Short T Classic, Tele style electric guitar from Tom Anderson is sure to rock your world! With a sexy Translucent White finish and SC1 TF3 pickups, this guitar looks as good as it sounds. The fretwork is so smooth o... Read more

This Short T Classic, Tele style electric guitar from Tom Anderson is sure to rock your world! With a sexy Translucent White finish and SC1 TF3 pickups, this guitar looks as good as it sounds. The fretwork is so smooth on this gorgeous swamp ash body that you instantly feel at home and the short scale makes playing just about anything feel effortless. The 3 pickup configuration and 5-way switch adds another dimension of tonal possibility to the standard tele setup. If you want more information on this sweet guitar, visit our website or call our guitar experts in the SoundPure boutique at 919.682.5552. or 888.528.9703. The other equipment used in this video: Vovox Sonorus Instrument Cable, Suhr Badger 35 Watt EL84 Amplifier, Royer 121 Ribbon Mic, True Systems Precision 8 Preamp, Lynx Aurora AD Converter. Thanks to our guitarist Eddie Berman for doing what he does so damn well.

Tuttle Standard Classic S Olympic White - Electric Guitars Demo

Also in this recording Royer Labs R-121 Ribbon Microphone

This Standard Classic S, Strat style electric guitar from Michael Tuttle is a beautiful piece of work! With a smooth Olympic White finish and flawless Tuttle 60' S-S pickups, this guitar looks and sounds amazing. Made wi... Read more

This Standard Classic S, Strat style electric guitar from Michael Tuttle is a beautiful piece of work! With a smooth Olympic White finish and flawless Tuttle 60' S-S pickups, this guitar looks and sounds amazing. Made with an Alder body and Maple neck, this strat style electric will open new doors to your playing. If you want more information on this sweet guitar, visit our website or call our guitar experts in the SoundPure boutique at 919.682.5552. or 888.528.9703. The other equipment used in this video: Vovox Sonorus Instrument Cable, Suhr Badger 35 Watt EL84 Amplifier, Royer 121 Ribbon Mic, True Systems Precision 8 Preamp, Lynx Aurora AD Converter. Thanks to our guitarist Eddie Berman for doing what he does best. (Making grown men cry.)

Suhr Guitars Classic T Daphne Blue Finish - Electric Guitars Demo

Also in this recording Royer Labs R-121 Ribbon Microphone

This Classic T, Tele style electric guitar from John Suhr Guitars is a gem! With slick Daphne Blue finish, a JST SSV Humbucker pickup in the neck position for  a wide variety of tonal possibilities, Alder body, and Roast... Read more

This Classic T, Tele style electric guitar from John Suhr Guitars is a gem! With slick Daphne Blue finish, a JST SSV Humbucker pickup in the neck position for  a wide variety of tonal possibilities, Alder body, and Roasted Maple neck, this telecaster style electric will rock your world. If you want more information on this killer guitar, visit our website, or call our guitar experts in the SoundPure boutique at 919.682.5552. or 888.528.9703. The other equipment used in this video: Vovox Sonorus Instrument Cable, Suhr Badger 35 Watt EL84 Amplifier, Royer 121 Ribbon Mic, True Systems Precision 8 Preamp, Lynx Aurora AD Converter. Thanks to Eddie Berman for ripping it up on the guitar.

Buscarino Monarch Archtop Guitar w/ Custom Midnight Blue Finish - Demo

Also in this recording Buscarino Monarch Archtop Guitar - USED Fargen Blackbird 20W Guitar Amplifier Combo Royer Labs R-121 Ribbon Microphone

This incredible Monarch Archtop Guitar from Master Luthier John Buscarino features some unique, custom features like a gorgeous, highly figured, Birdseye Maple Body and custom Midnight Blue Sunburst finish. This previous... Read more

This incredible Monarch Archtop Guitar from Master Luthier John Buscarino features some unique, custom features like a gorgeous, highly figured, Birdseye Maple Body and custom Midnight Blue Sunburst finish. This previously owned Monarch has opened up wonderfully and sounds rich and smooth. For more specs, details, and more photos of this incredible archtop guitar, visit our website or call our guitar boutique today with any questions. 919.682.5552. or 888.528.9703.

Melancon Pro Artist T Burgundy Mist - Electric Guitar Demo

Also in this recording Melancon Pro Artist T Burgundy Mist 1530 Victoria Amps 20112 15W 1x12 Combo Amp Royer Labs R-121 Ribbon Microphone

This Pro Arist Tele Style Electric Guitar from Melancon Guitars has a warm, buttery tone and the playability is fantastic. The Burgunday Mist finish is usually only available in custom shop guitars from most manufacturer... Read more

This Pro Arist Tele Style Electric Guitar from Melancon Guitars has a warm, buttery tone and the playability is fantastic. The Burgunday Mist finish is usually only available in custom shop guitars from most manufacturers. The neck is smooth Maple, and the body is made from Swamp Ash. In this video Robinson Earle (from Goat and Faun) is also using a Vovox Sonorus cable, into a Keeley Compressor Pedal, into a Flickinger Vicious Cricket Tremolo Pedal, into the Victoria Amps 20112 14 Watt amp. For any questions about this fantastic Melancon or other guitar/recording gear used in this video, call Sound Pure's guitar boutique today at 919.682.5552. or 888.528.973.   Recording Chain - Royer 121 Ribbon mic - True Systems P8 mic pre - Lynx Aurora AD Converter

Stevenson Pop Classic Firemist Gold Electric Guitar Demo

Also in this recording Stevenson Pop Classic Firemist Gold Electric Guitar Fargen Blackbird VS2 20 Watt Combo Amp - WGS ET65 speaker Heil PR-30 Microphone Royer Labs R-121 Ribbon Microphone

This Stevenson s-style electric guitar has great resonance and the neck is super smooth. The Pop Classic features an Alder body, maple neck, and Lollar Blackface pickups. This sleek guitar will rock your socks off! Call... Read more

This Stevenson s-style electric guitar has great resonance and the neck is super smooth. The Pop Classic features an Alder body, maple neck, and Lollar Blackface pickups. This sleek guitar will rock your socks off! Call Ross or any of our other guitar experts today for information about this incredible guitar. 919.682.5552. or 888.528.9703.   Recording Chain: Heil PR30 + Royer 121 Mics - True Systems Precision 8 preamp - Lynx Aurora AD Converter

Eastman AR371CE Sunburst Archtop Guitar Demo

Also in this recording Fargen Blackbird VS2 20 Watt Combo Amp - WGS ET65 speaker Heil PR-30 Microphone Royer Labs R-121 Ribbon Microphone

The AR-371 from Eastman Guitars is a classic archtop with a florentine cutaway, laminated maple top, back, and sides, as well as single mounted humbucking pickup. The 371 model archtop from Eastman is the perfect gigging... Read more

The AR-371 from Eastman Guitars is a classic archtop with a florentine cutaway, laminated maple top, back, and sides, as well as single mounted humbucking pickup. The 371 model archtop from Eastman is the perfect gigging archtop guitar. Since it has a laminate finish, the guitar performs much better at higher volumes and is less prone to feedback. With the AR 371 CE, you can fit right in with the band on any gig. Talk to our guitar experts for more information regarding the AR-371 from Eastman. Call Sound Pure today at 888.528.9703. or 919.682.5552.   Recording Chain: Heil PR30 + Royer 121 Mics - True Systems Precision 8 - Lynx Aurora AD Converter

Lauten Audio Atlantis FC-387 Large Diaphragm FET Condenser Microphone

Also in this recording Lauten Audio Atlantis FC-387 Multi-Voiced Microphone A Designs Pacifica Stereo Preamp

The Atlantis from Lauten Audio is a solid state, large diaphragm condenser mic that features three unique circuit paths to give you multiple voicings in one microphone. The Atlantis features a Forward, Neutral, and Gentl... Read more

The Atlantis from Lauten Audio is a solid state, large diaphragm condenser mic that features three unique circuit paths to give you multiple voicings in one microphone. The Atlantis features a Forward, Neutral, and Gentle voicing switch that gives you 3 separate, unique frequency responses. It also features a -10dB pad, and a +10dB gain boost, and three polar pattern selector for omni, cardioid, or figure eight. Visit SoundPure.com to view more specs, photos and reviews on the Atlantis or call the recording engineers at Sound Pure for more information on this cool new mic from Lauten Audio. 919.682.5552. or 888.528.9703.

Recorded with this gear

medal mania electric guitar bridge pickup

Also in this recording Rivera Chubster 40 Guitar Combo Amplifier AEA R84 Ribbon Microphone LaChapell Audio 583s MKII 500-Series Tube Preamplifier Sennheiser MD 421 II Cardioid Dynamic Microphone

McNaught Vintage Single Cut electric guitar (bridge pickup) played into Rivera Chubster 40 Combo(channel 2, volume 5, bass 5 mid 6, treble 7, master 5, presence 10, boosted) mic'd with AEA R84 into LaChapell Audio 583s T... Read more

McNaught Vintage Single Cut electric guitar (bridge pickup) played into Rivera Chubster 40 Combo(channel 2, volume 5, bass 5 mid 6, treble 7, master 5, presence 10, boosted) mic'd with AEA R84 into LaChapell Audio 583s Tube Preamp & mic'd with Sennheiser MD 421 II into A Designs Blue Preamp feeding Lynx Aurora 8.

blues hotel electric guitar neck pickup

Also in this recording Rivera Chubster 40 Guitar Combo Amplifier AEA R84 Ribbon Microphone LaChapell Audio 583s MKII 500-Series Tube Preamplifier Sennheiser MD 421 II Cardioid Dynamic Microphone

McNaught Vintage Single Cut electric guitar (neck pickup) played into Rivera Chubster 40 Combo(channel 2, volume 5, bass 5 mid 6, treble 7, master 5, presence 10) mic'd with AEA R84 into LaChapell Audio 583s Tube Preamp... Read more

McNaught Vintage Single Cut electric guitar (neck pickup) played into Rivera Chubster 40 Combo(channel 2, volume 5, bass 5 mid 6, treble 7, master 5, presence 10) mic'd with AEA R84 into LaChapell Audio 583s Tube Preamp & mic'd with Sennheiser MD 421 II into A Designs Blue Preamp feeding Lynx Aurora 8.

blues hotel electric guitar bridge pickup

Also in this recording Rivera Chubster 40 Guitar Combo Amplifier AEA R84 Ribbon Microphone LaChapell Audio 583s MKII 500-Series Tube Preamplifier Sennheiser MD 421 II Cardioid Dynamic Microphone

McNaught Vintage Single Cut electric guitar (bridge pickup) played into Rivera Chubster 40 Combo(channel 2, volume 5, bass 5 mid 6, treble 7, master 5, presence 10) mic'd with AEA R84 into LaChapell Audio 583s Tube Pream... Read more

McNaught Vintage Single Cut electric guitar (bridge pickup) played into Rivera Chubster 40 Combo(channel 2, volume 5, bass 5 mid 6, treble 7, master 5, presence 10) mic'd with AEA R84 into LaChapell Audio 583s Tube Preamp & mic'd with Sennheiser MD 421 II into A Designs Blue Preamp feeding Lynx Aurora 8.

walking arpeggio electric guitar neck pickup

Also in this recording Rivera Chubster 40 Guitar Combo Amplifier AEA R84 Ribbon Microphone LaChapell Audio 583s MKII 500-Series Tube Preamplifier Sennheiser MD 421 II Cardioid Dynamic Microphone

McNaught Vintage Single Cut electric guitar (neck pickup) played into Rivera Chubster 40 Combo(channel 1, volume 8, bass 3 mid 7, treble 5, master 5, presence 8) mic'd with AEA R84 into LaChapell Audio 583s Tube Preamp &... Read more

McNaught Vintage Single Cut electric guitar (neck pickup) played into Rivera Chubster 40 Combo(channel 1, volume 8, bass 3 mid 7, treble 5, master 5, presence 8) mic'd with AEA R84 into LaChapell Audio 583s Tube Preamp & mic'd with Sennheiser MD 421 II into A Designs Blue Preamp feeding Lynx Aurora 8.

twanging electric guitar position 1 pickup

Also in this recording Rivera Quiana 112 Ruby Guitar Combo Amplifier Sennheiser MD 421 II Cardioid Dynamic Microphone

James Tyler Studio Elite Burning Water electric guitar (position 1 pickup) played into Rivera Quiana amp(channel 1, volume 7, bass 4 mid 7 treble 5, master 5) mic'd with Sennheiser MD 421 II (close) into A Designs Silver... Read more

James Tyler Studio Elite Burning Water electric guitar (position 1 pickup) played into Rivera Quiana amp(channel 1, volume 7, bass 4 mid 7 treble 5, master 5) mic'd with Sennheiser MD 421 II (close) into A Designs Silver Preamp feeding Lynx Aurora 8.

starting up electric guitar position 5 pickup

Also in this recording Rivera Quiana 112 Ruby Guitar Combo Amplifier Sennheiser MD 421 II Cardioid Dynamic Microphone

James Tyler Studio Elite Burning Water electric guitar (position 5 pickup) played into Rivera Quiana amp(channel 1, volume 7, bass 4 mid 7 treble 5, master 5) mic'd with Sennheiser MD 421 II (close) into A Designs Silver... Read more

James Tyler Studio Elite Burning Water electric guitar (position 5 pickup) played into Rivera Quiana amp(channel 1, volume 7, bass 4 mid 7 treble 5, master 5) mic'd with Sennheiser MD 421 II (close) into A Designs Silver Preamp feeding Lynx Aurora 8.

pedal to the metal electric guitar position 1 pickup

Also in this recording Rivera Quiana 112 Ruby Guitar Combo Amplifier AEA R84 Ribbon Microphone Sennheiser MD 421 II Cardioid Dynamic Microphone

James Tyler Studio Elite Burning Water electric guitar (position 1 pickup) played into Rivera Quiana amp(channel 2, volume 5, bass 7 mid 6 treble 7, master 6, reverb 3, presence 10, focus 10, boost on, bright on) mic'd w... Read more

James Tyler Studio Elite Burning Water electric guitar (position 1 pickup) played into Rivera Quiana amp(channel 2, volume 5, bass 7 mid 6 treble 7, master 6, reverb 3, presence 10, focus 10, boost on, bright on) mic'd with AEA R84(8 inches off) into A Designs Blue Preamp & Sennheiser MD 421 II(close) into A Designs Silver Preamp feeding Lynx Aurora 8.

twanging boost electric guitar position 5 pickup

Also in this recording Rivera Quiana 112 Ruby Guitar Combo Amplifier AEA R84 Ribbon Microphone Sennheiser MD 421 II Cardioid Dynamic Microphone

James Tyler Studio Elite Burning Water electric guitar (position 5 pickup) played into Rivera Quiana amp(channel 1, volume 7, bass 4 mid 7 treble 5, master 5, boost on) mic'd with AEA R84(8 inches off) into A Designs Blu... Read more

James Tyler Studio Elite Burning Water electric guitar (position 5 pickup) played into Rivera Quiana amp(channel 1, volume 7, bass 4 mid 7 treble 5, master 5, boost on) mic'd with AEA R84(8 inches off) into A Designs Blue Preamp & Sennheiser MD 421 II(close) into A Designs Silver Preamp feeding Lynx Aurora 8.

jamborie electric guitar position 1 pickup

Also in this recording Rivera Quiana 112 Ruby Guitar Combo Amplifier AEA R84 Ribbon Microphone Sennheiser MD 421 II Cardioid Dynamic Microphone

James Tyler Studio Elite Burning Water electric guitar (position 1 pickup) played into Rivera Quiana amp(channel 1, volume 7, bass 4 mid 7 treble 5, master 5, boost on, bright off) mic'd with AEA R84(8 inches off) into A... Read more

James Tyler Studio Elite Burning Water electric guitar (position 1 pickup) played into Rivera Quiana amp(channel 1, volume 7, bass 4 mid 7 treble 5, master 5, boost on, bright off) mic'd with AEA R84(8 inches off) into A Designs Blue Preamp & Sennheiser MD 421 II(close) into A Designs Silver Preamp feeding Lynx Aurora 8.

jamblues boost electric guitar position 4 pickup

Also in this recording Rivera Quiana 112 Ruby Guitar Combo Amplifier AEA R84 Ribbon Microphone Sennheiser MD 421 II Cardioid Dynamic Microphone

James Tyler Studio Elite Burning Water electric guitar (position 4 pickup) played into Rivera Quiana amp(channel 2, volume 5, bass 7 mid 6 treble 7, master 6, reverb 3, presence 10, focus 10, boost on, bright on) mic'd w... Read more

James Tyler Studio Elite Burning Water electric guitar (position 4 pickup) played into Rivera Quiana amp(channel 2, volume 5, bass 7 mid 6 treble 7, master 6, reverb 3, presence 10, focus 10, boost on, bright on) mic'd with AEA R84(8 inches off) into A Designs Blue Preamp & Sennheiser MD 421 II(close) into A Designs Silver Preamp feeding Lynx Aurora 8.

jamborie electric guitar position 4 pickup

Also in this recording Rivera Quiana 112 Ruby Guitar Combo Amplifier AEA R84 Ribbon Microphone Sennheiser MD 421 II Cardioid Dynamic Microphone

James Tyler Studio Elite Burning Water electric guitar (position 4 pickup) played into Rivera Quiana amp(channel 1, volume 7, bass 4 mid 7 treble 5, master 5, boost on, bright off) mic'd with AEA R84(8 inches off) into A... Read more

James Tyler Studio Elite Burning Water electric guitar (position 4 pickup) played into Rivera Quiana amp(channel 1, volume 7, bass 4 mid 7 treble 5, master 5, boost on, bright off) mic'd with AEA R84(8 inches off) into A Designs Blue Preamp & Sennheiser MD 421 II(close) into A Designs Silver Preamp feeding Lynx Aurora 8.

twanging electric guitar position 1 pickup

Also in this recording Rivera Quiana 112 Ruby Guitar Combo Amplifier AEA R84 Ribbon Microphone Sennheiser MD 421 II Cardioid Dynamic Microphone

James Tyler Studio Elite Burning Water electric guitar (position 1 pickup) played into Rivera Quiana amp(channel 1, volume 7, bass 4 mid 7 treble 5, master 5) mic'd with AEA R84(8 inches off) into A Designs Blue Preamp &... Read more

James Tyler Studio Elite Burning Water electric guitar (position 1 pickup) played into Rivera Quiana amp(channel 1, volume 7, bass 4 mid 7 treble 5, master 5) mic'd with AEA R84(8 inches off) into A Designs Blue Preamp & Sennheiser MD 421 II(close) into A Designs Silver Preamp feeding Lynx Aurora 8.

jamblues boost electric guitar position 5 pickup

Also in this recording Rivera Quiana 112 Ruby Guitar Combo Amplifier AEA R84 Ribbon Microphone Sennheiser MD 421 II Cardioid Dynamic Microphone

James Tyler Studio Elite Burning Water electric guitar (position 5 pickup) played into Rivera Quiana amp(channel 2, volume 5, bass 7 mid 6 treble 7, master 6, reverb 3, presence 10, focus 10, boost on, bright on) mic'd w... Read more

James Tyler Studio Elite Burning Water electric guitar (position 5 pickup) played into Rivera Quiana amp(channel 2, volume 5, bass 7 mid 6 treble 7, master 6, reverb 3, presence 10, focus 10, boost on, bright on) mic'd with AEA R84(8 inches off) into A Designs Blue Preamp & Sennheiser MD 421 II(close) into A Designs Silver Preamp feeding Lynx Aurora 8.

starting up electric guitar position 5 pickup

Also in this recording Rivera Quiana 112 Ruby Guitar Combo Amplifier AEA R84 Ribbon Microphone Sennheiser MD 421 II Cardioid Dynamic Microphone

James Tyler Studio Elite Burning Water electric guitar (position 5 pickup) played into Rivera Quiana amp(channel 1, volume 7, bass 4 mid 7 treble 5, master 5) mic'd with AEA R84(8 inches off) into A Designs Blue Preamp &... Read more

James Tyler Studio Elite Burning Water electric guitar (position 5 pickup) played into Rivera Quiana amp(channel 1, volume 7, bass 4 mid 7 treble 5, master 5) mic'd with AEA R84(8 inches off) into A Designs Blue Preamp & Sennheiser MD 421 II(close) into A Designs Silver Preamp feeding Lynx Aurora 8.

arpeggiate the 60's electric guitar neck pickup

Also in this recording McInturff Carolina Custom Brock-Burst Electric Guitar Fargen Mini Plex MK II 1x12 Guitar Amplifier Combo Coles 4038 Ribbon Microphone AEA TRP Stereo Ribbon Microphone Preamp

McInturff Carolina Custom electric guitar (neck pickup) played into Fargen Mini Plex MK II Combo(60's master 4, volume 3, treble 4, mid 8, bass 2) mic'd with Coles 4038 into AEA TRP preamp feeding Lynx Aurora A/D convert... Read more

McInturff Carolina Custom electric guitar (neck pickup) played into Fargen Mini Plex MK II Combo(60's master 4, volume 3, treble 4, mid 8, bass 2) mic'd with Coles 4038 into AEA TRP preamp feeding Lynx Aurora A/D converters.

bluesy electric guitar neck & bridge pickup

Also in this recording McInturff Carolina Custom Brock-Burst Electric Guitar AEA R84 Ribbon Microphone Vintech Audio X73i Pre/EQ Sennheiser MD 421 II Cardioid Dynamic Microphone A Designs Pacifica Stereo Preamp

McInturff Carolina Custom electric guitar (neck & bridge pickup) played into Blockhead 1963 Split-Front 45(presence 8 bass 2 middle 9 treble 4 volume 1 at 5) into Blockhead 4X12 Model 84 Cabinet mic'd with AEA R84 (cardi... Read more

McInturff Carolina Custom electric guitar (neck & bridge pickup) played into Blockhead 1963 Split-Front 45(presence 8 bass 2 middle 9 treble 4 volume 1 at 5) into Blockhead 4X12 Model 84 Cabinet mic'd with AEA R84 (cardioid pattern) into Vintech Audio x73i preamp & Sennheiser 421 (cardioid pattern) into A-Designs Pacifica preamp feeding Lynx Aurora A/D converters.

bluesy riff electric guitar bridge pickup

Also in this recording McInturff Carolina Custom Brock-Burst Electric Guitar AEA R84 Ribbon Microphone Vintech Audio X73i Pre/EQ Sennheiser MD 421 II Cardioid Dynamic Microphone A Designs Pacifica Stereo Preamp

McInturff Carolina Custom electric guitar (bridge pickup) played into Blockhead 1963 Split-Front 45(presence 8 bass 2 middle 9 treble 4 volume 1 at 5) into Blockhead 4X12 Model 84 Cabinet mic'd with AEA R84 (cardioid pat... Read more

McInturff Carolina Custom electric guitar (bridge pickup) played into Blockhead 1963 Split-Front 45(presence 8 bass 2 middle 9 treble 4 volume 1 at 5) into Blockhead 4X12 Model 84 Cabinet mic'd with AEA R84 (cardioid pattern) into Vintech Audio x73i preamp & Sennheiser 421 (cardioid pattern) into A-Designs Pacifica preamp feeding Lynx Aurora A/D converters.

walking blues electric guitar neck pickup

Also in this recording McInturff Carolina Custom Brock-Burst Electric Guitar AEA R84 Ribbon Microphone Vintech Audio X73i Pre/EQ Sennheiser MD 421 II Cardioid Dynamic Microphone A Designs Pacifica Stereo Preamp

McInturff Carolina Custom electric guitar (neck pickup) played into Blockhead 1963 Split-Front 45(presence 8 bass 2 middle 9 treble 4 volume 1 at 5) into Blockhead 4X12 Model 84 Cabinet mic'd with AEA R84 (cardioid patte... Read more

McInturff Carolina Custom electric guitar (neck pickup) played into Blockhead 1963 Split-Front 45(presence 8 bass 2 middle 9 treble 4 volume 1 at 5) into Blockhead 4X12 Model 84 Cabinet mic'd with AEA R84 (cardioid pattern) into Vintech Audio x73i preamp & Sennheiser 421 (cardioid pattern) into A-Designs Pacifica preamp feeding Lynx Aurora A/D converters.

strumming electric guitar neck pickup

Also in this recording McInturff Carolina Custom Brock-Burst Electric Guitar AEA R84 Ribbon Microphone Vintech Audio X73i Pre/EQ Sennheiser MD 421 II Cardioid Dynamic Microphone A Designs Pacifica Stereo Preamp

McInturff Carolina Custom electric guitar (neck pickup) played into Blockhead 1963 Split-Front 45(presence 8 bass 2 middle 9 treble 4 volume 1 at 5) into Blockhead 4X12 Model 84 Cabinet mic'd with AEA R84 (cardioid patte... Read more

McInturff Carolina Custom electric guitar (neck pickup) played into Blockhead 1963 Split-Front 45(presence 8 bass 2 middle 9 treble 4 volume 1 at 5) into Blockhead 4X12 Model 84 Cabinet mic'd with AEA R84 (cardioid pattern) into Vintech Audio x73i preamp & Sennheiser 421 (cardioid pattern) into A-Designs Pacifica preamp feeding Lynx Aurora A/D converters.

From Lynx Studio Technology

The Aurora™ line of digital audio converters from Lynx Studio Technology offers unprecedented audio quality and control in single-rack space eight and sixteen channel models. The Aurora 8™ and Aurora 16™ feature 192 kHz analog to digital and digital to analog conversion with front panel control of all routing and sample rate options. Extended functions in Aurora are accessible via computer with the Lynx AES16 or by infrared using compatible laptops and handheld Pocket PCs. The rear panel has Clock and MIDI In and Out connectors and an LSlot bay, for the optional use of other audio interfaces.

Several interfaces allow Aurora to be used in a number of different configurations. LT-HD allows Aurora to be recognized by and controlled from a ProTools|HD® system. FireWire access is easy using the LT-FW. 16 channels of ADAT Lightpipe I/O is made available with the LT-ADATLT-MADI allows up to four Aurora converters to send and receive up to 64 MADI channels. The LT-USB is a USB 2.0 device for up to 16 I/O channels. And Lynx AES16 and AES16e allow interface with a wide range of Windows and Macintosh computers.

Aurora converters are preconfigured for three voltages. Aurora 115 volt models are available in the US, Canada, Mexico and Brazil. The 100 volt models are available in Japan only. 230 volt units are available throughout the rest of the world through authorized distributors and retailers.

  • Simultaneous 8 Channel Analog I/O and 8 Channel AES/EBU I/O
  • 24 Bit / 192 kHz Mastering Quality A/D and D/A Conversion
  • 192 kHz AES/EBU I/O Supporting Single and Dual Wire Modes
  • Single Rack Space Configuration
  • Extensive Remote Control Capability via Lynx AES16, IrDA and MIDI
  • On-board 16 Channel Digital Mixer Provides Flexible I/O Routing
  • Word clock I/O with Lynx SynchroLock™ Sample Clock Technology
  • Digital I/O DB-25 connectors follow Yamaha pinout protocol
  • Analog I/O DB-25 connectors follow Tascam pinout protocol
  • RoHS compliant
  • Available in 100V, 115V and 230V models

LYNX AURORA 16 AND AURORA 8 SPECIFICATIONS

ANALOG I/O

Aurora 8 Eight inputs and eight outputs

Aurora 16 Sixteen inputs and sixteen outputs

Type Electronically balanced or unbalanced

Level +4 dBu nominal/ +20 dBu max, or -10 dBv nominal / +6 dBv max

Input Impedance Balanced mode
24k Ω
Unbalanced mode
12k Ω
Output Impedance Balanced mode
100 Ω
Unbalanced mode
50 Ω

Output Drive 600 Ω impedance, 0.2 µF capacitance

A/D and D/A Type 24-bit multi-level, delta sigma

ANALOG IN PERFORMANCE

Frequency Response 20Hz - 20kHz, +0/-0.1 dB

Dynamic Range 117 dB, A-weighted

Channel Crosstalk -120 dB maximum, 1 kHz signal, -1 dBFS

THD + N -108 dB (0.0004%)@-1DBFS

104 db (0.0006%)@-6DBFS

1 kHz signal, 22Hz-22kHz BW

ANALOG OUT PERFORMANCE

Frequency Response 20Hz - 20kHz, +0/-0.1 dB

Dynamic range 117 dB, A-weighted

Channel crosstalk -120 dB maximum, 1 kHz signal, -1 dBFS

THD + N -107 dB (0.00045%)@-1DBFS

106 dB (0.00050%)@-6DBFS

1 kHz signal, 22 Hz-22kHz BW

DIGITAL I/O

Number/Type Aurora 8
8 inputs and 8 outputs
Aurora 16
16 inputs and 16 outputs

24 bit AES/EBU format, transformer coupled

Channels Aurora 8
* in/out in single wire mode

4 in/out in dual wire mode

Aurora 16
16 in/out in single wire mode

8 in/out in dual wire mode

Sample Rates All standard rates and variable rates up to

192 kHZ in both single-wire and dual-wire modes

ON-BOARD DIGITAL MIXER (VIA AES16/AES16e)

Type Hardware based, low latency

Routing Ability to route any input to any or multiple outputs

Mixing Up to four input or playback signals mixed to any

output, 40-bit precision

Status Peak levels to -114dB on all inputs and outputs

CONNECTIONS

Digital I/O Ports 25-pin female D-sub connectors

Port A
channels 1-8 I/O
PortB
channels 9-16 I/O (aurora 16 only)

Yamaha pinout standard

Analog I/O Ports 25-pin female D-sub connectors

Analog in 1-8

Analog in 9-16 (Aurora 16 only)

Analog out 1-8

Analog out 9-16 (Aurora 16 only)

Tascam Pinout standard

External Clock 75-ohm BNC word clock input and output

MIDI One input and one output, standard opto-isolated

5-pin female DIN connecters

REMOTE CONTROL OPTIONS

Function Controls all I/O, levels, monitoring, routing and setting recall

Method AES16-AES16e
with PC or Mac IrDA: For compatible Pocket

PCs and laptops

MIDI
Selected MIDI devices

GENERAL

AC Power 110/115/230 VAC, 70 watts

Size 1.75" H x 19"W x 9"D

Shipping Weight 12lbs

Certifications CE and FCC Class B EMI, CE Product Safety

LSLOT™ EXPANSION PORT

Compatibility Supports Lynx Lslot expansion cards

Channels Up to 16 input and 16 output simultaneously at up to

192 kHz sample rate

OPTIONAL INTERFACE CARDS FOR LSLOT

LT-ADAT Provides ADAT Optical I/O

LT-HD For ProTools/HD/Native

LT-FW Provides up to 16 channels via FireWire 400

LT-MADI Provides up to 64 MADI I/O channels

LT-USB Provides up to 16 I/O channels, USB 2.0

Free 3-Year Warranty

Sound Pure stands behind our products. Free three-year warranty on this item. Coverage exclusions live in Terms & Conditions, Section 27.

Level of support and expertise that simply isn't available at big-box megastores. Read the warranty →

Returns

Not eligible for Try Before You Buy or the 48-hour approval period. Standard return policy applies — see Terms & Conditions, Section 18 for details.

Sound Pure Studios Control Room A — Durham, NC

Sound Pure Studios · Durham, NC

Come hear it in our control rooms.

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