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Watch & listen

8 Microphone Drum Setup - Sound Pure Gear Tip

Also in this recording Shure SM57 Instrument Microphone Shure Beta 181/C Ultra-Compact Side-Address Microphone Neumann SKM 184 Stereo Mic Set (Nickel) Peluso P87 Multi-Pattern Solid State Microphone Audix D6 Dynamic Instrument Microphone

In this installment of Sound Pure Gear Tips, Pro Audio Specialist Marc Kuzio walks us through an 8-microphone drums setup. This video is part 2 of a series on micing drums. For the previous installment (4-mic drums setup... Read more

In this installment of Sound Pure Gear Tips, Pro Audio Specialist Marc Kuzio walks us through an 8-microphone drums setup. This video is part 2 of a series on micing drums. For the previous installment (4-mic drums setup) click here: https://www.youtube.com/watch?v=W9o58kIGYBU

Moog MF-105M MIDI MuRF Pedal Demo

Also in this recording Victoria Amps Victorilux 45W 2x12 Combo Amp Victoria Amps Victoriette 20W 1x12 Combo Amp Peluso R14 Ribbon Microphone Royer Labs R-121 Ribbon Microphone Shure SM57 Instrument Microphone Great River Electronics MP-2NV Stereo Preamp API Audio 3124+ 4-Channel Microphone Preamp

Soundpure Electric Guitar Expert Ross Gruet demonstrates the MIDI Murf, a revolutionary effects pedal from Moog. With 8 channels for a wide variety of tones and qualities, its warm, resonant, 100% analog Mid and Bass fil... Read more

Soundpure Electric Guitar Expert Ross Gruet demonstrates the MIDI Murf, a revolutionary effects pedal from Moog. With 8 channels for a wide variety of tones and qualities, its warm, resonant, 100% analog Mid and Bass filter bands bring you everything from shimmering timbral morphing and rhythmic stuttering to deep bass grooves, and its durability and size make it the perfect piece of equipment for touring and studio use.    Gear List: Suhr Classic Antique Vintage White Electric Guitar Moog MF-105M MIDI MuRF Pedal Victoria Victorilux 2x12 Amp Victoria Victoriette 1x12 Amp Peluso R14 Ribbon Mic Royer R-121 Ribbon Mic Sennheiser MD 421 II Mic Shure SM57 Instrument Mic Great River Electronics MP-2NV Stereo Preamp API Audio 3124+ 4-Channel Microphone Preamp   If you like what you hear, check this pedal out at SoundPure.com or give us a call anytime at (919)-682-5552.

Victoria Regal II Amplifier Demo on Electric Guitar

Also in this recording Victoria Amps Regal II 1x15 Combo Amp Lauten Audio Horizon Tube Microphone Phoenix Audio DRS8 mk2 Microphone Preamp Lynx Aurora 16 I/O D/A and A/D Converter Vintech Audio X73i Pre/EQ A Designs Pacifica Stereo Preamp Zemaitis SU201-FM 112704 - SOLD!

The Regal II from Victoria Amplifiers is an amp that stands in a class of its own. The Regal II has a 15 inch Eminence Legend speaker that produces a wide rage of tones, from thunderous lows, to pleasantly chimey highs.... Read more

The Regal II from Victoria Amplifiers is an amp that stands in a class of its own. The Regal II has a 15 inch Eminence Legend speaker that produces a wide rage of tones, from thunderous lows, to pleasantly chimey highs. The Regal II also gives you the ability to switch out and mix and match tubes to get a gritty or custom sound that is difficult for another to match, and the fact that you can switch your tubes without rebiasing is an amazing feature. The top of the line design of the Regal II gives you tweed sponginess, coupled with overtones and touch sensitivity that will be sure to satisfy any style of guitar playing. You can use one 6V6 for 5 watts of output or go to the full 35 watts with two EL-34's. Along with the feature of switching tubes, this amplifier comes with a reverb and tremelo pedal, that gives you an amazingly vintage sound. This is a fantastic amp for small gigs and recording. You can get nice warm jazz tones as well as great classic rock and blues tones. Go to SoundPure.com and check out all of our audio clips featuring the Regal II from Victoria, as well as the entire line of Victoria Amplifiers that we offer. Give us a call here at Sound Pure if you have any questions that we can help you with.

Neumann TLM102 Microphones - Drum Overheads

Also in this recording Neumann TLM 102 NI Microphone API Audio 3124+ 4-Channel Microphone Preamp Sennheiser E609 Silver Dynamic Microphone Lynx Aurora 16 I/O D/A and A/D Converter

Introducing the Brand New Neumann TLM102 Large Diaphragm Microphone, used here as a Stereo Pair on Drum Overheads. No processing, no EQ, no compression at all was used when making these simple but great sounding recordin... Read more

Introducing the Brand New Neumann TLM102 Large Diaphragm Microphone, used here as a Stereo Pair on Drum Overheads. No processing, no EQ, no compression at all was used when making these simple but great sounding recordings. Extraordinarily detailed and balanced sound on the full drum kit is achieved in an extremely easy-to-replicate microphone setup utilizing two TLM 102 Studio microphones. This is the first extensive test-drive ever done with the fabulous new, and well-priced Neumann microphone. The video was filmed and recorded entirely at Sound Pure, where their recording and pro audio sales experts are available to answer any questions that you might have. They can be reached by telephone, toll free at 888-528-9703, or email sales(at)soundpure(dot)com and will gladly answer any questions that you have about recording drums, mic selection, and their experiences with this brand new, and fabulous TLM 102 studio mic.

Fulltone OCD Pedal Review

Also in this recording Victoria Amps Victorilux 45W 2x12 Combo Amp Royer Labs R-121 Live Series Ribbon Microphone API Audio 3124+ 4-Channel Microphone Preamp Lynx Aurora 16 I/O D/A and A/D Converter

Fulltone OCD Distortion Guitar Pedal Demo at Sound Pure Studios. Resident guitar expert Chris Boerner shows off Fulltone Custom Effects Obsessive Compulsive Distortion pedal in one of Sound Pure Studios' recording rooms... Read more

Fulltone OCD Distortion Guitar Pedal Demo at Sound Pure Studios. Resident guitar expert Chris Boerner shows off Fulltone Custom Effects Obsessive Compulsive Distortion pedal in one of Sound Pure Studios' recording rooms. This video is part of SoundPure's on-going project to document the best in guitar effects, custom guitars, and pro audio equipment. For more information, check out www.soundpure.com

Recorded with this gear

rapido arpeggio electric guitar position 5 pickup

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Vintech Audio X73i Pre/EQ AEA R92 Ribbon Microphone A Designs Pacifica Stereo Preamp

Nash S-57 electric guitar (position 5) played into Fargen Blackbird 20W(volume 9am, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd... Read more

Nash S-57 electric guitar (position 5) played into Fargen Blackbird 20W(volume 9am, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

hyped up electric guitar position 4 pickup

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Vintech Audio X73i Pre/EQ AEA R92 Ribbon Microphone A Designs Pacifica Stereo Preamp

Nash S-57 electric guitar (position 4) played into Fargen Blackbird 20W(volume 12pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'... Read more

Nash S-57 electric guitar (position 4) played into Fargen Blackbird 20W(volume 12pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

mad max electric guitar position 2 pickup

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Vintech Audio X73i Pre/EQ AEA R92 Ribbon Microphone A Designs Pacifica Stereo Preamp

Nash S-57 electric guitar (position 2) played into Fargen Blackbird 20W(volume max, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd... Read more

Nash S-57 electric guitar (position 2) played into Fargen Blackbird 20W(volume max, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

hyped up electric guitar position 5 pickup

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Vintech Audio X73i Pre/EQ AEA R92 Ribbon Microphone A Designs Pacifica Stereo Preamp

Nash S-57 electric guitar (position 5) played into Fargen Blackbird 20W(volume 12pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'... Read more

Nash S-57 electric guitar (position 5) played into Fargen Blackbird 20W(volume 12pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

mad max electric guitar position 1 pickup

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Vintech Audio X73i Pre/EQ AEA R92 Ribbon Microphone A Designs Pacifica Stereo Preamp

Nash S-57 electric guitar (position 1) played into Fargen Blackbird 20W(volume max, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd... Read more

Nash S-57 electric guitar (position 1) played into Fargen Blackbird 20W(volume max, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

mad max electric guitar position 5 & 4 pickups

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Vintech Audio X73i Pre/EQ AEA R92 Ribbon Microphone A Designs Pacifica Stereo Preamp

Nash S-57 electric guitar (position 5 & 4) played into Fargen Blackbird 20W(volume max, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & m... Read more

Nash S-57 electric guitar (position 5 & 4) played into Fargen Blackbird 20W(volume max, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

ace of distortion electric guitar position 4 pickup

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Vintech Audio X73i Pre/EQ AEA R92 Ribbon Microphone A Designs Pacifica Stereo Preamp

Nash S-57 electric guitar (position 4) played into Fargen Blackbird 20W(volume 3pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd... Read more

Nash S-57 electric guitar (position 4) played into Fargen Blackbird 20W(volume 3pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

mellow harmonix electric guitar position 4 pickup

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Vintech Audio X73i Pre/EQ AEA R92 Ribbon Microphone A Designs Pacifica Stereo Preamp

Nash S-57 electric guitar (position 4) played into Fargen Blackbird 20W(volume 9am, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd... Read more

Nash S-57 electric guitar (position 4) played into Fargen Blackbird 20W(volume 9am, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

ace of distortion electric guitar position 2 pickup

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Vintech Audio X73i Pre/EQ AEA R92 Ribbon Microphone A Designs Pacifica Stereo Preamp

Nash S-57 electric guitar (position 2) played into Fargen Blackbird 20W(volume 3pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd... Read more

Nash S-57 electric guitar (position 2) played into Fargen Blackbird 20W(volume 3pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

hyped up electric guitar position 2 pickup

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Vintech Audio X73i Pre/EQ AEA R92 Ribbon Microphone A Designs Pacifica Stereo Preamp

Nash S-57 electric guitar (position 2) played into Fargen Blackbird 20W(volume 12pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'... Read more

Nash S-57 electric guitar (position 2) played into Fargen Blackbird 20W(volume 12pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

ace of distortion electric guitar position 3 pickup

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Vintech Audio X73i Pre/EQ AEA R92 Ribbon Microphone A Designs Pacifica Stereo Preamp

Nash S-57 electric guitar (position 3) played into Fargen Blackbird 20W(volume 3pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd... Read more

Nash S-57 electric guitar (position 3) played into Fargen Blackbird 20W(volume 3pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

hyped up electric guitar position 3 pickup

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Vintech Audio X73i Pre/EQ AEA R92 Ribbon Microphone A Designs Pacifica Stereo Preamp

Nash S-57 electric guitar (position 3) played into Fargen Blackbird 20W(volume 12pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'... Read more

Nash S-57 electric guitar (position 3) played into Fargen Blackbird 20W(volume 12pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

mad max electric guitar position 3 pickup

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Vintech Audio X73i Pre/EQ AEA R92 Ribbon Microphone A Designs Pacifica Stereo Preamp

Nash S-57 electric guitar (position 3) played into Fargen Blackbird 20W(volume max, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd... Read more

Nash S-57 electric guitar (position 3) played into Fargen Blackbird 20W(volume max, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

ace of distortion electric guitar position 5 pickup

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Vintech Audio X73i Pre/EQ AEA R92 Ribbon Microphone A Designs Pacifica Stereo Preamp

Nash S-57 electric guitar (position 5) played into Fargen Blackbird 20W(volume 3pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd... Read more

Nash S-57 electric guitar (position 5) played into Fargen Blackbird 20W(volume 3pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

friendly devil electric guitar position 2 pickup

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Vintech Audio X73i Pre/EQ AEA R92 Ribbon Microphone A Designs Pacifica Stereo Preamp

Nash S-57 electric guitar (position 2) played into Fargen Blackbird 20W(volume 9am, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd... Read more

Nash S-57 electric guitar (position 2) played into Fargen Blackbird 20W(volume 9am, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

ace of distortion electric guitar position 1 pickup

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Vintech Audio X73i Pre/EQ AEA R92 Ribbon Microphone A Designs Pacifica Stereo Preamp

Nash S-57 electric guitar (position 1) played into Fargen Blackbird 20W(volume 3pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd... Read more

Nash S-57 electric guitar (position 1) played into Fargen Blackbird 20W(volume 3pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

hyped up electric guitar position 1 pickup

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Vintech Audio X73i Pre/EQ AEA R92 Ribbon Microphone A Designs Pacifica Stereo Preamp

Nash S-57 electric guitar (position 1) played into Fargen Blackbird 20W(volume 12pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'... Read more

Nash S-57 electric guitar (position 1) played into Fargen Blackbird 20W(volume 12pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

medal mania electric guitar bridge pickup

Also in this recording Rivera Chubster 40 Guitar Combo Amplifier AEA R84 Ribbon Microphone LaChapell Audio 583s MKII 500-Series Tube Preamplifier Lynx Aurora 8 I/O D/A and A/D Converter

McNaught Vintage Single Cut electric guitar (bridge pickup) played into Rivera Chubster 40 Combo(channel 2, volume 5, bass 5 mid 6, treble 7, master 5, presence 10, boosted) mic'd with AEA R84 into LaChapell Audio 583s T... Read more

McNaught Vintage Single Cut electric guitar (bridge pickup) played into Rivera Chubster 40 Combo(channel 2, volume 5, bass 5 mid 6, treble 7, master 5, presence 10, boosted) mic'd with AEA R84 into LaChapell Audio 583s Tube Preamp & mic'd with Sennheiser MD 421 II into A Designs Blue Preamp feeding Lynx Aurora 8.

blues hotel electric guitar neck pickup

Also in this recording Rivera Chubster 40 Guitar Combo Amplifier AEA R84 Ribbon Microphone LaChapell Audio 583s MKII 500-Series Tube Preamplifier Lynx Aurora 8 I/O D/A and A/D Converter

McNaught Vintage Single Cut electric guitar (neck pickup) played into Rivera Chubster 40 Combo(channel 2, volume 5, bass 5 mid 6, treble 7, master 5, presence 10) mic'd with AEA R84 into LaChapell Audio 583s Tube Preamp... Read more

McNaught Vintage Single Cut electric guitar (neck pickup) played into Rivera Chubster 40 Combo(channel 2, volume 5, bass 5 mid 6, treble 7, master 5, presence 10) mic'd with AEA R84 into LaChapell Audio 583s Tube Preamp & mic'd with Sennheiser MD 421 II into A Designs Blue Preamp feeding Lynx Aurora 8.

blues hotel electric guitar bridge pickup

Also in this recording Rivera Chubster 40 Guitar Combo Amplifier AEA R84 Ribbon Microphone LaChapell Audio 583s MKII 500-Series Tube Preamplifier Lynx Aurora 8 I/O D/A and A/D Converter

McNaught Vintage Single Cut electric guitar (bridge pickup) played into Rivera Chubster 40 Combo(channel 2, volume 5, bass 5 mid 6, treble 7, master 5, presence 10) mic'd with AEA R84 into LaChapell Audio 583s Tube Pream... Read more

McNaught Vintage Single Cut electric guitar (bridge pickup) played into Rivera Chubster 40 Combo(channel 2, volume 5, bass 5 mid 6, treble 7, master 5, presence 10) mic'd with AEA R84 into LaChapell Audio 583s Tube Preamp & mic'd with Sennheiser MD 421 II into A Designs Blue Preamp feeding Lynx Aurora 8.

walking arpeggio electric guitar neck pickup

Also in this recording Rivera Chubster 40 Guitar Combo Amplifier AEA R84 Ribbon Microphone LaChapell Audio 583s MKII 500-Series Tube Preamplifier Lynx Aurora 8 I/O D/A and A/D Converter

McNaught Vintage Single Cut electric guitar (neck pickup) played into Rivera Chubster 40 Combo(channel 1, volume 8, bass 3 mid 7, treble 5, master 5, presence 8) mic'd with AEA R84 into LaChapell Audio 583s Tube Preamp &... Read more

McNaught Vintage Single Cut electric guitar (neck pickup) played into Rivera Chubster 40 Combo(channel 1, volume 8, bass 3 mid 7, treble 5, master 5, presence 8) mic'd with AEA R84 into LaChapell Audio 583s Tube Preamp & mic'd with Sennheiser MD 421 II into A Designs Blue Preamp feeding Lynx Aurora 8.

jazzy clean electric guitar neck pickup

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Vintech Audio X73i Pre/EQ

McNaught Vintage Single Cut electric guitar (neck pickup) played into Fargen Blackbird 20W (volume 9am, reverb 11am, treble 12pm, mid 3pm bass 1pm) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio... Read more

McNaught Vintage Single Cut electric guitar (neck pickup) played into Fargen Blackbird 20W (volume 9am, reverb 11am, treble 12pm, mid 3pm bass 1pm) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp feeding Apogee Rosetta 800.

twanging electric guitar position 1 pickup

Also in this recording Rivera Quiana 112 Ruby Guitar Combo Amplifier Lynx Aurora 8 I/O D/A and A/D Converter

James Tyler Studio Elite Burning Water electric guitar (position 1 pickup) played into Rivera Quiana amp(channel 1, volume 7, bass 4 mid 7 treble 5, master 5) mic'd with Sennheiser MD 421 II (close) into A Designs Silver... Read more

James Tyler Studio Elite Burning Water electric guitar (position 1 pickup) played into Rivera Quiana amp(channel 1, volume 7, bass 4 mid 7 treble 5, master 5) mic'd with Sennheiser MD 421 II (close) into A Designs Silver Preamp feeding Lynx Aurora 8.

starting up electric guitar position 5 pickup

Also in this recording Rivera Quiana 112 Ruby Guitar Combo Amplifier Lynx Aurora 8 I/O D/A and A/D Converter

James Tyler Studio Elite Burning Water electric guitar (position 5 pickup) played into Rivera Quiana amp(channel 1, volume 7, bass 4 mid 7 treble 5, master 5) mic'd with Sennheiser MD 421 II (close) into A Designs Silver... Read more

James Tyler Studio Elite Burning Water electric guitar (position 5 pickup) played into Rivera Quiana amp(channel 1, volume 7, bass 4 mid 7 treble 5, master 5) mic'd with Sennheiser MD 421 II (close) into A Designs Silver Preamp feeding Lynx Aurora 8.

pedal to the metal electric guitar position 1 pickup

Also in this recording Rivera Quiana 112 Ruby Guitar Combo Amplifier AEA R84 Ribbon Microphone Lynx Aurora 8 I/O D/A and A/D Converter

James Tyler Studio Elite Burning Water electric guitar (position 1 pickup) played into Rivera Quiana amp(channel 2, volume 5, bass 7 mid 6 treble 7, master 6, reverb 3, presence 10, focus 10, boost on, bright on) mic'd w... Read more

James Tyler Studio Elite Burning Water electric guitar (position 1 pickup) played into Rivera Quiana amp(channel 2, volume 5, bass 7 mid 6 treble 7, master 6, reverb 3, presence 10, focus 10, boost on, bright on) mic'd with AEA R84(8 inches off) into A Designs Blue Preamp & Sennheiser MD 421 II(close) into A Designs Silver Preamp feeding Lynx Aurora 8.

twanging boost electric guitar position 5 pickup

Also in this recording Rivera Quiana 112 Ruby Guitar Combo Amplifier AEA R84 Ribbon Microphone Lynx Aurora 8 I/O D/A and A/D Converter

James Tyler Studio Elite Burning Water electric guitar (position 5 pickup) played into Rivera Quiana amp(channel 1, volume 7, bass 4 mid 7 treble 5, master 5, boost on) mic'd with AEA R84(8 inches off) into A Designs Blu... Read more

James Tyler Studio Elite Burning Water electric guitar (position 5 pickup) played into Rivera Quiana amp(channel 1, volume 7, bass 4 mid 7 treble 5, master 5, boost on) mic'd with AEA R84(8 inches off) into A Designs Blue Preamp & Sennheiser MD 421 II(close) into A Designs Silver Preamp feeding Lynx Aurora 8.

jamborie electric guitar position 1 pickup

Also in this recording Rivera Quiana 112 Ruby Guitar Combo Amplifier AEA R84 Ribbon Microphone Lynx Aurora 8 I/O D/A and A/D Converter

James Tyler Studio Elite Burning Water electric guitar (position 1 pickup) played into Rivera Quiana amp(channel 1, volume 7, bass 4 mid 7 treble 5, master 5, boost on, bright off) mic'd with AEA R84(8 inches off) into A... Read more

James Tyler Studio Elite Burning Water electric guitar (position 1 pickup) played into Rivera Quiana amp(channel 1, volume 7, bass 4 mid 7 treble 5, master 5, boost on, bright off) mic'd with AEA R84(8 inches off) into A Designs Blue Preamp & Sennheiser MD 421 II(close) into A Designs Silver Preamp feeding Lynx Aurora 8.

jamblues boost electric guitar position 4 pickup

Also in this recording Rivera Quiana 112 Ruby Guitar Combo Amplifier AEA R84 Ribbon Microphone Lynx Aurora 8 I/O D/A and A/D Converter

James Tyler Studio Elite Burning Water electric guitar (position 4 pickup) played into Rivera Quiana amp(channel 2, volume 5, bass 7 mid 6 treble 7, master 6, reverb 3, presence 10, focus 10, boost on, bright on) mic'd w... Read more

James Tyler Studio Elite Burning Water electric guitar (position 4 pickup) played into Rivera Quiana amp(channel 2, volume 5, bass 7 mid 6 treble 7, master 6, reverb 3, presence 10, focus 10, boost on, bright on) mic'd with AEA R84(8 inches off) into A Designs Blue Preamp & Sennheiser MD 421 II(close) into A Designs Silver Preamp feeding Lynx Aurora 8.

From Sennheiser

The MD 421 II continues the tradition of the MD 421, which has been one of Sennheiser's most popular dynamic mics for over 35 years. The large diaphragm, dynamic element handles high sound pressure levels, making it a natural for recording guitars and drums. The MD 421's full-bodied cardioid pattern and five-position bass control make it an excellent choice for most instruments, as well as group vocals or radio broadcast announcers. One listen and you'll know why it's a classic.

Features

  • Rugged professional microphone
  • Five position bass roll-off switch
  • Effective feedback rejection
  • Clear sound reproduction
  • Easy handling due to pronounced directivity

Delivery Includes

  • MD 421 II
  • Microphone clamp for 3/8” thread

Technical Data

Dimensions 8.5 x 1.8 x 1.9 in. (215 x 46 x 49 mm)
Frequency response (microphone) 30 - 17,000 Hz
Min. terminating impedance 200 Ω
Nominal impedance 200 Ω
Pick-up pattern Cardioid
Sensitivity in free field, no load (1kHz) 2 mV/Pa +- 3 dB
Weight approx. 13.6 oz. (385 g)

Manuals & documents

Free 3-Year Warranty

Sound Pure stands behind our products. Free three-year warranty on this item. Coverage exclusions live in Terms & Conditions, Section 27.

Level of support and expertise that simply isn't available at big-box megastores. Read the warranty →

Returns

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