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AEA R84 Ribbon Microphone

Perhaps their most popular modern ribbon mic, the R84 is well known and loved for its smooth and natural representation, iconic visual style, and source flexibility.

$1,299.00 or about $54/mo with Affirm Prequalify →

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Sound Pure's Take

There aren’t too many ribbon mics that exhibit the source flexibility of the R84 - mostly due to its more balanced, neutral frequency response when compared to the typical dark and warm ribbon tone. Not to say those classic ribbon tones aren’t flexible, however the additional openness and frequency balance allows the R84 to perform exceptionally well on applications like vocals, acoustic guitars, and strings in addition to the more typically sources you’d find ribbons (electric guitars, brass instruments, overheads, etc.) In our studio we often use our R84s to capture the smooth warmth of our Leslie cabinet with our Hammond B3 (be sure to check the video to hear it in action). We’ll also grab the R84 over other ribbons for electric guitar when we’re looking to capture the tone of the amp without much additional color but with the natural smoothness that a ribbon provides. Its striking physical design and classic AEA logo certainly catch the eye, and is certain to impress those clients.

Watch & listen

Ribbon Microphone Shootout

Also in this recording Shure KSM313/NE Dual-Voice Ribbon Mic with Roswellite Ribbon Royer Labs R-121 Ribbon Microphone Coles 4038 Ribbon Microphone Lynx Aurora 16 I/O D/A and A/D Converter Vintech Audio 573 500-Series Mic Preamp

This blind Ribbon Microphone shootout features the Shure KSM 313, Royer R121, Coles 4038, and AEA R84 - all four of which are eligible for our three-year extended warranty. In addition to providing audio clips of each microphone, we explain the importance of mic placement during more precise A/B comparisons. If you'd like the results of the shootout and full length hi-res audio clips, want to set up a demo period with one of the mics, or just want to talk more about gear or plan your next studio upgrade, feel free to shoot us a quick email at mics@soundpure.com or give us a call at anytime. Thanks for watching!

Mic'ing a Leslie Speaker Cabinet for a Hammond B3 Organ with Ribbon Microphones

Also in this recording AEA R92 Ribbon Microphone Lynx Aurora 16 I/O D/A and A/D Converter API Audio 3124+ 4-Channel Microphone Preamp

An AEA R84 pair and an R92 were used by SoundPure's Jason Richmond to record an isolated Leslie speaker box during this jazz trio session. Equally spacing the R84's on either side of the Leslie and placing the R92 at its bottom, Jason was able to fully capture Mark Wells' fantastic performance on the Hammond Organ. Guitarist Jared Wofford and drummer Devin Fuller join to complete the sound. The AEA ribbon mics were run through an API 3124 preamplifier and converted with the Lynx Aurora AD converter. If you want to learn more about the gear used in this session, or if you have any questions concerning the techniques used, don't hesitate to call the recording engineers here at Sound Pure Studios. 919.682.5552. or 888.528.9703.

Royer R121 vs. Shure KSM 313 vs. Coles 4038 vs. AEA R84 - Ribbon Mic Drum Overhead Shootout

Also in this recording Royer Labs R-121 Ribbon Microphone Matched Pair Shure KSM313/NE Dual-Voice Ribbon Mic with Roswellite Ribbon Coles 4038 Factory Matched Pair Ribbon Microphones Shure Beta 52A Kick Drum Microphone Shure Beta 181/C Ultra-Compact Side-Address Microphone Canopus 6.5x14 The Brass Polished Shell Snare Drum-Die Cast

Ribbon Mic Drum Overhead Shootout featuring the Royer R121, Shure KSM 313, Coles 4038, and the AEA R84. SoundPure Pro Audio Expert, Travis Hall, talks more about using ribbon mics as drum overheads in the third installment of our Drum Overhead Series. All four mics were recorded in our pro studio with the Phoenix DRS 8 mic pre and our Apogee Digital Symphony converter. Check out our other drum overhead videos, where we discuss SDC and LDC mics in more detail. If you like what you hear, check out this gear at SoundPure.com or call us anytime at 919.682.5552. Thanks for watching!

Eastman AR805CE Sunburst Archtop Guitar with Guest Jazz Guitarist Nate Huvard

Also in this recording Lauten Audio Torch ST-221 Stereo Pair Microphones Maag Audio PreQ4 - 500 series Preamp Lynx Aurora 16 I/O D/A and A/D Converter

Nate Huvard (nathan@huvard.com) is one of our satisfied customers and happens to be an excellent jazz guitarist. So, we decided to invite him here to help us show off Eastman's AR805CE Archtop Guitar. Eastman's Archtops are generally known to be phenomenal jazz guitars, which Nate proves here, but despite that, this AR805CE is still often used in other styles because of its wide range of tones and its gorgeous sounds. Gear: Eastman AR805CE Sunburst Archtop Guitar AEA R84 Ribbon Mic Lauten Audio Torch ST-221 SDC Mic Maag Audio PreQ4-500 Mic Preamp Lynx Aurora 16 Converter Have any questions? Want to try this model in person? Call us at (919) 682-5552 or contact an expert at archtops@soundpure.com!

Eastman AR403CE Sunburst Archtop Guitar Demo

Also in this recording Lauten Audio Torch ST-221 Stereo Pair Microphones Maag Audio PreQ4 - 500 series Preamp Lynx Aurora 16 I/O D/A and A/D Converter

SoundPure Guest Jazz Guitarist and satisfied customer Nate Hubard demonstrates this incredible AR403CE archtop from Eastman. An ideal jazz guitar, this archtop has a vintage tone with superior midrange and volume. Gear List: Eastman AR403CE Sunburst Electric Archtop Guitar AEA R84 Ribbon Microphone Lauten Audio Torch ST-221 SDC Mic Maag Audio PreQ4-500 Preamp Lynx Aurora 16 Converter Have any questions? Want to try this model in person? Call us at (919) 682-5552 or contact an expert at archtops@soundpure.com!

Clay Conner Model 504 Jazz Jr. Electric Guitar Demo with Guest Guitarist Nate Huvard

Also in this recording CharterOak E700 FET Multi-Pattern Condenser Microphone Maag Audio PreQ4 - 500 series Preamp Lynx Aurora 16 I/O D/A and A/D Converter

Soundpure Guest Jazz Guitarist, Nate Huvard, demos this beautiful Clay Conner Model 504 Jazz Jr. guitar. This lightweight, stripped down version of the 504 model has a fantastic sound and great versatility. If you like what you see, check out this guitar and SoundPure.com or give us a call anytime at 919-682-5552.Gear List:Clay Conner Model 504 Jazz Jr. Electric GuitarHenriksen JazzAmp 110 Guitar Combo AmplifierAEA R84 Ribbon Microphone CharterOak E700 MicrophoneMaag Audio PreQ4-500 Mic PreampLynx Aurora 16 Converter

Buscarino Starlight Nylon String Acoustic Electric Guitar

Also in this recording Buscarino Starlight Nylon String Acoustic Electric Guitar Lauten Audio Torch ST-221 Stereo Pair Microphones Maag Audio PreQ4 - 500 series Preamp Lynx Aurora 16 I/O D/A and A/D Converter

Nate Huvard (nathan@huvard.com) is one of Robinson Earle's satisfied customers and an excellent jazz guitarist. We welcomed him here to help showcase this beautiful Buscarino Nylon String Acoustic/Electric Guitar. Not only is this guitar absolutely gorgeous, but it also has an amazing clear and bold tone that is reminiscent of brand new grand piano. Mr. Huvard does an amazing job at displaying all of it's amazing qualities. There really is no other guitar out there like this! Gear: Buscarino Starlight Nylon String Acoustic Electric Guitar AEA R84 Ribbon Mic Lauten Audio Torch ST-221 SDC Mic Maag Audio PreQ4-500 Mic Preamp Lynx Aurora 16 Converter Have any questions? Feel free to give us a call at (919) 682-5552 or visit us at SoundPure.com!

Michael Tuttle Custom Classic S 3-Tone SB Nitro Guitar #228

Also in this recording Swart AST Pro Gold 30W 1x12 Combo Guitar Amp Shure SM57 Instrument Microphone Maag Audio PreQ4 - 500 series Preamp Lynx Aurora 16 I/O D/A and A/D Converter

Watch Eddie Berman show off this beautiful 3-tone Custom Classic Electric Guitar! This guitar is built for ease of play, and Michael Tuttle has done an amazing job in that category. This guitar is built out of woods that are extremely light and resonant which gives the guitar a very lively sound! Gear List Michael Tuttle Custom Classic S 3-Tone SB Nitro Guitar #228 Swart AST Pro Gold Combo Amp Shure SM57 Instrument Mic AEA R84 Ribbon Mic Maag Audio PreQ4-500 Mic Preamp Lynx Aurora 16 Converter Pedal: Strymon El Capistan - dTape Echo Pedal If you have any questions or would like to try this model out for yourself, don't hesitate to call us at 919.682.5552.

Michael Tuttle Sunburst Custom Classic Worn T Guitar 233

Also in this recording Swart AST Pro Gold 30W 1x12 Combo Guitar Amp Shure SM57 Instrument Microphone Maag Audio PreQ4 - 500 series Preamp Lynx Aurora 16 I/O D/A and A/D Converter

Happy Halloween from SoundPure Studios! SoundPure's electric guitar expert Eddie Berman shows off this EERILY amazing Tuttle Sunburst Custom Classic Worn T. This is an expertly aged guitar that has a liveliness that very few aged guitars can rival. It is truly one of a kind and can only be found at SoundPure Studios! Gear List Michael Tuttle Sunburst Custom Classic Worn T Guitar #233 Swart AST Pro Gold Combo Amp Shure SM57 Instrument Mic AEA R84 Ribbon Mic Maag Audio PreQ4-500 Mic Preamp Lynx Aurora 16 Converter Pedal: Strymon El Capistan - dTape Echo Pedal If you have any questions or would like to try this model out for yourself, don't hesitate to call us at 919.682.5552.

Anderson Raven Ocean Turquoise Electric Guitar

Also in this recording Swart AST Pro Gold 30W 1x12 Combo Guitar Amp Shure SM57 Instrument Microphone Maag Audio PreQ4 - 500 series Preamp Lynx Aurora 16 I/O D/A and A/D Converter

Happy Halloween from SoundPure Studios! Today, the SPOOKILY talented Electric Guitar Expert Eddie Berman demonstrates this stunning Anderson Raven Ocean Turquoise Guitar. The Raven is Anderson's first jazzmaster-inspired body, and it is SCARY good-- playable and smooth, the P90 will give you all the TRICKS and TREATS you desire. Gear List Anderson Raven Ocean Turquoise Electric Guitar #8-20-13p Swart AST Pro Gold Combo Amp Shure SM57 Instrument Mic AEA R84 Ribbon Mic Maag Audio PreQ4-500 Mic Preamp Lynx Aurora 16 Converter If you have any questions or would like to try this model out for yourself, don't hesitate to call us at 919.682.5552.

Anderson Crowdster Acoustic Electric Plus Guitar Demo

Also in this recording Swart AST Pro Gold 30W 1x12 Combo Guitar Amp Maag Audio PreQ4 - 500 series Preamp Lynx Aurora 16 I/O D/A and A/D Converter

Eddie Berman demonstrates this beautiful Acoustic - Electric Guitar. This guitar is the same guitar as a regular Crowdster but with an added Anderson electric guitar pickup that was specially made for the Crowdster. This guitar brings the sounds of an acoustic guitar but uses it's CMA, the electric guitar pickup, to balance those outputs to an electric guitar offering. This guitar is an original, and there are none like it anywhere else! Gear: Channel 1: Anderson Crowdster Acoustic Electric Plus acos/e;ec #09/24/13 P Swart AST Pro Gold Combo Amp AEA R84 Ribbon Microphone Maag Audio PreQ4-500 Mic Preamp Lynx Aurora 16 Converter Channel 2: Schertler Jam 100 Plus Acoustic Amp (using built-in DI) Maag Audio PreQ4-500 Mic Preamp Lynx Aurora 16 Converter

Recorded with this gear

medal mania electric guitar bridge pickup

Also in this recording Rivera Chubster 40 Guitar Combo Amplifier LaChapell Audio 583s MKII 500-Series Tube Preamplifier Sennheiser MD 421 II Cardioid Dynamic Microphone Lynx Aurora 8 I/O D/A and A/D Converter

McNaught Vintage Single Cut electric guitar (bridge pickup) played into Rivera Chubster 40 Combo(channel 2, volume 5, bass 5 mid 6, treble 7, master 5, presence 10, boosted) mic'd with AEA R84 into LaChapell Audio 583s T... Read more

blues hotel electric guitar neck pickup

McNaught Vintage Single Cut electric guitar (neck pickup) played into Rivera Chubster 40 Combo(channel 2, volume 5, bass 5 mid 6, treble 7, master 5, presence 10) mic'd with AEA R84 into LaChapell Audio 583s Tube Preamp... Read more

blues hotel electric guitar bridge pickup

McNaught Vintage Single Cut electric guitar (bridge pickup) played into Rivera Chubster 40 Combo(channel 2, volume 5, bass 5 mid 6, treble 7, master 5, presence 10) mic'd with AEA R84 into LaChapell Audio 583s Tube Pream... Read more

walking arpeggio electric guitar neck pickup

McNaught Vintage Single Cut electric guitar (neck pickup) played into Rivera Chubster 40 Combo(channel 1, volume 8, bass 3 mid 7, treble 5, master 5, presence 8) mic'd with AEA R84 into LaChapell Audio 583s Tube Preamp &... Read more

jamblues electric guitar position 5 pickup

Also in this recording Rivera Quiana 112 Ruby Guitar Combo Amplifier Sennheiser MD 421 II Cardioid Dynamic Microphone Lynx Aurora 8 I/O D/A and A/D Converter

pedal to the metal electric guitar position 1 pickup

Also in this recording Rivera Quiana 112 Ruby Guitar Combo Amplifier Sennheiser MD 421 II Cardioid Dynamic Microphone Lynx Aurora 8 I/O D/A and A/D Converter

James Tyler Studio Elite Burning Water electric guitar (position 1 pickup) played into Rivera Quiana amp(channel 2, volume 5, bass 7 mid 6 treble 7, master 6, reverb 3, presence 10, focus 10, boost on, bright on) mic'd with AEA R84(8 inches off) into A Designs Blue Preamp & Sennheiser MD 421 II(close) into A Designs Silver Preamp feeding Lynx Aurora 8.

twanging boost electric guitar position 5 pickup

Also in this recording Rivera Quiana 112 Ruby Guitar Combo Amplifier Sennheiser MD 421 II Cardioid Dynamic Microphone Lynx Aurora 8 I/O D/A and A/D Converter

James Tyler Studio Elite Burning Water electric guitar (position 5 pickup) played into Rivera Quiana amp(channel 1, volume 7, bass 4 mid 7 treble 5, master 5, boost on) mic'd with AEA R84(8 inches off) into A Designs Blu... Read more

jamblues electric guitar position 4 pickup.

Also in this recording Rivera Quiana 112 Ruby Guitar Combo Amplifier Sennheiser MD 421 II Cardioid Dynamic Microphone Lynx Aurora 8 I/O D/A and A/D Converter

jamborie electric guitar position 1 pickup

Also in this recording Rivera Quiana 112 Ruby Guitar Combo Amplifier Sennheiser MD 421 II Cardioid Dynamic Microphone Lynx Aurora 8 I/O D/A and A/D Converter

James Tyler Studio Elite Burning Water electric guitar (position 1 pickup) played into Rivera Quiana amp(channel 1, volume 7, bass 4 mid 7 treble 5, master 5, boost on, bright off) mic'd with AEA R84(8 inches off) into A... Read more

jamblues boost electric guitar position 4 pickup

Also in this recording Rivera Quiana 112 Ruby Guitar Combo Amplifier Sennheiser MD 421 II Cardioid Dynamic Microphone Lynx Aurora 8 I/O D/A and A/D Converter

James Tyler Studio Elite Burning Water electric guitar (position 4 pickup) played into Rivera Quiana amp(channel 2, volume 5, bass 7 mid 6 treble 7, master 6, reverb 3, presence 10, focus 10, boost on, bright on) mic'd with AEA R84(8 inches off) into A Designs Blue Preamp & Sennheiser MD 421 II(close) into A Designs Silver Preamp feeding Lynx Aurora 8.

jamborie electric guitar position 4 pickup

Also in this recording Rivera Quiana 112 Ruby Guitar Combo Amplifier Sennheiser MD 421 II Cardioid Dynamic Microphone Lynx Aurora 8 I/O D/A and A/D Converter

James Tyler Studio Elite Burning Water electric guitar (position 4 pickup) played into Rivera Quiana amp(channel 1, volume 7, bass 4 mid 7 treble 5, master 5, boost on, bright off) mic'd with AEA R84(8 inches off) into A... Read more

jamborie electric guitar position 5 pickup

Also in this recording Rivera Quiana 112 Ruby Guitar Combo Amplifier Sennheiser MD 421 II Cardioid Dynamic Microphone Lynx Aurora 8 I/O D/A and A/D Converter

twanging electric guitar position 1 pickup

Also in this recording Rivera Quiana 112 Ruby Guitar Combo Amplifier Sennheiser MD 421 II Cardioid Dynamic Microphone Lynx Aurora 8 I/O D/A and A/D Converter

James Tyler Studio Elite Burning Water electric guitar (position 1 pickup) played into Rivera Quiana amp(channel 1, volume 7, bass 4 mid 7 treble 5, master 5) mic'd with AEA R84(8 inches off) into A Designs Blue Preamp &... Read more

jamblues boost electric guitar position 5 pickup

Also in this recording Rivera Quiana 112 Ruby Guitar Combo Amplifier Sennheiser MD 421 II Cardioid Dynamic Microphone Lynx Aurora 8 I/O D/A and A/D Converter

James Tyler Studio Elite Burning Water electric guitar (position 5 pickup) played into Rivera Quiana amp(channel 2, volume 5, bass 7 mid 6 treble 7, master 6, reverb 3, presence 10, focus 10, boost on, bright on) mic'd with AEA R84(8 inches off) into A Designs Blue Preamp & Sennheiser MD 421 II(close) into A Designs Silver Preamp feeding Lynx Aurora 8.

starting up electric guitar position 5 pickup

Also in this recording Rivera Quiana 112 Ruby Guitar Combo Amplifier Sennheiser MD 421 II Cardioid Dynamic Microphone Lynx Aurora 8 I/O D/A and A/D Converter

James Tyler Studio Elite Burning Water electric guitar (position 5 pickup) played into Rivera Quiana amp(channel 1, volume 7, bass 4 mid 7 treble 5, master 5) mic'd with AEA R84(8 inches off) into A Designs Blue Preamp &... Read more

bluesy electric guitar neck & bridge pickup

Also in this recording McInturff Carolina Custom Brock-Burst Electric Guitar Vintech Audio X73i Pre/EQ Sennheiser MD 421 II Cardioid Dynamic Microphone A Designs Pacifica Stereo Preamp Lynx Aurora 8 I/O D/A and A/D Converter

McInturff Carolina Custom electric guitar (neck & bridge pickup) played into Blockhead 1963 Split-Front 45(presence 8 bass 2 middle 9 treble 4 volume 1 at 5) into Blockhead 4X12 Model 84 Cabinet mic'd with AEA R84 (cardioid pattern) into Vintech Audio x73i preamp & Sennheiser 421 (cardioid pattern) into A-Designs Pacifica preamp feeding Lynx Aurora A/D converters.

bluesy riff electric guitar bridge pickup

McInturff Carolina Custom electric guitar (bridge pickup) played into Blockhead 1963 Split-Front 45(presence 8 bass 2 middle 9 treble 4 volume 1 at 5) into Blockhead 4X12 Model 84 Cabinet mic'd with AEA R84 (cardioid pattern) into Vintech Audio x73i preamp & Sennheiser 421 (cardioid pattern) into A-Designs Pacifica preamp feeding Lynx Aurora A/D converters.

walking blues electric guitar neck pickup

McInturff Carolina Custom electric guitar (neck pickup) played into Blockhead 1963 Split-Front 45(presence 8 bass 2 middle 9 treble 4 volume 1 at 5) into Blockhead 4X12 Model 84 Cabinet mic'd with AEA R84 (cardioid pattern) into Vintech Audio x73i preamp & Sennheiser 421 (cardioid pattern) into A-Designs Pacifica preamp feeding Lynx Aurora A/D converters.

strumming electric guitar neck pickup

blues riff electric guitar bridge pickup

picking elecrtic guitar neck & bridge pickup

volume cleanup electric guitar bridge pickup

Also in this recording Bad Cat Lynx Amplifier Head Bad Cat 4x12 Speaker Cabinet Blk Os Peluso 2247 LE Switchable Pattern Tube Microphone Chameleon Labs 7602 MKII Mic Pre / EQ A Designs Pacifica Stereo Preamp Heil PR-40 Microphone Millennia TD-1 Pre EQ DI

Tyler Ultimate Weapon electric guitar(bridge pickup) played into Bad Cat Lynx Head(channel 1, volume knob cleanup, gain 3pmm edge 3pm, tone 9am, ,mid 12pm, treble 12pm, mid boost open, presence 12pm, bass 12pm) into Bad Cat 4x12 Cabinet mic'd with Peluso 2247 LE(6 feet off, panned 30% right) into Chameleon Labs 7602 MKII Preamp & AEA R84(1 foot off, panned center) into A Designs Pacifica preamp & Heil PR-40(close, panned 30% left) into Millennia TD-1 feeding Apogee Rosetta 800.

walking up & down electric guitar neck pickup

Tyler Ultimate Weapon electric guitar(neck pickup) played into Bad Cat Lynx Head(channel 1, volume 9am, gain 11am edge 3pm, tone 9am, ,mid 12pm, treble 12pm, mid boost open, presence 12pm, bass 2pm) into Bad Cat 4x12 Cabinet mic'd with Peluso 2247 LE(6 feet off, panned 30% right) into Chameleon Labs 7602 MKII Preamp & AEA R84(1 foot off, panned center) into A Designs Pacifica preamp & Heil PR-40(close, panned 30% left) into Millennia TD-1 feeding Apogee Rosetta 800.

walking loud electric guitar bridge pickup

Tyler Ultimate Weapon electric guitar(neck pickup) played into Bad Cat Lynx Head(channel 1, volume pm, gain 11am edge 3pm, tone 9am, ,mid 12pm, treble 12pm, mid boost open, presence 12pm, bass 2pm) into Bad Cat 4x12 Cabinet mic'd with Peluso 2247 LE(6 feet off, panned 30% right) into Chameleon Labs 7602 MKII Preamp & AEA R84(1 foot off, panned center) into A Designs Pacifica preamp & Heil PR-40(close, panned 30% left) into Millennia TD-1 feeding Apogee Rosetta 800.

speed demon electric guitar bridge pickup

Tyler Ultimate Weapon electric guitar(bridge pickup) played into Bad Cat Lynx Head(channel 1, volume open, gain 3pmm edge 3pm, tone 9am, ,mid 12pm, treble 12pm, mid boost open, presence 12pm, bass 12pm) into Bad Cat 4x12 Cabinet mic'd with Peluso 2247 LE(6 feet off, panned 30% right) into Chameleon Labs 7602 MKII Preamp & AEA R84(1 foot off, panned center) into A Designs Pacifica preamp & Heil PR-40(close, panned 30% left) into Millennia TD-1 feeding Apogee Rosetta 800.

scream demon electric guitar bridge pickup

Tyler Ultimate Weapon electric guitar(bridge pickup) played into Bad Cat Lynx Head(channel 1, volume knob cleanup, gain 3pmm edge 3pm, tone 9am, ,mid 12pm, treble 3pm, mid boost open, presence 3pm, bass 12pm) into Bad Cat 4x12 Cabinet mic'd with Peluso 2247 LE(6 feet off, panned 30% right) into Chameleon Labs 7602 MKII Preamp & AEA R84(1 foot off, panned center) into A Designs Pacifica preamp & Heil PR-40(close, panned 30% left) into Millennia TD-1 feeding Apogee Rosetta 800.

walking electric guitar bridge pickup

Tyler Ultimate Weapon electric guitar(bridge pickup) played into Bad Cat Lynx Head(channel 1, volume 12am, gain 11am edge 3pm, tone 9am, ,mid 12pm, treble 3pm, mid boost off, presence 3pm) into Bad Cat 4x12 Cabinet mic'd with Peluso 2247 LE(6 feet off, panned 30% right) into Chameleon Labs 7602 MKII Preamp & AEA R84(1 foot off, panned center) into A Designs Pacifica preamp & Heil PR-40(close, panned 30% left) into Millennia TD-1 feeding Apogee Rosetta 800.

speeding demon electric guitar bridge pickup

cranky loud electric guitar bridge pickup

Tyler Ultimate Weapon electric guitar(bridge pickup) played into Bad Cat Lynx Head(channel 2, volume 12am, gain 11am edge 3pm, tone 9am, ,mid 12pm, treble 3pm, mid boost off, presence 3pm) into Bad Cat 4x12 Cabinet mic'd with Peluso 2247 LE(6 feet off, panned 30% right) into Chameleon Labs 7602 MKII Preamp & AEA R84(1 foot off, panned center) into A Designs Pacifica preamp & Heil PR-40(close, panned 30% left) into Millennia TD-1 feeding Apogee Rosetta 800.

speed demon electric guitar neck pickup

Tyler Ultimate Weapon electric guitar(neck pickup) played into Bad Cat Lynx Head(channel 1, volume knob cleanup, gain 3pmm edge 3pm, tone 9am, ,mid 12pm, treble 3pm, mid boost open, presence 3pm, bass 12pm) into Bad Cat 4x12 Cabinet mic'd with Peluso 2247 LE(6 feet off, panned 30% right) into Chameleon Labs 7602 MKII Preamp & AEA R84(1 foot off, panned center) into A Designs Pacifica preamp & Heil PR-40(close, panned 30% left) into Millennia TD-1 feeding Apogee Rosetta 800.

From AEA

The AEA R84 is an affordable Large Ribbon Geometry (LRG) microphone suitable for use by the most demanding audio professional or hobbyist. This "R84 Zone" is for you and other users to share your experiences. We expect to expand this area with practical illustrations, guides to tracking situations, and actual recording experiences. Our intention is to encourage and support your success and satisfaction as you become familiar with this mic's unique features. Drop us an e-mail to share your experiences, or if you want to be informed when we post new, practical information here.

If you are new to ribbons, you are in for a treat! Experienced users have discovered the R84 is an outstanding general-purpose microphone, ideally suited for solo and accent work. It is hard to find an application where this mic does not shine. It is a fine example of the natural sound and figure-8 directional sensitivity a quality ribbon mic delivers.

Pure natural sound, just as you hear it when you're placing your mic in the studio. Quick smooth transients that capture the feeling of being there without sounding like a recording. Extended bass and treble that captures the details without shoving anything in your face.

A figure-eight pattern that focuses your recording on the sound you want. We believe you will enjoy the confidence this mic inspires. It's a forgiving tool that makes your recording work easier, as it literally sounds good on everything. Try it first and you'll usually like it and find it sits well in the mix. When time is scarce and quality necessary, put the R84 to the test. Our users' experience is that you'll use it more and more (in pairs too!). Then it will start to really grow on you.

Operating Principle: Pressure gradient transducer
Directional Pattern: Bidirectional
Frequency Range: <20 Hz to >20 kHz
Polarity: Pin 2 high for positive pressure on front of microphone
Polar Response: Native bidirectional, figure-of-8 pattern
Horizontal: Up to 90 dB rejection at right angles to the front/back axis.
Vertical: Level changes with angle of incidence, but frequency response is consistent.
Transducer Element Material: Pure aluminum corrugated ribbon
Thickness: 1.8 µm
Width: 0.185 in (4.7 mm)
Length: 2.35 in (59.7 mm)

Microphone Dimensions

Height: 11.6 in (29.5 cm)
Width: 3.9 in (9.9 cm)
Depth: 2.5 in (6.4 cm)
Weight with cable: 3 lb (1.36 kg)
Shipping Weight: 4 lb (1.8 kg)
Connector: XLR-3M

R84 Passive Microphone

Maximum SPL: 165 + dB SPL (1% third harmonic > 1 kHz)
Sensitivity: 2.5 mV/Pa (-52 dBv/Pa) into unloaded circuit
Output Impedance: 270 Ω nominal
Recommended Load Impedance: 1.2K Ω or greater
Phantom Power: Not required or recommended

Free 3-Year Warranty

Sound Pure stands behind our products. Free three-year warranty on this item. Coverage exclusions live in Terms & Conditions, Section 27.

Level of support and expertise that simply isn't available at big-box megastores. Read the warranty →

Returns

Try Before You Buy: take it home, commit only when it's right. Program details →

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Sound Pure Studios Control Room A — Durham, NC

Sound Pure Studios · Durham, NC

Come hear it in our control rooms.

Sound Pure is a working studio in Durham, NC — a 1,000 sq ft live room and two pro control rooms. Book a session to audition gear in a world-class acoustic space before you buy.

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Ribbon Microphone Shootout

Mic'ing a Leslie Speaker Cabinet for a Hammond B3 Organ with Ribbon Microphones

Royer R121 vs. Shure KSM 313 vs. Coles 4038 vs. AEA R84 - Ribbon Mic Drum Overhead Shootout

Eastman AR805CE Sunburst Archtop Guitar with Guest Jazz Guitarist Nate Huvard

Eastman AR403CE Sunburst Archtop Guitar Demo

Clay Conner Model 504 Jazz Jr. Electric Guitar Demo with Guest Guitarist Nate Huvard

Buscarino Starlight Nylon String Acoustic Electric Guitar

Michael Tuttle Custom Classic S 3-Tone SB Nitro Guitar #228

Michael Tuttle Sunburst Custom Classic Worn T Guitar 233

Anderson Raven Ocean Turquoise Electric Guitar

Anderson Crowdster Acoustic Electric Plus Guitar Demo

medal mania electric guitar bridge pickup

blues hotel electric guitar neck pickup

blues hotel electric guitar bridge pickup

walking arpeggio electric guitar neck pickup

jamblues electric guitar position 5 pickup

pedal to the metal electric guitar position 1 pickup

twanging boost electric guitar position 5 pickup

jamblues electric guitar position 4 pickup.

jamborie electric guitar position 1 pickup

jamblues boost electric guitar position 4 pickup

jamborie electric guitar position 4 pickup

jamborie electric guitar position 5 pickup

twanging electric guitar position 1 pickup

jamblues boost electric guitar position 5 pickup

starting up electric guitar position 5 pickup

bluesy electric guitar neck & bridge pickup

bluesy riff electric guitar bridge pickup

walking blues electric guitar neck pickup

strumming electric guitar neck pickup

blues riff electric guitar bridge pickup

picking elecrtic guitar neck & bridge pickup

volume cleanup electric guitar bridge pickup

walking up & down electric guitar neck pickup

walking loud electric guitar bridge pickup

speed demon electric guitar bridge pickup

scream demon electric guitar bridge pickup

walking electric guitar bridge pickup

speeding demon electric guitar bridge pickup

cranky loud electric guitar bridge pickup

speed demon electric guitar neck pickup

Microphone Dimensions

R84 Passive Microphone

Free 3-Year Warranty

Returns

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Come hear it in our control rooms.