SHOP SP CONTACT EXPERT ADVICE SELL/TRADE 3-YR WARRANTY STUDIO NEWS & EVENTS VISIT
Call Us Toll Free 888-528-9703 Local / International +1 919-682-5552

Microphones

Mic Preamps

500-Series

Computer Audio

Signal Processors

Monitoring

More

Browse All Pro Audio
Featured Manufacturer
Soyuz Microphones

Hand-built tube and ribbon microphones from Tula, Russia.
Sound Pure Difference

Try Before You Buy

48 hours with the gear in your room. No obligation. Free shipping both ways.

Learn more →
Vintage & Used → Try Before You Buy → Specials → Browse Manufacturers →

All Electrics

Electric Amps

More

Browse All Electric Guitars
Featured Category
Electric Guitars

Boutique and vintage electrics, hand-picked by our team.
Sound Pure Difference

Try Before You Buy

48 hours with the gear in your room. No obligation. Free shipping both ways.

Learn more →
Vintage & Used → Try Before You Buy → Specials → Browse Manufacturers →

Acoustic Guitars

Folk Instruments

More

Browse All Acoustics/Archtops
Featured Category
Acoustics/Archtops

Bourgeois, Boucher, Collings, Gibson — hand-built and ready to track.
Sound Pure Difference

Try Before You Buy

48 hours with the gear in your room. No obligation. Free shipping both ways.

Learn more →
Vintage & Used → Try Before You Buy → Specials → Browse Manufacturers →

Drums

Cymbals

Percussion

Hardware & Accessories

Browse All Drums
Featured Category
Drums

Acoustic kits, electronics, cymbals, and percussion — all expertly curated.
Sound Pure Difference

Try Before You Buy

48 hours with the gear in your room. No obligation. Free shipping both ways.

Learn more →
Vintage & Used → Try Before You Buy → Specials → Browse Manufacturers →

Sound Pure's Take

Peluso has made yet another incredible contribution to the high end microphone market, at a surprising price point. The R14 represents a fantastic blend between the aggressive, boxey bottom end, but well-built and resilient character of the Royer R-121 with the more versatile smoother top end associated with the AEA R84 and Coles 4038's.

This microphone is extremely well balanced, and will work wonderfully on your electric guitar cabinets, where you'd gladly stick your 121. But also where you are looking for something a little smoother on top, such as ribbon textured vocals or acoustic instruments where the boxey sound across the entire frequency spectrum of a Royer 121 can fall short.

If you are looking for a microphone to do more than just your electric guitar cabinet, this thing is too under priced to look elsewhere. The price makes this thing an absolute must have, with pairs of these selling for roughly the same price of Royer and Coles ribbon mics.


Watch & listen

Ultimate Slide Recording Technique: Feat. Peluso P-87 and Peluso R-14 Microphones

Also in this recording Peluso P87 Multi-Pattern Solid State Microphone Carr Amplifiers Sportsman 19W 1x12 Combo Amp - Cowboy Dave Hill Designs Europa 1 Mic Preamp National NRP Tricone Cutaway Steel Guitar w/ Slimline Pickup Lynx Aurora 16 I/O D/A and A/D Converter

In this video, SoundPure Pro Audio Expert, Travis Hall revisits the Ultimate Slide Recording Technique to show just how that amazing slide guitar sound was achieved. Using a mix of a Peluso P-87 LDC on the Reso and a Pel... Read more

In this video, SoundPure Pro Audio Expert, Travis Hall revisits the Ultimate Slide Recording Technique to show just how that amazing slide guitar sound was achieved. Using a mix of a Peluso P-87 LDC on the Reso and a Peluso R-14 Ribbon on the amp,  and running them through two Dave Hill Designs Europa 1 Preamps, we achieved a slide guitar sound that is simply outstanding. If you like what you hear, you can check out all the gear used in this video at SoundPure.com or call us anytime at 919.682.5552. Thanks for watching!

Slide Guitar Ultimate Weapon: Slide Guitar Recording Technique ft. National Guitars

In this video, SoundPure Acoustic Guitar Expert, Robinson Earle, demonstrates his secret weapon for recording slide guitar in the studio. He decided to use a National NRP Tricone Cutaway Steel Guitar wit a Slimline Picku... Read more

In this video, SoundPure Acoustic Guitar Expert, Robinson Earle, demonstrates his secret weapon for recording slide guitar in the studio. He decided to use a National NRP Tricone Cutaway Steel Guitar wit a Slimline Pickup and Carr Sportsman Amplifier. Blending the sounds of the room and the amp, we are able to get an amazing sound that sounds amazing. If you like what you hear, check out all the gear used in this video at SoundPure.com or you can call us anytime at 919.682.5552. Thanks for watching!

Eastman T386 Semi-Hollow Electric Guitar

Also in this recording Victoria Amps Victorilux 45W 2x12 Combo Amp Shure SM57 Instrument Microphone Great River Electronics MP-2NV Stereo Preamp Lynx Aurora 16 I/O D/A and A/D Converter

  Watch Ross Gruet demonstrate the T386, a semi-hollow electric guitar from Eastman. The T386's laminate maple construction prevents feedback and produces clear tone for a wide variety of styles, from jazz to finger-sty... Read more

  Watch Ross Gruet demonstrate the T386, a semi-hollow electric guitar from Eastman. The T386's laminate maple construction prevents feedback and produces clear tone for a wide variety of styles, from jazz to finger-style. Well-balanced, responsive, and versatile, this model is a professional-quality instrument at an extremely reasonable price point. Gear List: Eastman T386 Semi-Hollow Vovox Instrumental Cable Victoria Victorilux 2x12 Combo Amp Peluso R14 Ribbon Microphone Shure SM57 Instrument Microphone Great River Electronics MP-2NV Stereo Preamp Have any questions? Want to try out this model for yourself? Send us a message at electrics@soundpure.com or give us a call at 919.682.5552.

Moog MF-105M MIDI MuRF Pedal Demo

Also in this recording Victoria Amps Victorilux 45W 2x12 Combo Amp Victoria Amps Victoriette 20W 1x12 Combo Amp Royer Labs R-121 Ribbon Microphone Sennheiser MD 421 II Cardioid Dynamic Microphone Shure SM57 Instrument Microphone Great River Electronics MP-2NV Stereo Preamp API Audio 3124+ 4-Channel Microphone Preamp

Soundpure Electric Guitar Expert Ross Gruet demonstrates the MIDI Murf, a revolutionary effects pedal from Moog. With 8 channels for a wide variety of tones and qualities, its warm, resonant, 100% analog Mid and Bass fil... Read more

Soundpure Electric Guitar Expert Ross Gruet demonstrates the MIDI Murf, a revolutionary effects pedal from Moog. With 8 channels for a wide variety of tones and qualities, its warm, resonant, 100% analog Mid and Bass filter bands bring you everything from shimmering timbral morphing and rhythmic stuttering to deep bass grooves, and its durability and size make it the perfect piece of equipment for touring and studio use.    Gear List: Suhr Classic Antique Vintage White Electric Guitar Moog MF-105M MIDI MuRF Pedal Victoria Victorilux 2x12 Amp Victoria Victoriette 1x12 Amp Peluso R14 Ribbon Mic Royer R-121 Ribbon Mic Sennheiser MD 421 II Mic Shure SM57 Instrument Mic Great River Electronics MP-2NV Stereo Preamp API Audio 3124+ 4-Channel Microphone Preamp   If you like what you hear, check this pedal out at SoundPure.com or give us a call anytime at (919)-682-5552.

Bill Comins 17" Concert Archtop Guitar

Also in this recording Peluso CEMC6 Solid State Microphone Lynx Aurora 16 I/O D/A and A/D Converter Phoenix Audio DRS8 mk2 Microphone Preamp

Bill Comins 17" Concert Archtop is a beautiful, hand carved, archtop guitar that displays a soothing acoustic sound from it's spruce top. This marvelous Comins, with violin style shading, has pleasant character from t... Read more

Bill Comins 17" Concert Archtop is a beautiful, hand carved, archtop guitar that displays a soothing acoustic sound from it's spruce top. This marvelous Comins, with violin style shading, has pleasant character from the Sitka Spruce and the maple back that provides a sought after punch and presence. This archtop includes the floating Kent Armstrong hunbucker which allows for a fuller and richer amplified tone. Comins 17" Archtop is a remarkably unique guitar that offers smoothness and familiarity to it's player. Special thanks to Keith Ganz for his amazing playing. Please contact our knowledgable staff here at SoundPure with all of your questions 919.682.5552.

Phoenix DRS 8 Mic Preamp on Drums, Vocals, Guitar, Trumpet, & Rhodes Keyboard

Also in this recording Phoenix Audio DRS8 mk2 Microphone Preamp Lynx Aurora 16 I/O D/A and A/D Converter Coles 4038 Ribbon Microphone Peluso 22 251 Switchable Pattern Tube Microphone Peluso TR 14 Vacuum Tube Ribbon Microphone Lauten Audio Oceanus LT-381 Microphone Josephson C617 (just body no capsule) Peluso P12 Multipattern Tube Microphone

The DRS-8 developed by Phoenix Audio UK is an 8 channel, Neve influenced, preamp designed with Class A discrete technology with both the professional and home studio artists in mind. Modeled after Phoenix's other famo... Read more

The DRS-8 developed by Phoenix Audio UK is an 8 channel, Neve influenced, preamp designed with Class A discrete technology with both the professional and home studio artists in mind. Modeled after Phoenix's other famous preamps, the DRS-1 and DRS-2, the DRS8 uses a transformer less, Class A, discrete mic input which gives you a "valve-like" sound. The Phoenix Audio DRS-8 is extremely versatile complimenting an array of instruments including acoustic guitars, electric guitar, percussion instruments, vocals, horns, and keyboards. The cost-per-channel is also unbeatable for a preamp of this quality. Please contact our experts, here at SoundPure, with any questions 919.682.5552 or 888-528-9703.

Jimmy Foster Avalon Archtop Demo played by Jazz Guitarist Keith Ganz

Also in this recording Jimmy Foster Avalon #376 Archtop Guitar Peluso CEMC6 Solid State Microphone Phoenix Audio DRS8 mk2 Microphone Preamp Lynx Aurora 16 I/O D/A and A/D Converter Acoustic Image Corus EX S4 Extension Speaker Cabinet

The Avalon from Luthier Jimmy Foster, is a gorgeous archtop guitar made with a Sitka Spruce top, Maple back and sides, and has a beautiful Cremona burst. Jazz Guitarist Keith Ganz plays some incredible licks on this m... Read more

The Avalon from Luthier Jimmy Foster, is a gorgeous archtop guitar made with a Sitka Spruce top, Maple back and sides, and has a beautiful Cremona burst. Jazz Guitarist Keith Ganz plays some incredible licks on this masterpiece. The Avalon sounds stunning in addition to its beautiful looks. Check out SoundPure's website to look at our incredible collection of hand chosen boutique guitars, made by master luthiers all over the world. If you have any questions, call one of our guitar experts today. 919.682.5552.

Eastman AR680 Archtop Guitar #8111 Demo

Also in this recording Lynx Aurora 16 I/O D/A and A/D Converter Vintech Audio 573 500-Series Mic Preamp Evans RE200 Guitar Amplifier Combo Peluso CEMC6 Solid State Microphone

John Pisano's signature model archtop guitar from Eastman, the Eastman AR680 is a gorgeous Mahogany archtop guitar. This 680 from Eastman Strings features a Kent Armstrong Pick and Schaller tuners with Ebony appointments... Read more

John Pisano's signature model archtop guitar from Eastman, the Eastman AR680 is a gorgeous Mahogany archtop guitar. This 680 from Eastman Strings features a Kent Armstrong Pick and Schaller tuners with Ebony appointments. Contact the experts in SoundPure's guitar boutique for more information about this fantastic instrument.

Millennia TD-1 DI Detail Demo and Review -- Part 2

Also in this recording Millennia TD-1 Pre EQ DI Lynx Aurora 16 I/O D/A and A/D Converter Mojave Ampworks Scorpion Head Guitar Amplifier Heil PR-30 Microphone Peluso P-67 Switchable Pattern Tube Microphone Victoria Amps Victorilux 45W 2x12 Combo Amp

The Millennia TD1 Twin Topology (tube/solid state) DI/Preamp is explored in Part 2 of this 2-part series, as a DI (with alternate impedances), EQ, Tube and Solid State modes (for the mic pre and DI), Speaker Soak functio... Read more

The Millennia TD1 Twin Topology (tube/solid state) DI/Preamp is explored in Part 2 of this 2-part series, as a DI (with alternate impedances), EQ, Tube and Solid State modes (for the mic pre and DI), Speaker Soak function, and is also used as a straight Microphone preamp (from the world-renowned HV3 series of Millennia mic preamps) in this in depth look of the rich features of this amazing little tonal device. The Millennia TD-1's sound quality, build quality, and overall feature-set make this device a truly world-class studio workhorse piece of equipment. Please don't hesitate to call us with any questions we can answer, or to order yours today. Sound Pure is available toll free 888.528.9703.

Millennia TD-1 DI Reamping Electric Guitars (Part 1)

Also in this recording Millennia TD-1 Pre EQ DI Lynx Aurora 16 I/O D/A and A/D Converter Victoria Amps Victorilux 45W 2x12 Combo Amp Mojave Ampworks Scorpion Head Guitar Amplifier

The Millennia TD-1 DI is an extraordinary Preamp, Re-amping device, with EQ, tube or solid state signal paths, and speaker soak technology. In part 1 of this video series we focus on tracking some electric guitar signals... Read more

The Millennia TD-1 DI is an extraordinary Preamp, Re-amping device, with EQ, tube or solid state signal paths, and speaker soak technology. In part 1 of this video series we focus on tracking some electric guitar signals direct, using the DI into ProTools, and later move the Recording Studios tracking room to record through a variety of electric guitar amps including the Victoria Victorilux, and the Mojave Scorpion. Millennia is known for its clean sounds and accuracy, but here we demonstrate its versatility and tonal flexibility. A truly amazing studio or stage device that will clearly meet the needs of the most demanding studio guitarist, producer, or recording engineer. The flexibility of a world-class re-amping device such as this is endless, and we show just the tip of the iceberg here. Call Sound Pure learn more about it toll free 888.528.9703, and be sure and check out for our other videos on the TD-1.

Recorded with this gear

honkey tonk electric guitar middle pickup

Also in this recording Zion Fifty Electric Guitar Jule Amps Brenda K. Head 23W Guitar Amplifier Mojave Ampworks 4x12 Guitar Speaker Cabinet Heil PR-30 Microphone

Zion Fifty electric guitar (neck & bridge pickup) played into Jule Brenda K. Head(boost on, bright on, tone 12 noon, volume 11am) into Mojave 4X12 Cabinet mic'd with Heil PR-30 into A Designs EM RED Mic preamp & Peluso... Read more

Zion Fifty electric guitar (neck & bridge pickup) played into Jule Brenda K. Head(boost on, bright on, tone 12 noon, volume 11am) into Mojave 4X12 Cabinet mic'd with Heil PR-30 into A Designs EM RED Mic preamp & Peluso R14 into A Designs EM BLUE Mic preamp feeding Apogee Rosetta 800.

maxed transitions electric guitar bridge pickup

Also in this recording Zion Fifty Electric Guitar Jule Amps Brenda K. Head 23W Guitar Amplifier Mojave Ampworks 4x12 Guitar Speaker Cabinet Heil PR-30 Microphone

Zion Fifty electric guitar (bridge pickup) played into Jule Brenda K. Head(boost on, bright on, tone 12 noon, volume max) into Mojave 4X12 Cabinet mic'd with Heil PR-30 into A Designs EM RED Mic preamp & Peluso R14 into... Read more

Zion Fifty electric guitar (bridge pickup) played into Jule Brenda K. Head(boost on, bright on, tone 12 noon, volume max) into Mojave 4X12 Cabinet mic'd with Heil PR-30 into A Designs EM RED Mic preamp & Peluso R14 into A Designs EM BLUE Mic preamp feeding Apogee Rosetta 800.

to the point electric guitar bridge pickup

Also in this recording Zion Fifty Electric Guitar Jule Amps Brenda K. Head 23W Guitar Amplifier Mojave Ampworks 4x12 Guitar Speaker Cabinet Heil PR-30 Microphone

Zion Fifty electric guitar (bridge pickup) played into Jule Brenda K. Head(boost on, bright on, tone 12 noon, volume max) into Mojave 4X12 Cabinet mic'd with Heil PR-30 into A Designs EM RED Mic preamp & Peluso R14 into... Read more

Zion Fifty electric guitar (bridge pickup) played into Jule Brenda K. Head(boost on, bright on, tone 12 noon, volume max) into Mojave 4X12 Cabinet mic'd with Heil PR-30 into A Designs EM RED Mic preamp & Peluso R14 into A Designs EM BLUE Mic preamp feeding Apogee Rosetta 800.

bright electric guitar neck pickup

Also in this recording Zion Fifty Electric Guitar Jule Amps Brenda K. Head 23W Guitar Amplifier Mojave Ampworks 4x12 Guitar Speaker Cabinet Heil PR-30 Microphone

Zion Fifty electric guitar (neck pickup) played into Jule Brenda K. Head(boost on, bright on, tone 12 noon, volume 11am) into Mojave 4X12 Cabinet mic'd with Heil PR-30 into A Designs EM RED Mic preamp & Peluso R14 into... Read more

Zion Fifty electric guitar (neck pickup) played into Jule Brenda K. Head(boost on, bright on, tone 12 noon, volume 11am) into Mojave 4X12 Cabinet mic'd with Heil PR-30 into A Designs EM RED Mic preamp & Peluso R14 into A Designs EM BLUE Mic preamp feeding Apogee Rosetta 800.

sweet transitions electric guitar bridge pickup

Also in this recording Zion Fifty Electric Guitar Jule Amps Brenda K. Head 23W Guitar Amplifier Mojave Ampworks 4x12 Guitar Speaker Cabinet Heil PR-30 Microphone

Zion Fifty electric guitar (bridge pickup) played into Jule Brenda K. Head(boost on, bright on, tone 12 noon, volume 11am) into Mojave 4X12 Cabinet mic'd with Heil PR-30 into A Designs EM RED Mic preamp & Peluso R14 int... Read more

Zion Fifty electric guitar (bridge pickup) played into Jule Brenda K. Head(boost on, bright on, tone 12 noon, volume 11am) into Mojave 4X12 Cabinet mic'd with Heil PR-30 into A Designs EM RED Mic preamp & Peluso R14 into A Designs EM BLUE Mic preamp feeding Apogee Rosetta 800.

dragon distortion electric guitar bridge pickup

Also in this recording Trussart Steeltop Dragon Engraved sn 06-233 - SOLD! Mojave Ampworks Scorpion Head Guitar Amplifier Mojave Ampworks 2x12 Guitar Speaker Cabinet Ceramic Chandler Limited TG2 Abbey Road SE Stereo Pre

Trussart Steeltop Dragon electric guitar (bridge pickup) played into Mojave Ampworks Scorpion Head( bass 1, low mid 6, high mid 7, treble 6, treble volume 7, bvol 4, high sensitivity on) to Mojave Ampworks 2x12 Cabinet... Read more

Trussart Steeltop Dragon electric guitar (bridge pickup) played into Mojave Ampworks Scorpion Head( bass 1, low mid 6, high mid 7, treble 6, treble volume 7, bvol 4, high sensitivity on) to Mojave Ampworks 2x12 Cabinet Ceramic mic'd with Peluso R14 into Chandler TG2 preamp feeding Apogee Rosetta 800.

crispy electric guitar position 4 pickup

Also in this recording Bad Cat Panther 1x12 Combo Amplifier (NOS - Superfine tuned) Chandler Limited TG2 Abbey Road SE Stereo Pre

Nash S-57 electric guitar (pickup position 4) played into Bad Cat Panther Combo (Channel 1, volume 1pm, bass 12 o'clock, middle 12 o'clock, middle sweep 3rd setting, treble 2pm) mic'd with Peluso R14 microphone 1ft. off... Read more

Nash S-57 electric guitar (pickup position 4) played into Bad Cat Panther Combo (Channel 1, volume 1pm, bass 12 o'clock, middle 12 o'clock, middle sweep 3rd setting, treble 2pm) mic'd with Peluso R14 microphone 1ft. off speaker into Chandler TG2 preamp feeding Apogee Rosetta 800.

boosted electric guitar position 5 pickup

Also in this recording Bad Cat Panther 1x12 Combo Amplifier (NOS - Superfine tuned) Chandler Limited TG2 Abbey Road SE Stereo Pre

Nash S-57 electric guitar (pickup position 5) played into Bad Cat Panther Combo (Channel 1, volume 4pm, bass 12 o'clock, middle 12 o'clock, middle sweep 3rd setting, treble 2pm, boosted) mic'd with Peluso R14 microphone... Read more

Nash S-57 electric guitar (pickup position 5) played into Bad Cat Panther Combo (Channel 1, volume 4pm, bass 12 o'clock, middle 12 o'clock, middle sweep 3rd setting, treble 2pm, boosted) mic'd with Peluso R14 microphone 1ft. off speaker into Chandler TG2 preamp feeding Apogee Rosetta 800.

tonal electric guitar position 5 pickup

Also in this recording Bad Cat Panther 1x12 Combo Amplifier (NOS - Superfine tuned) Chandler Limited TG2 Abbey Road SE Stereo Pre

Nash S-57 electric guitar (pickup position 5) played into Bad Cat Panther Combo (Channel 2, volume 12 o'clock, bass 10am, middle 12 o'clock, cut open, treble 12 o'clock, boost on) mic'd with Peluso R14 microphone 1ft. of... Read more

Nash S-57 electric guitar (pickup position 5) played into Bad Cat Panther Combo (Channel 2, volume 12 o'clock, bass 10am, middle 12 o'clock, cut open, treble 12 o'clock, boost on) mic'd with Peluso R14 microphone 1ft. off speaker into Chandler TG2 preamp feeding Apogee Rosetta 800.

color filled electric guitar position 3 pickup

Also in this recording Bad Cat Panther 1x12 Combo Amplifier (NOS - Superfine tuned) Chandler Limited TG2 Abbey Road SE Stereo Pre

Nash S-57 electric guitar (pickup position 3) played into Bad Cat Panther Combo (Channel 1, volume 10am, bass 11am, middle 4pm, middle sweep lowest, treble 2 oclock) mic'd with Peluso R14 microphone 1ft. off speaker into... Read more

Nash S-57 electric guitar (pickup position 3) played into Bad Cat Panther Combo (Channel 1, volume 10am, bass 11am, middle 4pm, middle sweep lowest, treble 2 oclock) mic'd with Peluso R14 microphone 1ft. off speaker into Chandler TG2 preamp feeding Apogee Rosetta 800.

walking electric guitar position 1 pickup

Also in this recording Bad Cat Panther 1x12 Combo Amplifier (NOS - Superfine tuned) Chandler Limited TG2 Abbey Road SE Stereo Pre

Nash S-57 electric guitar (pickup position 1) played into Bad Cat Panther Combo (Channel 1, volume 10am, bass 11am, middle 4pm, middle sweep lowest, treble 2 oclock) mic'd with Peluso R14 microphone 1ft. off speaker into... Read more

Nash S-57 electric guitar (pickup position 1) played into Bad Cat Panther Combo (Channel 1, volume 10am, bass 11am, middle 4pm, middle sweep lowest, treble 2 oclock) mic'd with Peluso R14 microphone 1ft. off speaker into Chandler TG2 preamp feeding Apogee Rosetta 800.

arpeggiated electric guitar position 4 pickup

Also in this recording Bad Cat Panther 1x12 Combo Amplifier (NOS - Superfine tuned) Chandler Limited TG2 Abbey Road SE Stereo Pre

Nash S-57 electric guitar (pickup position 4) played into Bad Cat Panther Combo (Channel 1, volume 10am, bass 11am, middle 4pm, middle sweep lowest, treble 2 oclock) mic'd with Peluso R14 microphone 1ft. off speaker into... Read more

Nash S-57 electric guitar (pickup position 4) played into Bad Cat Panther Combo (Channel 1, volume 10am, bass 11am, middle 4pm, middle sweep lowest, treble 2 oclock) mic'd with Peluso R14 microphone 1ft. off speaker into Chandler TG2 preamp feeding Apogee Rosetta 800.

drivin down bright color electric guitar position 1 pickup

Also in this recording Bad Cat Panther 1x12 Combo Amplifier (NOS - Superfine tuned) Chandler Limited TG2 Abbey Road SE Stereo Pre

Nash S-57 electric guitar (pickup position 1) played into Bad Cat Panther Combo (Channel 2, volume 12 o'clock, bass 10am, middle 12 o'clock, cut open, treble 12 o'clock boost on) mic'd with Peluso R14 microphone 1ft. off... Read more

Nash S-57 electric guitar (pickup position 1) played into Bad Cat Panther Combo (Channel 2, volume 12 o'clock, bass 10am, middle 12 o'clock, cut open, treble 12 o'clock boost on) mic'd with Peluso R14 microphone 1ft. off speaker into Chandler TG2 preamp feeding Apogee Rosetta 800.

supercrunch electric guitar position 1 pickup

Also in this recording Bad Cat Panther 1x12 Combo Amplifier (NOS - Superfine tuned) Chandler Limited TG2 Abbey Road SE Stereo Pre

Nash S-57 electric guitar (pickup position 1) played into Bad Cat Panther Combo (Channel 1, volume 4pm, bass 12 o'clock, middle 12 o'clock, middle sweep 3rd setting, treble 2pm, boosted) mic'd with Peluso R14 microphone... Read more

Nash S-57 electric guitar (pickup position 1) played into Bad Cat Panther Combo (Channel 1, volume 4pm, bass 12 o'clock, middle 12 o'clock, middle sweep 3rd setting, treble 2pm, boosted) mic'd with Peluso R14 microphone 1ft. off speaker into Chandler TG2 preamp feeding Apogee Rosetta 800.

tone colored electric guitar position 3 pickup

Also in this recording Bad Cat Panther 1x12 Combo Amplifier (NOS - Superfine tuned) Chandler Limited TG2 Abbey Road SE Stereo Pre

Nash S-57 electric guitar (pickup position 3) played into Bad Cat Panther Combo (Channel 2, volume 12 o'clock, bass 10am, middle 12 o'clock, cut open, treble 12 o'clock boost on) mic'd with Peluso R14 microphone 1ft. off... Read more

Nash S-57 electric guitar (pickup position 3) played into Bad Cat Panther Combo (Channel 2, volume 12 o'clock, bass 10am, middle 12 o'clock, cut open, treble 12 o'clock boost on) mic'd with Peluso R14 microphone 1ft. off speaker into Chandler TG2 preamp feeding Apogee Rosetta 800.

swelling down electric guitar position 5 pickup

Also in this recording Bad Cat Panther 1x12 Combo Amplifier (NOS - Superfine tuned) Chandler Limited TG2 Abbey Road SE Stereo Pre

Nash S-57 electric guitar (pickup position 5) played into Bad Cat Panther Combo (Channel 2, volume 3pm, bass 10am, middle 12 o'clock, cut open, treble 12 o'clock boost on) mic'd with Peluso R14 microphone 1ft. off speake... Read more

Nash S-57 electric guitar (pickup position 5) played into Bad Cat Panther Combo (Channel 2, volume 3pm, bass 10am, middle 12 o'clock, cut open, treble 12 o'clock boost on) mic'd with Peluso R14 microphone 1ft. off speaker into Chandler TG2 preamp feeding Apogee Rosetta 800.

mucho allegro electric guitar position 5 pickup

Also in this recording Bad Cat Panther 1x12 Combo Amplifier (NOS - Superfine tuned) Chandler Limited TG2 Abbey Road SE Stereo Pre

Nash S-57 electric guitar (pickup position 5) played into Bad Cat Panther Combo (Channel 1, volume 4pm, bass 12 o'clock, middle 12 o'clock, middle sweep 3rd setting, treble 2pm) mic'd with Peluso R14 microphone 1ft. off... Read more

Nash S-57 electric guitar (pickup position 5) played into Bad Cat Panther Combo (Channel 1, volume 4pm, bass 12 o'clock, middle 12 o'clock, middle sweep 3rd setting, treble 2pm) mic'd with Peluso R14 microphone 1ft. off speaker into Chandler TG2 preamp feeding Apogee Rosetta 800.

poco allegro electric guitar position 1 pickup

Also in this recording Bad Cat Panther 1x12 Combo Amplifier (NOS - Superfine tuned) Chandler Limited TG2 Abbey Road SE Stereo Pre

Nash S-57 electric guitar (pickup position 1) played into Bad Cat Panther Combo (Channel 1, volume 1pm, bass 12 o'clock, middle 12 o'clock, middle sweep 3rd setting, treble 2pm) mic'd with Peluso R14 microphone 1ft. off... Read more

Nash S-57 electric guitar (pickup position 1) played into Bad Cat Panther Combo (Channel 1, volume 1pm, bass 12 o'clock, middle 12 o'clock, middle sweep 3rd setting, treble 2pm) mic'd with Peluso R14 microphone 1ft. off speaker into Chandler TG2 preamp feeding Apogee Rosetta 800.

crispy swelling electric guitar position 3 pickup

Also in this recording Bad Cat Panther 1x12 Combo Amplifier (NOS - Superfine tuned) Chandler Limited TG2 Abbey Road SE Stereo Pre

Nash S-57 electric guitar (pickup position 3) played into Bad Cat Panther Combo (Channel 1, volume 1pm, bass 12 o'clock, middle 12 o'clock, middle sweep 3rd setting, treble 2pm) mic'd with Peluso R14 microphone 1ft. off... Read more

Nash S-57 electric guitar (pickup position 3) played into Bad Cat Panther Combo (Channel 1, volume 1pm, bass 12 o'clock, middle 12 o'clock, middle sweep 3rd setting, treble 2pm) mic'd with Peluso R14 microphone 1ft. off speaker into Chandler TG2 preamp feeding Apogee Rosetta 800.

fleeting bright electric guitar position 5 pickup

Also in this recording Bad Cat Panther 1x12 Combo Amplifier (NOS - Superfine tuned) Chandler Limited TG2 Abbey Road SE Stereo Pre

Nash S-57 electric guitar (pickup position 3) played into Bad Cat Panther Combo (Channel 2, volume 3pm, bass 10am, middle 12 o'clock, cut open, treble 12 o'clock boost on) mic'd with Peluso R14 microphone 1ft. off speake... Read more

Nash S-57 electric guitar (pickup position 3) played into Bad Cat Panther Combo (Channel 2, volume 3pm, bass 10am, middle 12 o'clock, cut open, treble 12 o'clock boost on) mic'd with Peluso R14 microphone 1ft. off speaker into Chandler TG2 preamp feeding Apogee Rosetta 800.

bending electric guitar position 5 pickup

Also in this recording Bad Cat Panther 1x12 Combo Amplifier (NOS - Superfine tuned) Chandler Limited TG2 Abbey Road SE Stereo Pre

Nash S-57 electric guitar (pickup position 5) played into Bad Cat Panther Combo (Channel 1, volume 10am, bass 11am, middle 4pm, middle sweep lowest, treble 2 oclock) mic'd with Peluso R14 microphone 1ft. off speaker into... Read more

Nash S-57 electric guitar (pickup position 5) played into Bad Cat Panther Combo (Channel 1, volume 10am, bass 11am, middle 4pm, middle sweep lowest, treble 2 oclock) mic'd with Peluso R14 microphone 1ft. off speaker into Chandler TG2 preamp feeding Apogee Rosetta 800.

bright color electric guitar position 2 pickup

Also in this recording Bad Cat Panther 1x12 Combo Amplifier (NOS - Superfine tuned) Chandler Limited TG2 Abbey Road SE Stereo Pre

Nash S-57 electric guitar (pickup position 2) played into Bad Cat Panther Combo (Channel 2, volume 12 o'clock, bass 10am, middle 12 o'clock, cut open, treble 12 o'clock boost on) mic'd with Peluso R14 microphone 1ft. off... Read more

Nash S-57 electric guitar (pickup position 2) played into Bad Cat Panther Combo (Channel 2, volume 12 o'clock, bass 10am, middle 12 o'clock, cut open, treble 12 o'clock boost on) mic'd with Peluso R14 microphone 1ft. off speaker into Chandler TG2 preamp feeding Apogee Rosetta 800.

dynamic licking electric guitar position 5 pickup

Also in this recording Bad Cat Panther 1x12 Combo Amplifier (NOS - Superfine tuned) Chandler Limited TG2 Abbey Road SE Stereo Pre

Nash S-57 electric guitar (pickup position 5) played into Bad Cat Panther Combo (Channel 1, volume 1pm, bass 12 o'clock, middle 12 o'clock, middle sweep 3rd setting, treble 2pm) mic'd with Peluso R14 microphone 1ft. off... Read more

Nash S-57 electric guitar (pickup position 5) played into Bad Cat Panther Combo (Channel 1, volume 1pm, bass 12 o'clock, middle 12 o'clock, middle sweep 3rd setting, treble 2pm) mic'd with Peluso R14 microphone 1ft. off speaker into Chandler TG2 preamp feeding Apogee Rosetta 800.

color bending electric guitar position 2 pickup

Also in this recording Bad Cat Panther 1x12 Combo Amplifier (NOS - Superfine tuned) Chandler Limited TG2 Abbey Road SE Stereo Pre

Nash S-57 electric guitar (pickup position 2) played into Bad Cat Panther Combo (Channel 1, volume 10am, bass 11am, middle 4pm, middle sweep lowest, treble 2 oclock) mic'd with Peluso R14 microphone 1ft. off speaker into... Read more

Nash S-57 electric guitar (pickup position 2) played into Bad Cat Panther Combo (Channel 1, volume 10am, bass 11am, middle 4pm, middle sweep lowest, treble 2 oclock) mic'd with Peluso R14 microphone 1ft. off speaker into Chandler TG2 preamp feeding Apogee Rosetta 800.

twangy electric guitar position 5 pickup

Also in this recording Bad Cat Panther 1x12 Combo Amplifier (NOS - Superfine tuned) Chandler Limited TG2 Abbey Road SE Stereo Pre

Nash S-57 electric guitar (pickup position 5) played into Bad Cat Panther Combo (Channel 2, volume 12 o'clock, bass 10am, middle 12 o'clock, cut open, treble 12 o'clock) mic'd with Peluso R14 microphone 1ft. off speaker... Read more

Nash S-57 electric guitar (pickup position 5) played into Bad Cat Panther Combo (Channel 2, volume 12 o'clock, bass 10am, middle 12 o'clock, cut open, treble 12 o'clock) mic'd with Peluso R14 microphone 1ft. off speaker into Chandler TG2 preamp feeding Apogee Rosetta 800.

swelling electric guitar position 2 pickup

Also in this recording Bad Cat Panther 1x12 Combo Amplifier (NOS - Superfine tuned) Chandler Limited TG2 Abbey Road SE Stereo Pre

Nash S-57 electric guitar (pickup position 2) played into Bad Cat Panther Combo (Channel 2, volume 3pm, bass 10am, middle 12 o'clock, cut open, treble 12 o'clock boost on) mic'd with Peluso R14 microphone 1ft. off speake... Read more

Nash S-57 electric guitar (pickup position 2) played into Bad Cat Panther Combo (Channel 2, volume 3pm, bass 10am, middle 12 o'clock, cut open, treble 12 o'clock boost on) mic'd with Peluso R14 microphone 1ft. off speaker into Chandler TG2 preamp feeding Apogee Rosetta 800.

tonal blues electric guitar position 4 pickup

Also in this recording Bad Cat Panther 1x12 Combo Amplifier (NOS - Superfine tuned) Chandler Limited TG2 Abbey Road SE Stereo Pre

Nash S-57 electric guitar (pickup position 4) played into Bad Cat Panther Combo (Channel 2, volume 12 o'clock, bass 10am, middle 12 o'clock, cut open, treble 12 o'clock boost on) mic'd with Peluso R14 microphone 1ft. off... Read more

Nash S-57 electric guitar (pickup position 4) played into Bad Cat Panther Combo (Channel 2, volume 12 o'clock, bass 10am, middle 12 o'clock, cut open, treble 12 o'clock boost on) mic'd with Peluso R14 microphone 1ft. off speaker into Chandler TG2 preamp feeding Apogee Rosetta 800.

variable twanging electric guitar position 4 down to 1 pickup

Also in this recording Bad Cat Panther 1x12 Combo Amplifier (NOS - Superfine tuned) Chandler Limited TG2 Abbey Road SE Stereo Pre

Nash S-57 electric guitar (pickup position moving 4,3,2,1) played into Bad Cat Panther Combo (Channel 2, volume 12 o'clock, bass 10am, middle 12 o'clock, cut open, treble 12 o'clock) mic'd with Peluso R14 microphone 1ft.... Read more

Nash S-57 electric guitar (pickup position moving 4,3,2,1) played into Bad Cat Panther Combo (Channel 2, volume 12 o'clock, bass 10am, middle 12 o'clock, cut open, treble 12 o'clock) mic'd with Peluso R14 microphone 1ft. off speaker into Chandler TG2 preamp feeding Apogee Rosetta 800.

clean Arpeggiated electric guitar neck pickup

Also in this recording Bad Cat Black Cat Guitar Amplifier Head Bad Cat 4x12 Speaker Cabinet Blk Os Heil PR-40 Microphone Millennia TD-1 Pre EQ DI Chameleon Labs 7602 MKII Mic Pre / EQ AEA R84 Ribbon Microphone A Designs Pacifica Stereo Preamp

James Tyler Studio Elite Retro electric guitar (neck pickup clean) played into Bad Cat Black Cat Head(triode channel, Volume 9am, Treble 12 oclock, Bass 12 oclock) into Bad Cat 4x12 Cabinet mic'd with Heil PR-40(close, p... Read more

James Tyler Studio Elite Retro electric guitar (neck pickup clean) played into Bad Cat Black Cat Head(triode channel, Volume 9am, Treble 12 oclock, Bass 12 oclock) into Bad Cat 4x12 Cabinet mic'd with Heil PR-40(close, panned center) into Millennia TD-1 preamp & Peluso 2247 LE(6 feet off, panned left) into Chameleon Labs 7602 MKII Preamp & AEA R84(1 foot off, panned right) into A Designs Pacifica preamp feeding Apogee Rosetta 800.

blues licking guitar neck pickup

Also in this recording Bad Cat Black Cat Guitar Amplifier Head Bad Cat 4x12 Speaker Cabinet Blk Os Heil PR-40 Microphone Millennia TD-1 Pre EQ DI Chameleon Labs 7602 MKII Mic Pre / EQ AEA R84 Ribbon Microphone A Designs Pacifica Stereo Preamp

James Tyler Studio Elite Retro electric guitar (neck pickup) played into Bad Cat Black Cat Head(triode channel, Volume 3pm, Treble 12 oclock, Bass 10am) into Bad Cat 4x12 Cabinet mic'd with Heil PR-40(close, panned cente... Read more

James Tyler Studio Elite Retro electric guitar (neck pickup) played into Bad Cat Black Cat Head(triode channel, Volume 3pm, Treble 12 oclock, Bass 10am) into Bad Cat 4x12 Cabinet mic'd with Heil PR-40(close, panned center) into Millennia TD-1 preamp & Peluso 2247 LE(6 feet off, panned left) into Chameleon Labs 7602 MKII Preamp & AEA R84(1 foot off, panned right) into A Designs Pacifica preamp feeding Apogee Rosetta 800.

From Peluso Microphones

The Peluso R 14 Ribbon Microphone is a passive ribbon microphone. Our R-14 employs a thin corrugated aluminum ribbon tensioned between two rare earth neodymium magnets. It uses the long-ribbon geometry of classic ribbon microphones of the 1930s. The R 14 sound is rich, warm, and silky smooth with generous low end, and is known to take EQ very nicely. The natural sound of the R 14 Ribbon Microphone is the perfect complement to the condensers in your microphone collection. 
Remember never blow into a ribbon microphone!
The microphone comes as a complete system including: R 14 Microphone in a Wood Box, and a Shock Mount.

Technical Data

Type
Ribbon-Velocity Studio Microphone
Operating Principle
Electrodynamic Pressure Gradient
Magnets
Rare Earth Neodymium
Frequency Range
30Hz/16KHz
Polar Pattern
Figure 8 (Bi-Directional)
Sensitivity
> -52 dBV re: 1v/pa
Impedance
200 ohms
SPL
149 dB
Equivalent Noise
0 dB(A)
Power Requirements
None required or recommended
Size
36mm x 176 mm
Weight
496g

Free 3-Year Warranty

Sound Pure stands behind our products. Free three-year warranty on this item. Coverage exclusions live in Terms & Conditions, Section 27.

Level of support and expertise that simply isn't available at big-box megastores. Read the warranty →

Returns

Not eligible for Try Before You Buy or the 48-hour approval period. Standard return policy applies — see Terms & Conditions, Section 18 for details.

You may also like

Browse Ribbon Mics →
Coles 4038 Factory Matched Pair Ribbon Microphones
Coles Electroacoustics Coles 4038 Factory Matched Pair Ribbon Microphones $2,995.00 Free shipping
Royer Labs R-122V Vacuum Tube Active Ribbon Mic - Demo
DEMO Royer Labs Royer Labs R-122V Vacuum Tube Active Ribbon Mic - Demo $2,995.00 Free shipping
Peluso P 28 Pencil Tube Microphone - Demo
DEMO Peluso Microphones Peluso P 28 Pencil Tube Microphone - Demo $1,195.00 Free shipping
Peluso P 28 Pencil Tube Microphone - Demo
DEMO Peluso Microphones Peluso P 28 Pencil Tube Microphone - Demo $1,195.00 Free shipping

Recommended accessories

Mogami Gold Studio Microphone Cable 25'
Mogami Mogami Gold Studio Microphone Cable 25' $119.95
K&M 25600 MICROPHONE STAND
K&M Stands K&M 25600 MICROPHONE STAND $190.99 Free shipping
K&M Pop Killer 23956 - Pop Filter
K&M Stands K&M Pop Killer 23956 - Pop Filter $39.99
Sound Pure Studios Control Room A — Durham, NC

Sound Pure Studios · Durham, NC

Come hear it in our control rooms.

Sound Pure is a working studio in Durham, NC — a 1,000 sq ft live room and two pro control rooms. Book a session to audition gear in a world-class acoustic space before you buy.

$699