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Millennia TD-1 Pre EQ DI

Twin Topology Class A Recording Channel

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Millennia TD-1 Pre EQ DI Current

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Millennia HV-3C Stereo Preamp View Millennia HV-3D 4 Channel Mic Preamp View Millennia HV-3D 8 Channel Mic Preamp View Millennia HV-3R Digital 8 Channel Mic Preamp View Millennia Origin STT-1 Channel Strip View

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Watch & listen

Millennia TD-1 DI Detail Demo and Review -- Part 2

Also in this recording Lynx Aurora 16 I/O D/A and A/D Converter Mojave Ampworks Scorpion Head Guitar Amplifier Peluso R14 Ribbon Microphone Heil PR-30 Microphone Peluso P-67 Switchable Pattern Tube Microphone Victoria Amps Victorilux 45W 2x12 Combo Amp

The Millennia TD1 Twin Topology (tube/solid state) DI/Preamp is explored in Part 2 of this 2-part series, as a DI (with alternate impedances), EQ, Tube and Solid State modes (for the mic pre and DI), Speaker Soak function, and is also used as a straight Microphone preamp (from the world-renowned HV3 series of Millennia mic preamps) in this in depth look of the rich features of this amazing little tonal device. The Millennia TD-1's sound quality, build quality, and overall feature-set make this device a truly world-class studio workhorse piece of equipment. Please don't hesitate to call us with any questions we can answer, or to order yours today. Sound Pure is available toll free 888.528.9703.

Millennia TD-1 DI Reamping Electric Guitars (Part 1)

Also in this recording Lynx Aurora 16 I/O D/A and A/D Converter Victoria Amps Victorilux 45W 2x12 Combo Amp Mojave Ampworks Scorpion Head Guitar Amplifier Peluso R14 Ribbon Microphone

The Millennia TD-1 DI is an extraordinary Preamp, Re-amping device, with EQ, tube or solid state signal paths, and speaker soak technology. In part 1 of this video series we focus on tracking some electric guitar signals direct, using the DI into ProTools, and later move the Recording Studios tracking room to record through a variety of electric guitar amps including the Victoria Victorilux, and the Mojave Scorpion. Millennia is known for its clean sounds and accuracy, but here we demonstrate its versatility and tonal flexibility. A truly amazing studio or stage device that will clearly meet the needs of the most demanding studio guitarist, producer, or recording engineer. The flexibility of a world-class re-amping device such as this is endless, and we show just the tip of the iceberg here. Call Sound Pure learn more about it toll free 888.528.9703, and be sure and check out for our other videos on the TD-1.

Tour of Types Vocal Mic Shootout: Shure SM7B vs AEA R44 CXE vs Manley Ref C vs Neumann U87Ai

Also in this recording Shure SM7B Large Diaphragm Dynamic Microphone AEA R44 CXE High Output Ribbon Microphone Manley Reference Cardioid Microphone Neumann U87Ai Microphone Millennia HV-3R Digital 8 Channel Mic Preamp

In this video, we put four different types of microphones up against each other on female vocals: the Shure SM7B (Dynamic Mic), the AEA R44 CXE (Ribbon Mic), the Manley Ref C (LDC Tube Mic), and the Neumann U87Ai (Solid State LDC Mic). Joining us for this shootout are Ayisa Adderley (vocals) and Caige Crampshee (guitar) from the band Eyes Eat Suns. Check them out at WWW.EYESEATSUNS.BAND.

87-Style Female Vocal Mic Shootout: Neumann U87Ai vs Warm Audio WA87 vs Peluso P87, Quick n' Dirty

Also in this recording Neumann U87Ai Microphone Neumann U87Ai Set Z Microphone Peluso P87 Multi-Pattern Solid State Microphone Warm Audio WA-87 Condenser Microphone Millennia HV-3R Digital 8 Channel Mic Preamp

In this video we present an 87-style microphone shootout on female vocals using the Warm Audio WA87, the Neumann U87Ai, and the Peluso P87. Can you tell which one's which? If you are interested in hearing the results and... Read more

Neumann TLM 170R MT Microphone Quick n' Dirty

Also in this recording Neumann TLM 170R MT Microphone Millennia HV-3R Digital 8 Channel Mic Preamp

In this video, Sound Pure pro audio specialist Travis Hall talks us through the Neumann TLM 170R MT Microphone, and plays some demo clips of this mic in action on male vocals.

87-Style Mic Shootout: Warm Audio WA87 vs Neumann U87Ai vs Peluso P87

Also in this recording Warm Audio WA-87 Condenser Microphone Peluso P87 Multi-Pattern Solid State Microphone Neumann U87Ai Microphone Millennia HV-3R Digital 8 Channel Mic Preamp

In this video we present an 87-style microphone shootout on acoustic guitar and vocals using the Warm Audio WA87, the Neumann U87Ai, and the Peluso P87. Can you tell which one's which? If you are interested in hearing the results and/or getting ahold of the audio files from this shootout, give us a shout, we'd love to hear from you!

251 Style Vocal Mic Shootout: Telefunken 251E v. Bock 251 v. Upton 251 v. Neumann M149

Also in this recording TELEFUNKEN Elektroakustik ELA M 251E Microphone Bock Audio 251 Tube Condenser Microphone Upton Microphones 251 Multi-Pattern LDC Tube Microphone Millennia HV-3R Digital 8 Channel Mic Preamp Serpent Audio Chimera 500-Series Opto Compressor Bricasti Design M7 Reverb Processor SoundToys EchoBoy - Delay Plug-in

In this video we present a 251 style vocal microphone shootout using the Telefunken 251E, the Bock 251, the Upton 251, and the Neumann M149. Can you tell which one's which? If you are interested in hearing the results an... Read more

LDC Kick Drum Mic Shootout: Neumann U47 FET vs Bock iFET vs Soyuz SU-019

Also in this recording Neumann U 47 FET Collectors Edition Bock Audio iFET Condenser Microphone Soyuz 017 FET Large Diaphragm Condenser Millennia HV-3R Digital 8 Channel Mic Preamp Shure Beta 181/C Ultra-Compact Side-Address Microphone AEA R88 MKII Stereo Ribbon Microphone Dunnett Classic 8x14 Magnesium Snare Drum Shure Beta 52A Kick Drum Microphone

In this video we present an LDC kick drum microphone shootout using the Neumann U47 FET, the Bock iFET and the Soyuz SU-019. Can you tell which one's which? If you are interested in hearing the results and/or getting aho... Read more

Millennia's STT-1 Origin Channel Strip Overiew Demonstration

Also in this recording Millennia Origin STT-1 Channel Strip

Millennia Media's STT-1 Origin contains their clean/transparent preamp, a four band parametric EQ, Compressor, De-esser, and both vacuum tube and solid state signal path options. It is also possible to link a pair of STT-1s in order to use them as a mix bus/stereo pair - great for mastering. This video provides an overview of the Origin, and covers all of the features. This is also the last video in our Millennia Media video series. Check out all of our other videos featuring Millennia's products.

Mastering with a Pair of Millennia STT-1 Origin Channel Strips - Demo Video

Also in this recording Millennia Origin STT-1 Channel Strip

The Millennia STT-1 Origin channel strip from Millennia Media is an all-in-one recording channel. It offers Class-A vacuum tube circuitry, Class A, discrete, J-FET solid state topology, as well as a colorful choice of transformer-coupled or transformerless audio paths. The Origin utilizes Millennia's fantastic NSEQ, TCL compressor, DI, HV-3 solid state mic pre, and de-esser. A pair of STT-1s can be linked in order to use them as a mix bus/stereo pair - perfect for mastering. In this video we use a pair of STT-1s to master an indie rock song by Peter Bergquist, a simple, four mic drum track, and a big band tune written by Tony Mazzella and performed by the UNC Jazz Band here at Sound Pure Studios. Listen to the differences between the before and after settings. If you are interested in the Millennia STT-1 Origin or any other recording gear, please don't hesitate to call or email us hear at Sound Pure.

Millennia NSEQ-2 STT-1 EQ Demo Video - Part 1

Also in this recording Millennia NSEQ-2 Stereo EQ Millennia Origin STT-1 Channel Strip Lynx Aurora 16 I/O D/A and A/D Converter Neumann TLM 102 MT Microphone Millennia HV-3R Digital 8 Channel Mic Preamp CharterOak SA538B Tube Microphone

The Millennia NSEQ2 shares the same sensation EQ as the STT1 Origin Mic Preamp channel strip. In this demonstration we take you through the tube and transformer coloration capabilities, as we engage and disengage these on a Jazz Grand Piano recording. We then demonstrate the capability of the EQ in a surgical fashion, by taking out some offending frequencies in a Baritone Sax. Give us a call to discuss either of these powerful products from Millennia media that we rely on in our professional work here at Sound Pure Studios. Call us anytime, anywhere in the world at 919.682.5552.

ProTools Mic Pre - Millennia HV-3R Remote Control Video Demo

Also in this recording Millennia HV-3R Digital 8 Channel Mic Preamp Lynx Aurora 16 I/O D/A and A/D Converter

The Millennia HV-3R Microphone Preamplifier is remotely controlled using the ProTools HD Mic Preamp integrated feature, included standard within Avid Digidesign ProTools. The preamp is demonstrated acoustically, and in the on-screen ProTools demo. This powerful capability enables the Millennia HV-3r a fabulous neutral and clean sounding preamp, which is able to bring out the subtleties of the instrument, room, and microphone, to be remotely controlled by any protocols workstation. The HV-3R is the same preamp design as the two-channel HV-3C and the four and eight channel HV-3D.

Recorded with this gear

Clean Electric Tremolo Guitar into Peluso P-67

Also in this recording Victoria Amps Victorilux 45W 2x12 Combo Amp Peluso P-67 Switchable Pattern Tube Microphone

The Tyler Studio Elite HD Copper Patina Schmear recorded through the Victorilux Amp by Victoria and into the Peluso P-67 switchable pattern tube microphone and into the Millenia TD-1 DI/Preamp. Recorded live at Sound Pur... Read more

volume cleanup electric guitar bridge pickup

Also in this recording Bad Cat Lynx Amplifier Head Bad Cat 4x12 Speaker Cabinet Blk Os Peluso 2247 LE Switchable Pattern Tube Microphone Chameleon Labs 7602 MKII Mic Pre / EQ AEA R84 Ribbon Microphone A Designs Pacifica Stereo Preamp Heil PR-40 Microphone

Tyler Ultimate Weapon electric guitar(bridge pickup) played into Bad Cat Lynx Head(channel 1, volume knob cleanup, gain 3pmm edge 3pm, tone 9am, ,mid 12pm, treble 12pm, mid boost open, presence 12pm, bass 12pm) into Bad Cat 4x12 Cabinet mic'd with Peluso 2247 LE(6 feet off, panned 30% right) into Chameleon Labs 7602 MKII Preamp & AEA R84(1 foot off, panned center) into A Designs Pacifica preamp & Heil PR-40(close, panned 30% left) into Millennia TD-1 feeding Apogee Rosetta 800.

walking up & down electric guitar neck pickup

Tyler Ultimate Weapon electric guitar(neck pickup) played into Bad Cat Lynx Head(channel 1, volume 9am, gain 11am edge 3pm, tone 9am, ,mid 12pm, treble 12pm, mid boost open, presence 12pm, bass 2pm) into Bad Cat 4x12 Cabinet mic'd with Peluso 2247 LE(6 feet off, panned 30% right) into Chameleon Labs 7602 MKII Preamp & AEA R84(1 foot off, panned center) into A Designs Pacifica preamp & Heil PR-40(close, panned 30% left) into Millennia TD-1 feeding Apogee Rosetta 800.

walking loud electric guitar bridge pickup

Tyler Ultimate Weapon electric guitar(neck pickup) played into Bad Cat Lynx Head(channel 1, volume pm, gain 11am edge 3pm, tone 9am, ,mid 12pm, treble 12pm, mid boost open, presence 12pm, bass 2pm) into Bad Cat 4x12 Cabinet mic'd with Peluso 2247 LE(6 feet off, panned 30% right) into Chameleon Labs 7602 MKII Preamp & AEA R84(1 foot off, panned center) into A Designs Pacifica preamp & Heil PR-40(close, panned 30% left) into Millennia TD-1 feeding Apogee Rosetta 800.

speed demon electric guitar bridge pickup

Tyler Ultimate Weapon electric guitar(bridge pickup) played into Bad Cat Lynx Head(channel 1, volume open, gain 3pmm edge 3pm, tone 9am, ,mid 12pm, treble 12pm, mid boost open, presence 12pm, bass 12pm) into Bad Cat 4x12 Cabinet mic'd with Peluso 2247 LE(6 feet off, panned 30% right) into Chameleon Labs 7602 MKII Preamp & AEA R84(1 foot off, panned center) into A Designs Pacifica preamp & Heil PR-40(close, panned 30% left) into Millennia TD-1 feeding Apogee Rosetta 800.

scream demon electric guitar bridge pickup

Tyler Ultimate Weapon electric guitar(bridge pickup) played into Bad Cat Lynx Head(channel 1, volume knob cleanup, gain 3pmm edge 3pm, tone 9am, ,mid 12pm, treble 3pm, mid boost open, presence 3pm, bass 12pm) into Bad Cat 4x12 Cabinet mic'd with Peluso 2247 LE(6 feet off, panned 30% right) into Chameleon Labs 7602 MKII Preamp & AEA R84(1 foot off, panned center) into A Designs Pacifica preamp & Heil PR-40(close, panned 30% left) into Millennia TD-1 feeding Apogee Rosetta 800.

walking electric guitar bridge pickup

Tyler Ultimate Weapon electric guitar(bridge pickup) played into Bad Cat Lynx Head(channel 1, volume 12am, gain 11am edge 3pm, tone 9am, ,mid 12pm, treble 3pm, mid boost off, presence 3pm) into Bad Cat 4x12 Cabinet mic'd with Peluso 2247 LE(6 feet off, panned 30% right) into Chameleon Labs 7602 MKII Preamp & AEA R84(1 foot off, panned center) into A Designs Pacifica preamp & Heil PR-40(close, panned 30% left) into Millennia TD-1 feeding Apogee Rosetta 800.

speeding demon electric guitar bridge pickup

cranky loud electric guitar bridge pickup

Tyler Ultimate Weapon electric guitar(bridge pickup) played into Bad Cat Lynx Head(channel 2, volume 12am, gain 11am edge 3pm, tone 9am, ,mid 12pm, treble 3pm, mid boost off, presence 3pm) into Bad Cat 4x12 Cabinet mic'd with Peluso 2247 LE(6 feet off, panned 30% right) into Chameleon Labs 7602 MKII Preamp & AEA R84(1 foot off, panned center) into A Designs Pacifica preamp & Heil PR-40(close, panned 30% left) into Millennia TD-1 feeding Apogee Rosetta 800.

speed demon electric guitar neck pickup

Tyler Ultimate Weapon electric guitar(neck pickup) played into Bad Cat Lynx Head(channel 1, volume knob cleanup, gain 3pmm edge 3pm, tone 9am, ,mid 12pm, treble 3pm, mid boost open, presence 3pm, bass 12pm) into Bad Cat 4x12 Cabinet mic'd with Peluso 2247 LE(6 feet off, panned 30% right) into Chameleon Labs 7602 MKII Preamp & AEA R84(1 foot off, panned center) into A Designs Pacifica preamp & Heil PR-40(close, panned 30% left) into Millennia TD-1 feeding Apogee Rosetta 800.

walking up & down electric guitar bridge pickup

Tyler Ultimate Weapon electric guitar(bridge pickup) played into Bad Cat Lynx Head(channel 1, volume 9am, gain 11am edge 3pm, tone 9am, ,mid 12pm, treble 12pm, mid boost open, presence 12pm, bass 2pm) into Bad Cat 4x12 Cabinet mic'd with Peluso 2247 LE(6 feet off, panned 30% right) into Chameleon Labs 7602 MKII Preamp & AEA R84(1 foot off, panned center) into A Designs Pacifica preamp & Heil PR-40(close, panned 30% left) into Millennia TD-1 feeding Apogee Rosetta 800.

cranky loud electric guitar neck pickup

Tyler Ultimate Weapon electric guitar(neck pickup) played into Bad Cat Lynx Head(channel 1, volume 12am, gain 11am edge 3pm, tone 9am, ,mid 12pm, treble 3pm, mid boost off, presence 3pm) into Bad Cat 4x12 Cabinet mic'd with Peluso 2247 LE(6 feet off, panned 30% right) into Chameleon Labs 7602 MKII Preamp & AEA R84(1 foot off, panned center) into A Designs Pacifica preamp & Heil PR-40(close, panned 30% left) into Millennia TD-1 feeding Apogee Rosetta 800.

clean Arpeggiated electric guitar neck pickup

Also in this recording Bad Cat Black Cat Guitar Amplifier Head Bad Cat 4x12 Speaker Cabinet Blk Os Heil PR-40 Microphone Peluso R14 Ribbon Microphone Chameleon Labs 7602 MKII Mic Pre / EQ AEA R84 Ribbon Microphone A Designs Pacifica Stereo Preamp

James Tyler Studio Elite Retro electric guitar (neck pickup clean) played into Bad Cat Black Cat Head(triode channel, Volume 9am, Treble 12 oclock, Bass 12 oclock) into Bad Cat 4x12 Cabinet mic'd with Heil PR-40(close, panned center) into Millennia TD-1 preamp & Peluso 2247 LE(6 feet off, panned left) into Chameleon Labs 7602 MKII Preamp & AEA R84(1 foot off, panned right) into A Designs Pacifica preamp feeding Apogee Rosetta 800.

blues licking guitar neck pickup

James Tyler Studio Elite Retro electric guitar (neck pickup) played into Bad Cat Black Cat Head(triode channel, Volume 3pm, Treble 12 oclock, Bass 10am) into Bad Cat 4x12 Cabinet mic'd with Heil PR-40(close, panned center) into Millennia TD-1 preamp & Peluso 2247 LE(6 feet off, panned left) into Chameleon Labs 7602 MKII Preamp & AEA R84(1 foot off, panned right) into A Designs Pacifica preamp feeding Apogee Rosetta 800.

ladyland electric guitar bridge pickup

James Tyler Studio Elite Retro electric guitar (bridge pickup) played into Bad Cat Black Cat Head(triode channel, Volume max, Treble 2pm, Bass 10am) into Bad Cat 4x12 Cabinet mic'd with Heil PR-40(close, panned center) into Millennia TD-1 preamp & Peluso 2247 LE(6 feet off, panned left) into Chameleon Labs 7602 MKII Preamp & AEA R84(1 foot off, panned right) into A Designs Pacifica preamp feeding Apogee Rosetta 800.

loud with an A electric guitar bridge pickup

James Tyler Studio Elite Retro electric guitar (bridge pickup) played into Bad Cat Black Cat Head(pentode channel, Volume 3pm, tone position 5, cut 9 am) into Bad Cat 4x12 Cabinet mic'd with Heil PR-40(close, panned center) into Millennia TD-1 preamp & Peluso 2247 LE(6 feet off, panned left) into Chameleon Labs 7602 MKII Preamp & AEA R84(1 foot off, panned right) into A Designs Pacifica preamp feeding Apogee Rosetta 800.

scaley electric guitar neck & bridge pickup

James Tyler Studio Elite Retro electric guitar (bridge pickup) played into Bad Cat Black Cat Head(triode channel, Volume noon, Treble 12 oclock, Bass 10am) into Bad Cat 4x12 Cabinet mic'd with Heil PR-40(close, panned center) into Millennia TD-1 preamp & Peluso 2247 LE(6 feet off, panned left) into Chameleon Labs 7602 MKII Preamp & AEA R84(1 foot off, panned right) into A Designs Pacifica preamp feeding Apogee Rosetta 800.

loud & crunchy electric guitar bridge pickup

James Tyler Studio Elite Retro electric guitar (bridge pickup) played into Bad Cat Black Cat Head(pentode channel, Volume open, tone position 4, cut open) into Bad Cat 4x12 Cabinet mic'd with Heil PR-40(close, panned center) into Millennia TD-1 preamp & Peluso 2247 LE(6 feet off, panned left) into Chameleon Labs 7602 MKII Preamp & AEA R84(1 foot off, panned right) into A Designs Pacifica preamp feeding Apogee Rosetta 800.

hot n' loud electric guitar neck pickup

James Tyler Studio Elite Retro electric guitar (neck pickup) played into Bad Cat Black Cat Head(triode channel, Volume max, Treble 2pm, Bass 10am) into Bad Cat 4x12 Cabinet mic'd with Heil PR-40(close, panned center) into Millennia TD-1 preamp & Peluso 2247 LE(6 feet off, panned left) into Chameleon Labs 7602 MKII Preamp & AEA R84(1 foot off, panned right) into A Designs Pacifica preamp feeding Apogee Rosetta 800.

loud and swell electric guitar bridge pickup

James Tyler Studio Elite Retro electric guitar (bridge pickup) played into Bad Cat Black Cat Head(pentode channel, Volume 3pm, tone position 5, cut 12 0'clock) into Bad Cat 4x12 Cabinet mic'd with Heil PR-40(close, panned center) into Millennia TD-1 preamp & Peluso 2247 LE(6 feet off, panned left) into Chameleon Labs 7602 MKII Preamp & AEA R84(1 foot off, panned right) into A Designs Pacifica preamp feeding Apogee Rosetta 800.

swelling electric guitar bridge pickup

James Tyler Studio Elite Retro electric guitar (bridge pickup) played into Bad Cat Black Cat Head(pentode channel, Volume 11am, tone position 1, cut 12 o'clock) into Bad Cat 4x12 Cabinet mic'd with Heil PR-40(close, panned center) into Millennia TD-1 preamp & Peluso 2247 LE(6 feet off, panned left) into Chameleon Labs 7602 MKII Preamp & AEA R84(1 foot off, panned right) into A Designs Pacifica preamp feeding Apogee Rosetta 800.

bright bluesy electric guitar neck pickup

hot n' short electric guitar bridge pickup

loud Arpeggiated electric guitar neck pickup

hot n' fast electric guitar neck & bridge pickup

James Tyler Studio Elite Retro electric guitar (bridge/middle pickup) played into Bad Cat Black Cat Head(triode channel, Volume 3pm, Treble 12 oclock, Bass 10am) into Bad Cat 4x12 Cabinet mic'd with Heil PR-40(close, panned center) into Millennia TD-1 preamp & Peluso 2247 LE(6 feet off, panned left) into Chameleon Labs 7602 MKII Preamp & AEA R84(1 foot off, panned right) into A Designs Pacifica preamp feeding Apogee Rosetta 800.

hot leading electric guitar bridge pickup

James Tyler Studio Elite Retro electric guitar (bridge pickup) played into Bad Cat Black Cat Head(triode channel, Volume 3pm, Treble 12 oclock, Bass 10am) into Bad Cat 4x12 Cabinet mic'd with Heil PR-40(close, panned center) into Millennia TD-1 preamp & Peluso 2247 LE(6 feet off, panned left) into Chameleon Labs 7602 MKII Preamp & AEA R84(1 foot off, panned right) into A Designs Pacifica preamp feeding Apogee Rosetta 800.

country with a g electric guitar neck pickup

James Tyler Studio Elite Retro electric guitar (neck pickup) played into Bad Cat Black Cat Head(pentode channel, Volume 9am, tone position 1, cut 12 o'clock) into Bad Cat 4x12 Cabinet mic'd with Heil PR-40(close, panned center) into Millennia TD-1 preamp & Peluso 2247 LE(6 feet off, panned left) into Chameleon Labs 7602 MKII Preamp & AEA R84(1 foot off, panned right) into A Designs Pacifica preamp feeding Apogee Rosetta 800.

arpeggiated booster electric guitar bridge pickup

Also in this recording Sennheiser MD 421 II Cardioid Dynamic Microphone Peluso 2247 LE Switchable Pattern Tube Microphone Chameleon Labs 7602 MKII Mic Pre / EQ AEA R84 Ribbon Microphone A Designs Pacifica Stereo Preamp

McNaught Vintage Single Cut electric guitar (neck pickup, boost gain to noon) played into Bad Cat Alley Cat Combo mic'd with Sennheiser MD 421 II(close, panned center) into Millennia TD-1 preamp & Peluso 2247 LE(5 feet off, panned right) into Chameleon Labs 7602 MKII Preamp & AEA R84(1 feet off, panned left) into A Designs Pacifica Preamp feeding Apogee Rosetta 800.

gaining electric guitar bridge pickup

McNaught Vintage Single Cut electric guitar (bridge pickup, gain 10) played into Bad Cat Alley Cat Combo mic'd with Sennheiser MD 421 II(close, panned center) into Millennia TD-1 preamp & Peluso 2247 LE(5 feet off, panned right) into Chameleon Labs 7602 MKII Preamp & AEA R84(1 feet off, panned left) into A Designs Pacifica Preamp feeding Apogee Rosetta 800.

rev gaining electric guitar bridge pickup

McNaught Vintage Single Cut electric guitar (bridge pickup, clean to boosted gain at 3pm) played into Bad Cat Alley Cat Combo mic'd with Sennheiser MD 421 II(close, panned center) into Millennia TD-1 preamp & Peluso 2247 LE(5 feet off, panned right) into Chameleon Labs 7602 MKII Preamp & AEA R84(1 feet off, panned left) into A Designs Pacifica Preamp feeding Apogee Rosetta 800.

From Millennia Media

Multiple Paths, One Goal: Total Sonic Realism

· Four distinct inputs can be optimized for any source

· Instruments – Twin Topology® DI channel; dual-triode 12AT7 vacuum tube or discrete FET solid state

· Microphones – discrete solid state HV-3 microphone preamplifier

· DAW or tape outputs – Discrete solid state line level amplifier

· Guitar power amp inputs – Speaker Soak™ technology

· Powerful yet musical tonal shading

· Two bands of mastering-grade NSEQ-2 parametric Eq; 20 Hz to 20 kHz center frequency, 0.4 to 4.0 Q

· Optimized DI input for any instrument with variable 470 k / 2 M / 10 M impedance

· Nine outputs for unlimited functionality

· Patented Re-Amp outputs with custom-designed magnetics emulate Les Paul® and Strat® pickups

· Audiophile headphone output

· Balanced and unbalanced monolithic outputs

· Balanced and unbalanced discrete FET outputs

· Microphone level output with large-geometry DIT-01 transformer: -3 dB 3 Hz – 300 kHz

· Effortlessly musical performance at all dynamic levels

· Input headroom >100 V, output headroom > 30 V

· 100% effective hum removal with numerous ground lifts & isolations

· Built for critical professional applications

· Ultra-clean toroid power supply: internal sub-chassis

· Gold connectors, OFC audio wiring, silver Teflon power wiring

Preamplifiers and General
Instrument / DI Input Amplifier Twin Topology®	TUBE: Selected twin triode vacuum tube amplifier (200 V) SOLID STATE: Selected all discrete J-FET amplifier (50 V)
THD + Noise
20 Hz - 30 kHz (35 dB Gain)	0.0005% typical mic / line, 0.03% typical vacuum tube
Intermodulation Distortion	0.0009% typical mic / line, 0.03% typical vacuum tube
Frequency Response at -3 dB points	3 Hz to 300 kHz, typical. Varies with routing & topology
Maximum Balanced Line Input Level	+23 dBu (+43 dBu with Pad engaged or >110 Volts rms)
Maximum DI Input Level (Both Tube & SS)	+18 dBu (+26 dBu with Pad engaged or >15 Volts rms)
Maximum Output Level	+32 dBu active balanced outputs, +26 dBu unbal outputs
Maximum System Gain	45 dB standard (65 dB with optional HV-3 mic preamp)
Input Impedance (DI)	Switchable: 470 kilohms / 2 megohms / 10 megohms
Noise (Mic) (60 dB gain)	-128 dB EIN, 150 ohm source, -130 dB EIN common source
Noise (Line) (10 dB gain)	-105 dBu
Noise (DI) (10 dB gain)	-90 dBu (solid state)
Phase Error (EQ out)	Less than +/- 5 degrees 50 Hz to 20 kHz
Parametric Equalizer
Maximum Boost and Cut	+/– 15 dB (21 step detent
“Q” Range	Q+ 0.4 to 4.0 sweepable
Low Freq sweep	Switch In: Pure Class-A Discrete J-FETs
Hi Freq sweep	Switch Out: Pure Class-A Triode Tubes
Power Consumption	35 watts maximum
Power Requirements	Selectable: 100-120, 200-240 V ac, 50/60 Hz
Dimensions/Shipping Weight	8.5” W x 3.5” H x 13.0” D, 20 lbs.

Manuals & documents

Free 3-Year Warranty

Sound Pure stands behind our products. Free three-year warranty on this item. Coverage exclusions live in Terms & Conditions, Section 27.

Level of support and expertise that simply isn't available at big-box megastores. Read the warranty →

Returns

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Sound Pure Studios Control Room A — Durham, NC

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