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Also in this recording AEA RPQ2 Stereo Mic Preamp Carr Amplifiers Rambler 28W 1x12 Combo Amp - Black Comins GCS-1 Autumn Burst Semi-Hollow Electric #112164
In this video, Sound Pure Pro Audio specialist David Barrett discusses the AEA R92 Ribbon Microphone and we hear a sample of this mic in action on electric guitar.
Also in this recording AEA R84 Ribbon Microphone Lynx Aurora 16 I/O D/A and A/D Converter API Audio 3124+ 4-Channel Microphone Preamp
An AEA R84 pair and an R92 were used by SoundPure's Jason Richmond to record an isolated Leslie speaker box during this jazz trio session. Equally spacing the R84's on either side of the Leslie and placing the R92 at its bottom, Jason was able to fully capture Mark Wells' fantastic performance on the Hammond Organ. Guitarist Jared Wofford and drummer Devin Fuller join to complete the sound. The AEA ribbon mics were run through an API 3124 preamplifier and converted with the Lynx Aurora AD converter. If you want to learn more about the gear used in this session, or if you have any questions concerning the techniques used, don't hesitate to call the recording engineers here at Sound Pure Studios. 919.682.5552. or 888.528.9703.
Also in this recording Suhr Custom Modern Aqua Blue Burst Electric #JS3K8H Strymon Timeline - Multimensional Delay & Looper Pedal Shure KSM313/NE Dual-Voice Ribbon Mic with Roswellite Ribbon
In this video, Sound Pure electric guitar specialist Frank Hamilton tests out the Suhr Custom Modern Aqua Blue Burst Electric #JS3K8H with 2 Mesa JP-2C LE Limited Edition Model Heads, 2 Mesa Boogie Compact Widebody Closed-Back 1x12 Cabinets, a Shure KSM313/NE Dual-Voice Ribbon Mic with Roswellite Ribbon (channel 1), an AEA R92 Ribbon Microphone (channel 2), and a Strymon Timeline Multiimensional Delay & Looper Pedal.
Also in this recording Avalon M5 Single Channel Solid State Mic Preamp Comins GCS-1 Autumn Burst Semi-Hollow Electric #112164 Carr Amplifiers Rambler 28W 1x12 Combo Amp - Black
In this video, Sound Pure Pro Audio Specialist Travis Hall runs us through the Avalon M5, and we hear a clip of this preamp in action on acoustic guitar.
Also in this recording Suhr Custom Classic Figured Koa 2-Tone Burst HSS #JS3H9F Shure KSM313/NE Dual-Voice Ribbon Mic with Roswellite Ribbon Strymon Timeline - Multimensional Delay & Looper Pedal
In this video, Sound Pure guitar specialist Frank Hamilton tests out the Suhr Custom Classic Figured Koa 2-Tone Burst HSS #JS3H9FN with 2 Mesa JP-2C LE Limited Edition Model Heads, 2 Mesa Boogie Compact Widebody Closed-Back 1x12 Cabinets, a Shure KSM313/NE Dual-Voice Ribbon Mic with Roswellite Ribbon (channel 1), an AEA R92 Ribbon Microphone (channel 2), and a Strymon Timeline Multiimensional Delay & Looper Pedal.
Also in this recording Anderson Guardian Angel Satin Trans Black Burst #05-27-17A Strymon Timeline - Multimensional Delay & Looper Pedal Shure KSM313/NE Dual-Voice Ribbon Mic with Roswellite Ribbon
In this video, Sound Pure guitar specialist Frank Hamilton tests out the Anderson Pro Am Black & White Bowling Ball HSS #05-15-17N with 2 Mesa JP-2C LE Limited Edition Model Heads, 2 Mesa Boogie Compact Widebody Closed-Back 1x12 Cabinets, a Shure KSM313/NE Dual-Voice Ribbon Mic with Roswellite Ribbon (channel 1), an AEA R92 Ribbon Microphone (channel 2), and a Strymon Timeline Multiimensional Delay & Looper Pedal.
Also in this recording Ernie Ball Music Man Majesty Siberian Sapphire Electric Strymon Timeline - Multimensional Delay & Looper Pedal Shure KSM313/NE Dual-Voice Ribbon Mic with Roswellite Ribbon
In this video, Sound Pure guitar specialist Frank Hamilton tests out the Ernie Ball Music Man John Petrucci Majesty Siberian Sapphire Electric (SIGNED by John Petrucci!) with 2 Mesa JP-2C LE Limited Edition Model Heads, 2 Mesa Boogie Compact Widebody Closed-Back 1x12 Cabinets, a Shure KSM313/NE Dual-Voice Ribbon Mic with Roswellite Ribbon (channel 1), an AEA R92 Ribbon Microphone (channel 2), and a Strymon Timeline Multiimensional Delay & Looper Pedal.
Also in this recording Great River Electronics MP-2NV Stereo Preamp Great River Electronics MAQ-2NV Mastering EQ ADL 670 Stereo Compressor / Limiter Lynx Aurora 16 I/O D/A and A/D Converter
This Collings CL Deluxe LP style Electric Guitar is a real gem. It is built from the finest Honduran Mahogany body, a heavily quilted Maple top, and a gorgeous Cherry Sunburst. The fretboard is crafted from extremely rare Brazilian Rosewood! For more specs, photos, reviews and more, check out Sound Pure's website or call one of our guitar experts. 919.682.5552. or888.528.9703. Thanks to Eddie for ripping it up on the Carr "The Bloke" amp. Killer! Gear Used: Collings City Limits DLX electric guitar, Vovox Sonorus Instrument Cable, Carr Amplifiers The Bloke 1x12 combo amp, AEA R92 ribbon mic, Great River MP2NV preamp, Great River MAQNV EQ, ADL 670 Compressor, Lynx Aurora AD Converter
Also in this recording Victoria Amps Ivy League 14W 1x12 Combo Amp Vintech Audio X73i Pre/EQ Lynx Aurora 16 I/O D/A and A/D Converter Royer Labs R-121 Ribbon Microphone Xotic Effects USA BB Preamp V1.5 Distortion Effect Pedal
The Ivy League amplifier from Victoria Amps is built with the Fender's classic 5F10 Harvard circuitry, complete with three inputs, a 10"x10" speaker, and a sound that is bigger than one would expect from the extremely portable 16.5"x20"x9.5", 14 watt combo amp. In short, this is a perfect replica of Fender's Harvard style amplifiers. Performing wonderfully with both clean tones and thundering overdrive, the Ivy League is perhaps at its best with the classic Memphis guitar sound. Check out this video for a variety of performances with the amp. If you want that great vintage sound with modern reliability, check out the Ivy League today. Call our Guitar experts at 919.682.5552. or 888.528.9703.
Also in this recording Collings 290 DC S Vintage White Electric Guitar #11081 Victoria Amps Ivy League 14W 1x12 Combo Amp Lynx Aurora 16 I/O D/A and A/D Converter Vintech Audio X73i Pre/EQ
The 290 Electric Guitars from Collings are here at SoundPure with single and double cutaways, as well as finishes from Vintage White, TV Yellow, Crimson Red, and even Doghair. The 290s from Collings have fantastic fit and finish, and killer tones. Thanks to guitarist Scott Sawyer for his playing. Call Sound Pure's guitar boutique today to learn about the different finishes, pickups, and appointments on Collings' 290 guitars. 919.682.555. or 888.528.9703.
Also in this recording McInturff Carolina Standard Lemon Burst Electric Guitar Mojave Ampworks Coyote 2x12 Guitar Combo Amplifier Heil PR-30 Microphone Lynx Aurora 16 I/O D/A and A/D Converter
Guitar Player Magazine calls the Fulltone Effects GT-500 Pedals " ...the most musical 2 in 1 distortion box..." With a F.E.T Hi-Gain Distortion and Overdrive Booster that can be set to go in either order via the "series switch" in the middle, this box is more than a simple 2-in-1. Played by Chris Boerner on a Stevenson Pop Classic Custom Future, through a Mojave Coyote Head into a Mojave 2x12 Cabinet. For more info check out www.soundpure.com ...
Also in this recording Fulltone Fat-Boost FB2 Pedal Melancon Pro Artist Aqua sn 1433 Electric Guitar Victoria Electro King 15W 1x12 Combo Amp Heil PR-30 Microphone Lynx Aurora 16 I/O D/A and A/D Converter
Fulltone's Fat Boost is a Discrete, Class-A, FET (Field-Effect-Transistor), offering Gain that's as transparent as you want it to be. Give a listen or read more at www.soundpure.com ...
Recorded with this gear
Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ A Designs Pacifica Stereo Preamp
Nash S-57 electric guitar (position 5) played into Fargen Blackbird 20W(volume 9am, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.
Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ A Designs Pacifica Stereo Preamp
Nash S-57 electric guitar (position 4) played into Fargen Blackbird 20W(volume 12pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.
Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ A Designs Pacifica Stereo Preamp
Nash S-57 electric guitar (position 2) played into Fargen Blackbird 20W(volume max, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.
Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ A Designs Pacifica Stereo Preamp
Nash S-57 electric guitar (position 5) played into Fargen Blackbird 20W(volume 12pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.
Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ A Designs Pacifica Stereo Preamp
Nash S-57 electric guitar (position 1) played into Fargen Blackbird 20W(volume max, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.
Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ A Designs Pacifica Stereo Preamp
Nash S-57 electric guitar (position 5 & 4) played into Fargen Blackbird 20W(volume max, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.
Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ A Designs Pacifica Stereo Preamp
Nash S-57 electric guitar (position 4) played into Fargen Blackbird 20W(volume 3pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.
Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ A Designs Pacifica Stereo Preamp
Nash S-57 electric guitar (position 4) played into Fargen Blackbird 20W(volume 9am, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.
Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ A Designs Pacifica Stereo Preamp
Nash S-57 electric guitar (position 2) played into Fargen Blackbird 20W(volume 3pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.
Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ A Designs Pacifica Stereo Preamp
Nash S-57 electric guitar (position 2) played into Fargen Blackbird 20W(volume 12pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.
Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ A Designs Pacifica Stereo Preamp
Nash S-57 electric guitar (position 3) played into Fargen Blackbird 20W(volume 3pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.
Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ A Designs Pacifica Stereo Preamp
Nash S-57 electric guitar (position 3) played into Fargen Blackbird 20W(volume 12pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.
Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ A Designs Pacifica Stereo Preamp
Nash S-57 electric guitar (position 3) played into Fargen Blackbird 20W(volume max, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.
Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ A Designs Pacifica Stereo Preamp
Nash S-57 electric guitar (position 5) played into Fargen Blackbird 20W(volume 3pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.
Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ A Designs Pacifica Stereo Preamp
Nash S-57 electric guitar (position 2) played into Fargen Blackbird 20W(volume 9am, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.
Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ A Designs Pacifica Stereo Preamp
Nash S-57 electric guitar (position 1) played into Fargen Blackbird 20W(volume 3pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.
Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ A Designs Pacifica Stereo Preamp
Nash S-57 electric guitar (position 1) played into Fargen Blackbird 20W(volume 12pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.
Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo A Designs Pacifica Stereo Preamp
Nash S-57 electric guitar (position 5 pickup) played into Fargen Blackbird 20W(volume 9am, reverb 11am, treble 12pm, mid 3pm, bass 1pm) mic'd with AEA R92 (6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.
Also in this recording Trussart Steelcaster Deluxe sn 06207 SOLD!!! Mojave Ampworks Scorpion Head Guitar Amplifier Mojave Ampworks 2x12 Guitar Speaker Cabinet Ceramic Vintech Audio X73i Pre/EQ
Trussart Steelcaster Deluxe electric guitar played into Mojave Ampworks Sidewinder Head(tone 10, bass volume 5, treble volume 8 mid off) to Mojave Ampworks 2x12 Cabinet Ceramic mic'd with AEA R92 into Vintech-Audio X73i preamp feeding Apogee Rosetta 800.
Also in this recording Zion Fifty Electric Guitar Mojave Ampworks PLexi 45 2X12 Guitar Combo Amplifier Heil PR-40 Microphone Vintech Audio X73i Pre/EQ
Zion 50 electric guitar (neck & bridge pickup) played into Mojave Plexi 45 2X12 ceramic combo(presence 4 bass 2, mid 8, treble 5, tone volume 2) & mic'd with Heil PR-40 into Vintech X73i & AEA R92 into A Designs EM RED preamp feeding Apogee Rosetta 800.
Also in this recording Zion Fifty Electric Guitar Mojave Ampworks PLexi 45 2X12 Guitar Combo Amplifier Heil PR-40 Microphone Vintech Audio X73i Pre/EQ
Zion 50 electric guitar (bridge pickup) played into Mojave Plexi 45 2X12 ceramic combo(presence 6 bass 2, mid 10, treble 6, tone volume 5) & mic'd with Heil PR-40 into Vintech X73i & AEA R92 into A Designs EM RED preamp feeding Apogee Rosetta 800.
Also in this recording Zion Fifty Electric Guitar Mojave Ampworks PLexi 45 2X12 Guitar Combo Amplifier Heil PR-40 Microphone Vintech Audio X73i Pre/EQ
Zion 50 electric guitar (neck & bridge pickup) played into Mojave Plexi 45 2X12 ceramic combo(presence 6 bass 2, mid 10, treble 6, tone volume 5) & mic'd with Heil PR-40 into Vintech X73i & AEA R92 into A Designs EM RED preamp feeding Apogee Rosetta 800.
Also in this recording Zion Fifty Electric Guitar Mojave Ampworks PLexi 45 2X12 Guitar Combo Amplifier Heil PR-40 Microphone Vintech Audio X73i Pre/EQ
Zion 50 electric guitar (bridge pickup) played into Mojave Plexi 45 2X12 ceramic combo(presence 4 bass 2, mid 8, treble 5, tone volume 2) & mic'd with Heil PR-40 into Vintech X73i & AEA R92 into A Designs EM RED preamp feeding Apogee Rosetta 800.
Also in this recording Zion Fifty Electric Guitar Mojave Ampworks PLexi 45 2X12 Guitar Combo Amplifier Heil PR-40 Microphone Vintech Audio X73i Pre/EQ
Zion 50 electric guitar (neck pickup) played into Mojave Plexi 45 2X12 ceramic combo(presence 4 bass 2, mid 8, treble 5, tone volume 2) & mic'd with Heil PR-40 into Vintech X73i & AEA R92 into A Designs EM RED preamp feeding Apogee Rosetta 800.
Also in this recording Trussart Steelcaster Deluxe sn 06207 SOLD!!! Mojave Ampworks Scorpion Head Guitar Amplifier Mojave Ampworks 2x12 Guitar Speaker Cabinet Ceramic Vintech Audio X73i Pre/EQ Heil PR-40 Microphone A Designs Pacifica Stereo Preamp
Trussart Steelcaster Deluxe electric guitar played into Mojave Ampworks Sidewinder Head(tone 8, bass volume 4, treble volume 8 mid on, High sensitivity on) to Mojave Ampworks 2x12 Cabinet Ceramic mic'd with AEA R92 into Vintech-Audio X73i preamp & mic'd with Heil PR 40 into A Designs Pacifica preamp & mic'd with Neumann U87ai into A Designs Red preamp feeding Apogee Rosetta 800.
Also in this recording Trussart Steelcaster Deluxe sn 06207 SOLD!!! Mojave Ampworks Scorpion Head Guitar Amplifier Mojave Ampworks 2x12 Guitar Speaker Cabinet Ceramic Vintech Audio X73i Pre/EQ Heil PR-40 Microphone A Designs Pacifica Stereo Preamp
Trussart Steelcaster Deluxe electric guitar played into Mojave Ampworks Sidewinder Head(tone 10, bass volume 5, treble volume 8 mid off) to Mojave Ampworks 2x12 Cabinet Ceramic mic'd with AEA R92 into Vintech-Audio X73i preamp & mic'd with Heil PR 40 into A Designs Pacifica preamp & mic'd with Neumann U87ai into A Designs Red preamp feeding Apogee Rosetta 800.
Also in this recording Bad Cat Cub II 2x10 Grn/Crm Guitar Amplifier Combo Heil PR-40 Microphone Chandler Limited TG2 Abbey Road SE Stereo Pre A Designs Pacifica Stereo Preamp
Duesenberg Carl Carlton 2-Tone Sunburst (neck pickup) played into Bad Cat Cub II(volume noon, tone 5) mic'd with Heil PR-40( close on the back of amp, panned 50%,right) into Chandler TG2 Preamp & Neumann U87ai(5 feet off, panned 50%, left) into A Designs Gold Mic Preamp & AEA R92 Mic (6 inches off, panned center) into A Designs Pacifica feeding Apogee Rosetta 800.
Also in this recording Bad Cat Cub II 2x10 Grn/Crm Guitar Amplifier Combo Heil PR-40 Microphone Chandler Limited TG2 Abbey Road SE Stereo Pre A Designs Pacifica Stereo Preamp
Duesenberg Carl Carlton 2-Tone Sunburst (neck pickup) played into Bad Cat Cub II(volume noon, tone 3) mic'd with Heil PR-40( close on the back of amp, panned 50%,right) into Chandler TG2 Preamp & Neumann U87ai(5 feet off, panned 50%, left) into A Designs Gold Mic Preamp & AEA R92 Mic (6 inches off, panned center) into A Designs Pacifica feeding Apogee Rosetta 800.
Also in this recording Bad Cat Cub II 2x10 Grn/Crm Guitar Amplifier Combo Heil PR-40 Microphone Chandler Limited TG2 Abbey Road SE Stereo Pre A Designs Pacifica Stereo Preamp
Duesenberg Carl Carlton 2-Tone Sunburst (bridge pickup) played into Bad Cat Cub II(volume noon, tone 3) mic'd with Heil PR-40( close on the back of amp, panned 50%,right) into Chandler TG2 Preamp & Neumann U87ai(5 feet off, panned 50%, left) into A Designs Gold Mic Preamp & AEA R92 Mic (6 inches off, panned center) into A Designs Pacifica feeding Apogee Rosetta 800.
Also in this recording Bad Cat Cub II 2x10 Grn/Crm Guitar Amplifier Combo Heil PR-40 Microphone Chandler Limited TG2 Abbey Road SE Stereo Pre A Designs Pacifica Stereo Preamp
Duesenberg Carl Carlton 2-Tone Sunburst (neck pickup) played into Bad Cat Cub II(volume noon, tone 2) mic'd with Heil PR-40( close on the back of amp, panned 50%,right) into Chandler TG2 Preamp & Neumann U87ai(5 feet off, panned 50%, left) into A Designs Gold Mic Preamp & AEA R92 Mic (6 inches off, panned center) into A Designs Pacifica feeding Apogee Rosetta 800.
From AEA
In the past few years AEA's acclaimed R84 Ribbon Microphone has become a new studio standard. Now AEA has once again expanded the sonic possibilities of ribbon mics with the R92 Ribbon Microphone. Reduced proximity bass boost and excellent wind blast protection make it suitable for close micing (6-12 inches) of guitar amps, vocals, percussion, etc. In addition, the smooth high frequency response of the R88 transducer has been further extended in the R92, making the R92 a unique voice in the world of ribbon mics.
AEA has designed the R92 to have slightly different tones on the front and rear pickup lobes of the microphone. The front lobe of the R92 is the "crisp" side, offering exceptionally clean and realistic high end detail. The rear lobe is the "smooth" side, which has a bit of classic ribbon high end rolloff that can help to handle harsh transients in a very refined and flattering way. Just like its bigger brothers in AEA's LRGTM microphone series, the bass reproduction of the R92 is very solid and extended to the lowest audible bass frequencies.
The R92 is designed with an integral elastic shock mount, featuring a unique mounting system that allows excellent flexibility of mic positioning. The mic ships with a two meter cable and a durable plastic carrying case.
AEA's Matt Ashman comments about the R92: 'We designed it to have a very full range sound, and to capture it all with a minimum of resonance artifacts for the ultimate in realism. It's perfect for getting FAT guitar sounds with a present and clean high end."
Includes durable plastic case with foam interior
Operating manual for proper care and usage.
Sound Pure stands behind our products. Free three-year warranty on this item. Coverage exclusions live in Terms & Conditions, Section 27.
Level of support and expertise that simply isn't available at big-box megastores. Read the warranty →
Not eligible for Try Before You Buy or the 48-hour approval period. Standard return policy applies — see Terms & Conditions, Section 18 for details.
Sound Pure Studios · Durham, NC
Sound Pure is a working studio in Durham, NC — a 1,000 sq ft live room and two pro control rooms. Book a session to audition gear in a world-class acoustic space before you buy.
