In this video we present a 251 style vocal microphone shootout using the Telefunken 251E, the Bock 251, the Upton 251, and the Neumann M149. Can you tell which one's which? If you are interested in hearing the results and/or getting ahold of the audio files from this shootout, give us a shout, we'd love to hear from you!

In this video we present a budget friendly FET vocal microphone shootout using the Lauten LA-220, the Studio Projects C1, the Miktek C1, and the Avantone CK-7. Can you tell which one's which? If you are interested in hearing the results and/or getting ahold of the audio files from this shootout, give us a shout, we'd love to hear from you!  

In this video we present an LDC vocal microphone shootout using the Neumann U87Ai, the Neumann U47 FET, the Bock iFET and the Soyuz SU-019. Can you tell which one's which? If you are interested in hearing the results and/or getting ahold of the audio files from this shootout, give us a shout, we'd love to hear from you!

Bricasti Design's M7 reverb processor is put to work on some electric guitar recordings in this reverb demo video. The M7 has proven to be a versatile, easy-to-use reverb processor. It comes with standard presets that create natural sounding reverbs in any situation. There is no other reverb processor that maintains the the amount of detail in your recording as the M7. If you would like to add this amazing piece of equipment to your studio, give us a call here at Sound Pure 888.528.9703 and one we would be happy to assist you with your pro audio needs.

The Bricasti M7 is a fantastic reverb processor from Bricasti Design that can be used on anything from acoustic guitars, sax, vocals, piano, and more. The M7 comes with easy to presets that sound astonishingly natural from the start. In this video, we demonstrate presets of halls, studios, stages, plates, chambers, and other rooms through the use of the M10 remote. This reverb processor should be in every studio. Call us today at Sound Pure 888.528.9703 for more information about the Bricasti M7.

The Bricasti M7 Reverb Processor is demonstrated here on a Steinway Grand Piano. In this video, we continue to show how amazing reverbs can be achieved through presets of halls, studios, stages, plates, and chambers on the V1. Studios across the world have discovered the incredible capabilities of the M7. It can add natural sounding reverbs and will maintain the clarity of your recordings. If you are interested in adding the M7 from Bricasti Design to your studio, give us a call at 888.528.9703. We can help you with any questions you may have.

Reverb processing with the Bricasti M7 on sax. We continue to explore the presets on the M7 going through different rooms, studios, halls, and stages - both V1 and V2 presets. Amazing reverbs can be achieved out of the box using the Bricasti Design's amazing reverb processor. Engineers everywhere are astounded at the clarity of the M7 and how it preserves the harmonic content and detail while sounding completely natural. Watch our other M7 processing demos as well as our discussion videos. If you have any questions about the Bricasti M7, don't hesitate to contact us at Sound Pure. 888.528.9703

Bricasti M7 Reverb used to process vocals. They listen to some vocal tracks and demonstrate how amazing reverbs can be acheived easily through the use of several presets on the Bricasti M7. V1 and V2 presets are demonstrated on tracks of singer/songwriter Cassie Taylor and Matt Douglass. The M7 has proven to be the go-to reverb processor of engineers all over the world. The results are astonishing. All of the detail and harmonic content is preserved while added natural reverbs to your track. Check out our series of discussion videos as well as processing videos on the Bricasti M7. If you have any questions about the Bricasti, please give us a call and we would be happy to answer any questions. Call toll free 888-528-9703.

Sound Pure discusses the development and capabilities of the M7 with lead Bricasti Design's lead designer Casey Dowdell. The third video of our four part interview touches on the natural sounding presets available on the M7, as well as the continued story about the inception of the M7. There is simply no other reverb on any platform in the world that can compare with the realistic sounding spaces created by the Bricasti M7. World-renowned engineers have turned to this amazing processor. It deals with early reflection problems, phase related issues, and muddiness like no other reverb unit on the market. Check out our other videos discussing the brand new V2. Sound Pure Studios uses the Bricasti M7 Reverb daily in their own high-end recording facility, and would be glad to help determine if the Bricasti is a good choice for you. Feel free to give us a call at Sound Pure, toll free 888-528-9703.

Casey Dowdell discusses the Bricasti M7 Reverb Processor in detail with Sound Pure Studios. This last video of our four-part series touches on reverb tails, the differences between the M7 and other processors, the challenges faced in the development of the Bricasti, and why the Bricasti is unlike any other reverb unit. Please check out the other videos that we have uploaded featuring the Bricasti M7 reverb, the most natural sounding reverb ever created. Check out our other Bricasti videos on the brand new V2, as well as our Bricasti processing videos. If you have any questions about the Bricasti, please give us a call and we would be happy to answer any questions. Call toll free 888-528-9703.

Several reverbs are toggled through utilizing the amazing Bricasti M7 Reverb Processor on a set of drums recorded with an extremely simple set of microphones. The M7 is the world-shaking new reverb processor that has proven among the top recording engineers and record producers in the world as THE ultimate choice for natural sounding acoustic spaces, and non-artifact reverbs that simply to not possess the typical smearing, muddiness, and phase problems you come to hear even in today's top and most sought-after reverbs. The natural decays that the Bricasti creates is the equivalent of having truly world class spaces and truly world class microphones. The spaces are produces with wonderful realism and accuracy, and the resulting combined product of direct dry recording plus reverb does not come at the expense as is typically the case with even the finest legacy reverbs in the world. Great convolution products by Altiverb, Lexicon, Eventide, TC Electronic, and others, simply cannot compare in the way that they handle natural spaces, transient information, detail, and overall acoustic space realism. There is a reason that the top engineers in the world are turning towards the Bricasti for these reasons, and there's good reason that Sound Pure Studios owns the Bricast themselves and use it on session work every day. Call us at Sound Pure to discuss the way that we use our M7 and see if it is right for your studio. Our recording engineers and sales professionals are always just a phone call away, and we always have the Bricsatis in stock or on order. Call toll free 888-528-9703.

The Bricasti M7 Reverb is discussed at great length. The discussion includes common Reverb related Myths that don't exist in real world environments, and common problems associated with legacy reverb units that have been solved. The continuation of white noise and hiss that is a direct by-product of poor reverb algorithms simply does not exist in the real world, nor does it exist on the simply astonishing algorithms encompassed into the Bricast M7 Reverb unit. The Bricasti Version 1 (first chip), which by the way is upgradeable at no charge to Version 1 owners to VErsion 2, was designed to address common reverb problems with past reverbs, even the great convolution reverbs made by Altiverb, Lexicon, Sony, and others, by creating the most natural sounding true-to-life spaces ever created out of an artificial digital reverb. They are truly mind-blowing. Other myths such as the artificial modulation that totally exceeds realism in some of the great reverbs of the past like the Lexicon 480 and Lexicon, and certainly in the less expensive Lexicon PCM models, are simply overcome. Unstable images, ackward modulation, and the extensive muddiness associated with every other reverb is simply cast away with the pure reverb sounds from the M7. Version 1 was focused on owning the space of natural acoustic sounds and realistic acoustic spaces, and succeeded. Virtually every engineer that has heard the M7 and that can financially afford one is adding it to his rig as a truly indispensable tool. While other reverb tails often sour, but most assuredly do not preserve the realism into the longer tails, the Bricasti does not have this problem. The Bricasti will dynamically and actively resample and recycle into its algorithm sounds from as early as 30 (or even 60) seconds earlier on its longest reverbs, the biproduct of which is wonderful details preserved, and transparency maintained in what prove to be remarkably truthful creations of reverb, even in the longest reverb tails. We use our Bricasti M7 every day in our studios, and one of our engineers or sales experts would be glad to discuss with you whether or not they make sense for your particular needs. Please give us at Sound Pure a call toll free at 888-528-9703.