Sound Pure's Take

Rivera's first Class A amplifier is an amazing and inspiring tool in the right hands.  Plenty loud for most gigs and a great studio amp with plenty of pull knobs for a very flexible EQ.  We find the vintage/modern switch to be very usefull as it's nice to go to half power from time to time!  Adds thickness and drive at lower wattage.

If you have any questions about this 1x12 combo, feel free to call or email Sound Pure today!

Watch & listen

Rivera Venus 6 Amp Video Demo

Also in this recording Lynx Aurora 16 I/O D/A and A/D Converter Millennia HV-3R Digital 8 Channel Mic Preamp

The Rivera Venus 6 Class A Tube Amplifier Combo is a remarkable sounding unit with enough headroom for most live gigs and also can be dialed in for great tones in the studio at the same time. It's 35 watt size is extreme... Read more

The Rivera Venus 6 Class A Tube Amplifier Combo is a remarkable sounding unit with enough headroom for most live gigs and also can be dialed in for great tones in the studio at the same time. It's 35 watt size is extremely versatile, and featured 4x 6V6 power tubes and 12AX7 preamp tubes. The wonderful sounding Accutronics Reverb, and push pull controllability make this incredible sounding amp a fabulous choice for the studio, stage, or home. We have been dialing in some amazing tones here at Sound Pure, and would love to talk to you more about this amp, call us toll free 888.528.9703 to discuss further.

Millennia HV3 Mic Pre Video Demo & Highlight Reel

Also in this recording Millennia HV-3R Digital 8 Channel Mic Preamp Lynx Aurora 16 I/O D/A and A/D Converter CharterOak SA538B Tube Microphone Mojave Audio MA-200 Tube LDC Microphone CharterOak E700 FET Multi-Pattern Condenser Microphone Peluso P-67 Switchable Pattern Tube Microphone Victoria Amps Victorilux 45W 2x12 Combo Amp

The Millennia HV3 is known as a world class microphone preamplifier. The same great circuit design is used in a variety of Millennia preamps including the HV-3d (4 and 8 channell versions), the HV3c, the HV3r Remote Cont... Read more

The Millennia HV3 is known as a world class microphone preamplifier. The same great circuit design is used in a variety of Millennia preamps including the HV-3d (4 and 8 channell versions), the HV3c, the HV3r Remote Controllable Mic Preamp with optional A/D conversion card, the Millennia STT1 Origin Channel Strip, and the TD-1 DI and Mic Pre. While Millennia Mic Preamps are definitive in the classical and jazz worlds, it is truly outstanding in all serious recording studio applications, where the sound company out of the microphone is just right, as-is. Visit our blog on the Millennia products, and be sure and check out our numerous other videos on the individual products in the line. Contact us with any questions, or to pick your next great mic preamp up- we can be reached toll free 888-528-9703.

CharterOak m900t Tube Microphone on Electric Guitar

Also in this recording Lynx Aurora 16 I/O D/A and A/D Converter Millennia HV-3R Digital 8 Channel Mic Preamp Rivera Venus 5 Guitar Combo Amplifier Melancon Cajun Gentleman 1502 Electric Guitar

The Charter Oak m900t is a vintage-style small-diaphragm tube pencil microphone that has a warm, thick midrange, and very tame and subdued top end. However, as a small diaphragm mic, this Charter Oak microphone is an exc... Read more

The Charter Oak m900t is a vintage-style small-diaphragm tube pencil microphone that has a warm, thick midrange, and very tame and subdued top end. However, as a small diaphragm mic, this Charter Oak microphone is an excellent choice where you want to retain detail in a non-harsh way. Even when put through our clean preamp, the Millennia HV3, there was no real harshness that you'd typically expect from a small diaphragm mic. It possesses a warm vintage tonailty, but doesn't lack on detail, which makes it an interesting and great choice here for electric guitars. It is particularly impressive in the way that it can capture clean tones, and loads of reverb detail, but at the same time, doesn't suffer when the amp gets dialed up to some more aggressive distorted electric guitar tones. It's a real workhorse, as it performs wonderfully well on lots of applications from finger-style acoustic guitar, to drum overheads, grand piano, and even here on electric guitars. If you'd like to discuss the microphone, please don't hesitate to give one of our recording experts here a call anytime, toll free at 888.528.9703, or international, +1 919.682.5552.

Recorded with this gear

arpeggiated down electric guitar neck pickup

Also in this recording AEA R84 Ribbon Microphone Lynx Aurora 8 I/O D/A and A/D Converter

McNaught Vintage Single Cut electric guitar(neck pickup) played into Rivera Amps Venus 6 1x12(channel 1, volume 5, bass 7, mid 8, treble 4, master 4, reverb 3, presence 10, focus 10, add boost) mic'd with AEA R84 into A... Read more

McNaught Vintage Single Cut electric guitar(neck pickup) played into Rivera Amps Venus 6 1x12(channel 1, volume 5, bass 7, mid 8, treble 4, master 4, reverb 3, presence 10, focus 10, add boost) mic'd with AEA R84 into A Designs silver Preamp feeding Lynx Aurora 8.

arpeggiated down electric guitar neck pickup

Also in this recording Sennheiser MD 421 II Cardioid Dynamic Microphone LaChapell Audio 583s MKII 500-Series Tube Preamplifier Lynx Aurora 8 I/O D/A and A/D Converter

McNaught Vintage Single Cut electric guitar(neck pickup) played into Rivera Amps Venus 6 1x12(channel 1, volume 5, bass 7, mid 8, treble 4, master 4, reverb 3, presence 10, focus 10, add boost) mic'd with Sennheiser MD 4... Read more

McNaught Vintage Single Cut electric guitar(neck pickup) played into Rivera Amps Venus 6 1x12(channel 1, volume 5, bass 7, mid 8, treble 4, master 4, reverb 3, presence 10, focus 10, add boost) mic'd with Sennheiser MD 421 II into LaChapell 583 Preamp feeding Lynx Aurora 8.

arpeggiated down electric guitar neck pickup

Also in this recording Sennheiser MD 421 II Cardioid Dynamic Microphone LaChapell Audio 583s MKII 500-Series Tube Preamplifier AEA R84 Ribbon Microphone Lynx Aurora 8 I/O D/A and A/D Converter

McNaught Vintage Single Cut electric guitar(neck pickup) played into Rivera Amps Venus 6 1x12(channel 1, volume 5, bass 7, mid 8, treble 4, master 4, reverb 3, presence 10, focus 10, add boost) mic'd with Sennheiser MD 4... Read more

McNaught Vintage Single Cut electric guitar(neck pickup) played into Rivera Amps Venus 6 1x12(channel 1, volume 5, bass 7, mid 8, treble 4, master 4, reverb 3, presence 10, focus 10, add boost) mic'd with Sennheiser MD 421 II into LaChapell 583 Preamp & AEA R84 into A Designs silver Preamp feeding Lynx Aurora 8.

60's fuzz electric guitar neck pickup

Also in this recording Sennheiser MD 421 II Cardioid Dynamic Microphone LaChapell Audio 583s MKII 500-Series Tube Preamplifier AEA R84 Ribbon Microphone Lynx Aurora 8 I/O D/A and A/D Converter

McNaught Vintage Single Cut electric guitar(neck pickup) played into Rivera Amps Venus 6 1x12(channel 2, volume 6, bass 5, mid 7, treble 7, master 4, reverb 3, presence 10, focus 10, add boost) mic'd with Sennheiser MD 4... Read more

McNaught Vintage Single Cut electric guitar(neck pickup) played into Rivera Amps Venus 6 1x12(channel 2, volume 6, bass 5, mid 7, treble 7, master 4, reverb 3, presence 10, focus 10, add boost) mic'd with Sennheiser MD 421 II into LaChapell 583 Preamp & AEA R84 into A Designs silver Preamp feeding Lynx Aurora 8.

boosted distortoverb electric guitar bridge pickup

Also in this recording Sennheiser MD 421 II Cardioid Dynamic Microphone LaChapell Audio 583s MKII 500-Series Tube Preamplifier AEA R84 Ribbon Microphone Lynx Aurora 8 I/O D/A and A/D Converter

McNaught Vintage Single Cut electric guitar(bridge pickup) played into Rivera Amps Venus 6 1x12(channel 2, volume 6, bass 5, mid 7, treble 7, master 4, reverb 3, presence 10, focus 10, boost on) mic'd with Sennheiser MD... Read more

McNaught Vintage Single Cut electric guitar(bridge pickup) played into Rivera Amps Venus 6 1x12(channel 2, volume 6, bass 5, mid 7, treble 7, master 4, reverb 3, presence 10, focus 10, boost on) mic'd with Sennheiser MD 421 II into LaChapell 583 Preamp & AEA R84 into A Designs silver Preamp feeding Lynx Aurora 8.

distortoverb electric guitar bridge pickup

Also in this recording Sennheiser MD 421 II Cardioid Dynamic Microphone LaChapell Audio 583s MKII 500-Series Tube Preamplifier AEA R84 Ribbon Microphone Lynx Aurora 8 I/O D/A and A/D Converter

McNaught Vintage Single Cut electric guitar(bridge pickup) played into Rivera Amps Venus 6 1x12(channel 2, volume 6, bass 5, mid 7, treble 7, master 4, reverb 3, presence 10, focus 10, add boost) mic'd with Sennheiser MD... Read more

McNaught Vintage Single Cut electric guitar(bridge pickup) played into Rivera Amps Venus 6 1x12(channel 2, volume 6, bass 5, mid 7, treble 7, master 4, reverb 3, presence 10, focus 10, add boost) mic'd with Sennheiser MD 421 II into LaChapell 583 Preamp & AEA R84 into A Designs silver Preamp feeding Lynx Aurora 8.

mighty distorted electric guitar position 1 pickup

Also in this recording Sennheiser MD 421 II Cardioid Dynamic Microphone LaChapell Audio 583s MKII 500-Series Tube Preamplifier Lynx Aurora 8 I/O D/A and A/D Converter

Nash S-57 electric guitar(position 1 pickup) played into Rivera Amps Venus 6 1x12(channel 2, volume 6, bass 5, mid 7, treble 7, master 4, reverb 3, presence 10, focus 10, add boost) mic'd with Sennheiser MD 421 II into L... Read more

Nash S-57 electric guitar(position 1 pickup) played into Rivera Amps Venus 6 1x12(channel 2, volume 6, bass 5, mid 7, treble 7, master 4, reverb 3, presence 10, focus 10, add boost) mic'd with Sennheiser MD 421 II into LaChapell 583 Preamp feeding Lynx Aurora 8.

cross country electric guitar position 1 pickup

Also in this recording Sennheiser MD 421 II Cardioid Dynamic Microphone LaChapell Audio 583s MKII 500-Series Tube Preamplifier Lynx Aurora 8 I/O D/A and A/D Converter

Nash S-57 electric guitar(position 1 pickup) played into Rivera Amps Venus 6 1x12(channel 1, volume 8, bass 5, mid 8, treble 6, master 4, reverb 3, presence 10, focus 10) mic'd with Sennheiser MD 421 II into LaChapell 58... Read more

Nash S-57 electric guitar(position 1 pickup) played into Rivera Amps Venus 6 1x12(channel 1, volume 8, bass 5, mid 8, treble 6, master 4, reverb 3, presence 10, focus 10) mic'd with Sennheiser MD 421 II into LaChapell 583 Preamp feeding Lynx Aurora 8.

mighty distorted electric guitar position 5 pickup

Also in this recording Sennheiser MD 421 II Cardioid Dynamic Microphone LaChapell Audio 583s MKII 500-Series Tube Preamplifier Lynx Aurora 8 I/O D/A and A/D Converter

Nash S-57 electric guitar(position 5 pickup) played into Rivera Amps Venus 6 1x12(channel 2, volume 6, bass 5, mid 7, treble 7, master 4, reverb 3, presence 10, focus 10, add boost) mic'd with Sennheiser MD 421 II into L... Read more

Nash S-57 electric guitar(position 5 pickup) played into Rivera Amps Venus 6 1x12(channel 2, volume 6, bass 5, mid 7, treble 7, master 4, reverb 3, presence 10, focus 10, add boost) mic'd with Sennheiser MD 421 II into LaChapell 583 Preamp feeding Lynx Aurora 8.

distorted electric guitar position 1 pickup

Also in this recording Sennheiser MD 421 II Cardioid Dynamic Microphone LaChapell Audio 583s MKII 500-Series Tube Preamplifier Lynx Aurora 8 I/O D/A and A/D Converter

Nash S-57 electric guitar(position 1 pickup) played into Rivera Amps Venus 6 1x12(channel 1, volume 8, bass 5, mid 8, treble 6, master 4, reverb 3, presence 10, focus 10, add boost) mic'd with Sennheiser MD 421 II into L... Read more

Nash S-57 electric guitar(position 1 pickup) played into Rivera Amps Venus 6 1x12(channel 1, volume 8, bass 5, mid 8, treble 6, master 4, reverb 3, presence 10, focus 10, add boost) mic'd with Sennheiser MD 421 II into LaChapell 583 Preamp feeding Lynx Aurora 8.

mighty distorted electric guitar position 1 pickup

Also in this recording Sennheiser MD 421 II Cardioid Dynamic Microphone LaChapell Audio 583s MKII 500-Series Tube Preamplifier AEA R84 Ribbon Microphone Lynx Aurora 8 I/O D/A and A/D Converter

Nash S-57 electric guitar(position 1 pickup) played into Rivera Amps Venus 6 1x12(channel 2, volume 6, bass 5, mid 7, treble 7, master 4, reverb 3, presence 10, focus 10, add boost) mic'd with Sennheiser MD 421 II into L... Read more

Nash S-57 electric guitar(position 1 pickup) played into Rivera Amps Venus 6 1x12(channel 2, volume 6, bass 5, mid 7, treble 7, master 4, reverb 3, presence 10, focus 10, add boost) mic'd with Sennheiser MD 421 II into LaChapell 583 Preamp & AEA R84 into A Designs silver Preamp feeding Lynx Aurora 8.

cross country electric guitar position 1 pickup

Also in this recording Sennheiser MD 421 II Cardioid Dynamic Microphone LaChapell Audio 583s MKII 500-Series Tube Preamplifier AEA R84 Ribbon Microphone Lynx Aurora 8 I/O D/A and A/D Converter

Nash S-57 electric guitar(position 1 pickup) played into Rivera Amps Venus 6 1x12(channel 1, volume 8, bass 5, mid 8, treble 6, master 4, reverb 3, presence 10, focus 10) mic'd with Sennheiser MD 421 II into LaChapell 58... Read more

Nash S-57 electric guitar(position 1 pickup) played into Rivera Amps Venus 6 1x12(channel 1, volume 8, bass 5, mid 8, treble 6, master 4, reverb 3, presence 10, focus 10) mic'd with Sennheiser MD 421 II into LaChapell 583 Preamp & AEA R84 into A Designs silver Preamp feeding Lynx Aurora 8.

mighty distorted electric guitar position 5 pickup

Also in this recording Sennheiser MD 421 II Cardioid Dynamic Microphone LaChapell Audio 583s MKII 500-Series Tube Preamplifier AEA R84 Ribbon Microphone Lynx Aurora 8 I/O D/A and A/D Converter

Nash S-57 electric guitar(position 5 pickup) played into Rivera Amps Venus 6 1x12(channel 2, volume 6, bass 5, mid 7, treble 7, master 4, reverb 3, presence 10, focus 10, add boost) mic'd with Sennheiser MD 421 II into L... Read more

Nash S-57 electric guitar(position 5 pickup) played into Rivera Amps Venus 6 1x12(channel 2, volume 6, bass 5, mid 7, treble 7, master 4, reverb 3, presence 10, focus 10, add boost) mic'd with Sennheiser MD 421 II into LaChapell 583 Preamp & AEA R84 into A Designs silver Preamp feeding Lynx Aurora 8.

distorted electric guitar position 1 pickup

Also in this recording Sennheiser MD 421 II Cardioid Dynamic Microphone LaChapell Audio 583s MKII 500-Series Tube Preamplifier AEA R84 Ribbon Microphone Lynx Aurora 8 I/O D/A and A/D Converter

Nash S-57 electric guitar(position 1 pickup) played into Rivera Amps Venus 6 1x12(channel 1, volume 8, bass 5, mid 8, treble 6, master 4, reverb 3, presence 10, focus 10, add boost) mic'd with Sennheiser MD 421 II into L... Read more

Nash S-57 electric guitar(position 1 pickup) played into Rivera Amps Venus 6 1x12(channel 1, volume 8, bass 5, mid 8, treble 6, master 4, reverb 3, presence 10, focus 10, add boost) mic'd with Sennheiser MD 421 II into LaChapell 583 Preamp & AEA R84 into A Designs silver Preamp feeding Lynx Aurora 8.

mighty distorted electric guitar position 1 pickup

Also in this recording AEA R84 Ribbon Microphone Lynx Aurora 8 I/O D/A and A/D Converter

Nash S-57 electric guitar (position 1 pickup) played into Rivera Amps Venus 6 1x12(channel 2, volume 6, bass 5, mid 7, treble 7, master 4, reverb 3, presence 10, focus 10, add boost) mic'd with AEA R84 into A Designs sil... Read more

Nash S-57 electric guitar (position 1 pickup) played into Rivera Amps Venus 6 1x12(channel 2, volume 6, bass 5, mid 7, treble 7, master 4, reverb 3, presence 10, focus 10, add boost) mic'd with AEA R84 into A Designs silver Preamp feeding Lynx Aurora 8.

cross country electric guitar position 1 pickup

Also in this recording AEA R84 Ribbon Microphone Lynx Aurora 8 I/O D/A and A/D Converter

Nash S-57 electric guitar (position 1 pickup) played into Rivera Amps Venus 6 1x12(channel 1, volume 8, bass 5, mid 8, treble 6, master 4, reverb 3, presence 10, focus 10) mic'd with AEA R84 into A Designs silver Preamp... Read more

Nash S-57 electric guitar (position 1 pickup) played into Rivera Amps Venus 6 1x12(channel 1, volume 8, bass 5, mid 8, treble 6, master 4, reverb 3, presence 10, focus 10) mic'd with AEA R84 into A Designs silver Preamp feeding Lynx Aurora 8.

mighty distorted electric guitar position 5 pickup

Also in this recording AEA R84 Ribbon Microphone Lynx Aurora 8 I/O D/A and A/D Converter

Nash S-57 electric guitar (position 5 pickup) played into Rivera Amps Venus 6 1x12(channel 2, volume 6, bass 5, mid 7, treble 7, master 4, reverb 3, presence 10, focus 10, add boost) mic'd with AEA R84 into A Designs sil... Read more

Nash S-57 electric guitar (position 5 pickup) played into Rivera Amps Venus 6 1x12(channel 2, volume 6, bass 5, mid 7, treble 7, master 4, reverb 3, presence 10, focus 10, add boost) mic'd with AEA R84 into A Designs silver Preamp feeding Lynx Aurora 8.

distorted electric guitar position 1 pickup

Also in this recording AEA R84 Ribbon Microphone Lynx Aurora 8 I/O D/A and A/D Converter

Nash S-57 electric guitar (position 1 pickup) played into Rivera Amps Venus 6 1x12(channel 1, volume 8, bass 5, mid 8, treble 6, master 4, reverb 3, presence 10, focus 10, add boost) mic'd with AEA R84 into A Designs sil... Read more

Nash S-57 electric guitar (position 1 pickup) played into Rivera Amps Venus 6 1x12(channel 1, volume 8, bass 5, mid 8, treble 6, master 4, reverb 3, presence 10, focus 10, add boost) mic'd with AEA R84 into A Designs silver Preamp feeding Lynx Aurora 8.

From Rivera Amps


Rivera is proud to release it's first all Class A amplifier, the Venus 6.

Designed with magnificent tone and cool running in mind, this new amplifier embodies the Rivera ideal of fabulous sound with outstanding reliability.

All of the heat producing key components of our new Venus 6 amplifier have been mounted on a industrial sized heatsink and are on the outer surface of the chassis.

The USA made transformers are oversized and are rated for at least double the power output of the Venus 6.

Rivera is the first to make a small idle current adjustment possible with the Class A circuit, allowing a wider range of tubes to be set to the correct idle current, again, assisting in reliability and field maintenance.

Featuring a five 12AX7 tube preamp configuration with two independent Channels, each with it?s own footswitchable boost.

Channel 1 is a high gain and British inspired lead channel. Gobs of sweet sustain and loads of crunch can be dialed up easily. Channel 2 is a Rhythm and Blues channel, with a the best of classic 60ss American tone. Additional eq options include a bright switch and a selectable midrange notch.

Long pan Accutronics Reverb that is tube followed fills in the palette of tones with that sweet and spanky sounding delay.

An assignable and footswitchable effects loop that is fully buffered allows the interfacing with almost any kind of outboard effects device.

Coupled with a Class A Power Amplifier that is energized by 6V6GT (4) Tubes, this 35Watt RMS amp has enough headroom to cut most gigs, and with a fat bodied warmth that breathes like a Goddess of love that it is. 6V6GTs are well known to have spectacular tone, and excellent reliability, rivaling the classic yet unstable EL-84. A Vintage or Modern switch allows selection of full or half output power levels.

This is also the debut of the newly released Celestion G12-Heritage 30 in a Rivera Combo amplifier. Available in a 1-12 or 2-12 Combo configuration with Celestion G12-Heritage 30 speakers, or as a Top. Extension cabinets are available in 1-12 and 2-12 open back, 2-12 Closed Back, and 4-12 slant and straight models.

Standard colors are pearl white with a vintage gold grille, or Black with a vintage gold grille. Optional colors include Ruby Red, Cobalt Blue, Palomino, and British vintage green.

Venus 6, a modern Rivera classic

  • Class “A” powered by a quartet of 6V6’s
  • 2 Channels with Boosts on each Channel
  • Footswitchable and assignable FX loop

Free 3-Year Warranty

Sound Pure stands behind our products. Free three-year warranty on this item. Coverage exclusions live in Terms & Conditions, Section 27.

Level of support and expertise that simply isn't available at big-box megastores. Read the warranty →

Returns

Not eligible for Try Before You Buy or the 48-hour approval period. Standard return policy applies — see Terms & Conditions, Section 18 for details.

Sound Pure Studios Control Room A — Durham, NC

Sound Pure Studios · Durham, NC

Come hear it in our control rooms.

Sound Pure is a working studio in Durham, NC — a 1,000 sq ft live room and two pro control rooms. Book a session to audition gear in a world-class acoustic space before you buy.